| | Angel Dances CD 12 Cellists Berlin CDS
| Category | Classical, Romantic Period, 20th Century Period, Orchestral/Symphonic, Baroque Period, Prelude, Cantata, Oratorio, Hymn, Chorus, Chorale, Tango |
Angel Dances Music | List Price | $16.98 (You save $5.29) | | Label | EMI Music Distribution | | Orig Year | 7/18/2006 | | All Time Sales Rank |  7973  | | CD Universe Part number | 7226043 | | Catalog number | 57030 | | Discs | 1 | | Release Date | Jul 18, 2006 | | Recording Time | 1 14 |
Angel Dances Review
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Angel Dances Songs | 1. La Muerte del angel, tango (from Angel series) (3:43) | | Composer | Astor Piazzolla (1921 - 1992) | | Performer | David Delacroix (Cello) | | Genre | Tango | | Date Written | 1962 | | Ensemble | 12 Cellists of the Berlin Philharmonic | | Country | Argentina | | Venue | Jesus Christ Church, Berlin, Germany | | Notes | Jesus Christ Church, Berlin, Germany (01/04/2006-01/07/2006) | | 2. Milonga del angel, tango (from Angel series) (5:56) | | Composer | Astor Piazzolla (1921 - 1992) | | Performer | David Delacroix (Cello) | | Genre | Tango | | Date Written | 1965 | | Ensemble | 12 Cellists of the Berlin Philharmonic | | Country | Argentina | | Venue | Jesus Christ Church, Berlin, Germany | | Notes | Jesus Christ Church, Berlin, Germany (01/04/2006-01/07/2006) | | 3. Resurreccion del angel, tango (from Angel series) (7:42) | | Composer | Astor Piazzolla (1921 - 1992) | | Performer | David Delacroix (Cello) | | Genre | Tango | | Date Written | 1965 | | Ensemble | 12 Cellists of the Berlin Philharmonic | | Country | Argentina | | Venue | Jesus Christ Church, Berlin, Germany | | Notes | Jesus Christ Church, Berlin, Germany (01/04/2006-01/07/2006) | | 4. Let Us Praise Him, song (3:05) | | Composer | Volker Schlott (1958 - ) | | Performer | David Delacroix (Cello)
Jocelyn B. Smith (Voice)
Hans-Dieter Lorenz (Double Bass) | | Ensemble | 12 Cellists of the Berlin Philharmonic | | Venue | Jesus Christ Church, Berlin, Germany | | Notes | Jesus Christ Church, Berlin, Germany (01/04/2006-01/07/2006) | | 5. Plorate, for chorus & cello ensemble (after Carissimi) (5:24) | | Composer | Stephen Johns | | Conductor | Simon Halsey | | Performer | David Delacroix (Cello) | | Ensemble | 12 Cellists of the Berlin Philharmonic | | Venue | Jesus Christ Church, Berlin, Germany | | Notes | Jesus Christ Church, Berlin, Germany (01/04/2006-01/07/2006) | | 6. La cathedrale engloutie, prelude for piano, L. 117/10 (6:05) | | Catalog No. | L 117 | | Composer | Claude Debussy (1862 - 1918) | | Performer | David Delacroix (Cello) | | Genre | Prelude | | Date Written | 1909 | | Ensemble | 12 Cellists of the Berlin Philharmonic | | Country | France | | Venue | Jesus Christ Church, Berlin, Germany | | Notes | Jesus Christ Church, Berlin, Germany (01/04/2006-01/07/2006) | | 7. Fratres, for strings & percussion (9:46) | | Composer | Arvo Pärt (1935 - ) | | Performer | Franz Schindelbeck
David Delacroix (Cello) | | Date Written | 1991 | | Ensemble | 12 Cellists of the Berlin Philharmonic | | Country | Estonia | | Venue | Jesus Christ Church, Berlin, Germany | | Notes | Jesus Christ Church, Berlin, Germany (01/04/2006-01/07/2006) | | 8. A Solis Ortus Cardine, song (5:16) | | Composer | Volker Schlott (1958 - ) | | Performer | David Delacroix (Cello)
Jocelyn B. Smith (Voice) | | Ensemble | 12 Cellists of the Berlin Philharmonic | | Venue | Jesus Christ Church, Berlin, Germany | | Notes | Jesus Christ Church, Berlin, Germany (01/04/2006-01/07/2006) | | 9. Ave Maria, for voice & strings (or piano) (5:36) | | Composer | Giuseppe Verdi (1813 - 1901) | | Performer | David Delacroix (Cello) | | Genre | Romantic Period | | Date Written | 1880 | | Ensemble | 12 Cellists of the Berlin Philharmonic | | Period | Romantic | | Country | Italy | | Venue | Jesus Christ Church, Berlin, Germany | | Notes | Jesus Christ Church, Berlin, Germany (01/04/2006-01/07/2006) | | 10. Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesus bleibet meine Freude (3:27) | | Common Name | Herz Und Mund Und Tat Und Leben, Cantata, Cantata 147 | | Catalog No. | BWV 147 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | David Delacroix (Cello) | | Genre | Baroque Period / Cantata | | Date Written | 07/02/1723 | | Ensemble | 12 Cellists of the Berlin Philharmonic | | Period | Baroque | | Country | Germany | | Venue | Jesus Christ Church, Berlin, Germany | | Notes | Jesus Christ Church, Berlin, Germany (01/04/2006-01/07/2006) | | 11. Elijah (Elias), oratorio, Op. 70: Trio and Double Quartet (5:04) | | Common Name | Elijah Elias | | Composer | Felix Mendelssohn (1809 - 1847) | | Performer | David Delacroix (Cello) | | Genre | Oratorio / Romantic Period | | Date Written | 08/11/1846 | | Ensemble | 12 Cellists of the Berlin Philharmonic | | Period | Romantic | | Venue | Jesus Christ Church, Berlin, Germany | | Notes | Jesus Christ Church, Berlin, Germany (01/04/2006-01/07/2006) | | 12. Miniatur (einer Seelenreise), for trumpet, flugelhorn & cello ensemble (12:50) | | Composer | Markus Stockhausen (1957 - ) | | Performer | David Delacroix (Cello)
Markus Stockhausen (Trumpet) | | Ensemble | 12 Cellists of the Berlin Philharmonic | | Venue | Jesus Christ Church, Berlin, Germany | | Notes | Jesus Christ Church, Berlin, Germany (01/04/2006-01/07/2006) |
Angel Dances Music Composers on Angel Dances CD : Johann Sebastian Bach, Claude Debussy, Stephen Johns, Felix Mendelssohn, Arvo Part, Astor Piazzolla, Volker Schlott, Markus Stockhausen, Giuseppe Verdi Conductors on Angel Dances CD : Simon Halsey Ensembles on Angel Dances CD : 12 Cellists of the Berlin Philharmonic Genres on Angel Dances CD : Baroque Period, Cantata, Oratorio, Prelude, Romantic Period, Tango Performers on Angel Dances CD : David Delacroix, Franz Schindelbeck, Hans-Dieter Lorenz, Jocelyn B. Smith, Markus Stockhausen Purchase Angel Dances To buy, Click on price to add to cart | Kevin Maynor Paul Robeson Remembered CD (1998) (Import)
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This disc was nominated for the 1997 Grammy Award for "Best Small Ensemble Performance."
Selections recorded July 1995 at Lockenhaus Castle and January 1996 at Studio Guillaume Tell, Paris, France.
From the violinist and Piazzolla fanatic Gidon Kremer comes this album of works by Piazzolla, along with one song in tribute to the legend. He covers a decent range of Piazzolla's work, moving equally well between slower milongas and faster tangos. The album starts out with the relatively somber, but quite dramatic "Milonga en re." It then moves on to a more upbeat set with "Vardarito" and the grandiose "Oblivion." Then comes "Escualo," which has something nearly akin to a march driving it. The more nostalgic tone of "Café 1930" immediately follows, snapping the listener back into a somber mood. The grand "Concierto para quinteto" makes an appearance, followed by "Soledad" and the deeper, darker sound of "Buenos Aires hora cero." "Celos" follows, to be followed itself by Jerry Peterburshsky's tribute to Piazzolla, "El sol sueno." Many of the attributes of Piazzolla's compositions make themselves apparent in this tribute, though the strings are in places somewhat more standard than Piazzolla's music might normally lead one to be accustomed to. The album ...
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This eponymous collection from the Past Perfect label collects 37 performances from Ella Fitzgerald's time with the Decca label during the late '30s and '40s -- a period where she was blooming but not yet in ...
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Live Recording
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If you play the trombone, or are a ragtime fancier, then you just might know something about ace trombonist and legendary bandleader Arthur Pryor. He was a household name in America and much of the world in the first decades of the 20th century, but Pryor faded into memory, like so many things from that idealistic time, after World War I shocked everyone into what an awful place the new, technologically oriented world could be. Fortunately, one of the new technologies about which Pryor was particularly enthusiastic -- recording -- helped to preserve his work even as his entire band's library has burned and many of the old surviving photographs of his likeness have faded past rescue. Archeophone's Arthur Pryor collection Echoes from Asbury Park ain't no Bruce Springsteen record, folks. It is a blast from a very different past: one with kids in knickers nibbling away at those new-fangled ice cream cones, when ladies wore gigantic hats well-peppered with the remnants of many a dead bird, and a gentleman only used foul language in the presence of other gentlemen, thank you.
Pryor's recording career under his own name stretches from 1903 to the mid-'20s, but Echoes from Asbury Park wisely limits its compass to the period between 1903 and 1913, when he worked most extensively with the Victor record company and maintained a full-time touring band. Production consultant David Sager, who also provided excellent notes for this project, organizes the program into two distinct halves representing noontime and summer-evening concert programs as might have been heard in New Jersey's Asbury Park. It is strongly suggested that the listener observe the break in between the two; listening straight through might induce a case of ennui somewhere around "Aloha Oe." If you give up there you will miss all of the nifty ragtime novelties such as "Razzaza Mazzaza" and the knockout precision of Pryor's Band in such fast, difficult pieces as "Dance of the Weasels." There isn't a bounty of Pryor trombone solos as may be found on other reissues, as this collection is devoted to Pryor's Band as a whole. Likewise, some might decry the exclusion of certain Pryor "hits" that are still reasonably well known, such as his record of "The Teddy Bears' Picnic" (issued as one side of Victor 16001, the company's first two-sided record in a regular series) or any ...
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Angel Dances
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