| | Beach House CD - Import
The deeply soulful soundtrack to Kandi's deliciously stylish summer, created with sights set firmly on sea, sand & all-round Balearic pleasure. It's all about the kind of deep soul-drenched mid-tempo house with a sassy Latin twist demanded by Kandi sunseekers everywhere. Late Night Alumni and Kaskade make an appearance along with a very special re-work of the Jam & Lewis-penned "I Didn't Mean To Turn You On". Of course, quality remix producers grace the album - Ashley Beedle on L.O.V.E.'s "We Should Fall In Love" and Phil Asher controls the Bah Samba re-work of the Fatback Band classic, "Let The Drums Speak", which is Kandi summer perfection! Dimitri from Paris' mix of Ron Hall's "The Way You Love Me" injects a little vibraphonic, soul-soaked 70s disco, an anthem for 2006! This is supreme sunshine for the soul, so don't forget your shades! Beach House Songs | 1. | Rise - Samantha James |
| 2. | Heavens on Fire - Luke (Spanish Fly Club mix) |
| 3. | We Should Fall in Love - L.O.V.E. (Ashley Beedle Vocal mix) |
| 4. | I Knew You When - Late Night Alumni (Chuck Love's Deep Breath mix) |
| 5. | In This Life - Kaskade (Justin Michael & Balage's Hermosa mix) |
| 6. | Didn't Mean to Turn You On - Colette (Chuck Love's Mute Force mix) |
| 7. | Rise - Joillet (Louis Benedetti Club mix) |
| 8. | Wesley Music - RSL |
| 9. | Batu - Philip Cortez |
| 10. | Ride - Spencer Collective |
| 11. | Sun Science - Crazy P |
| 12. | Let the Drums Speak - Bah Samba (Phil Asher remix) |
| 13. | Way You Love Me, The - Ron Hall & The MuthaFunkaz (Dim's TSOP Version) |
| | Beach House Songs DISC 2: |
| 1. | Eurodaris - Todd Terje |
| 2. | Mindtrip - Hot Toddy |
| 3. | Million Stories, A - Cuban Brothers (Diesler mix) |
| 4. | So in Love - TMD (Original mix) |
| 5. | Bounson - Hardsoul (Hardsoul's Latin Directions Original) |
| 6. | Until the End of Time - The Sunburst Band (Album Version) |
| 7. | Viva L'Amore - Physics |
| 8. | Fade - Solu Music/Kimblee (Solid State Acoustic mix) |
| 9. | Galactik Flies - Spirit Catcher |
| 10. | Way, The - Lenny Fontana (Chris & Penn Club mix) |
| 11. | In-Ten-City - Soul Central (Vocal mix) |
| 12. | Swimming Places - Julien Jabre (Original mix) |
| 13. | Black Water - A Hundred Birds (Main mix) |
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Beach House Review
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Purchase Beach House CD To buy, Click on price to add to cart | Hannibal DVDs (2001) Widescreen; Special Edition; Subtitled
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3 CD Box Set
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SENSATIONAL ALEX HARVEY BAND brought together glam rock and cabaret-style theatrics, and the band's first two albums--FRAMED and NEXT--are two of its best. Both have been digitally remastered and brought together here under one cover.
A handy two-fer coupling of the Sensational Alex Harvey Band's first two albums, nicely remastered but sadly accompanied by nothing that has not been reissued before, Framed/Next captures the band as they took their first steps towards a superstardom that was by no means taken for granted. Early live audiences hated the group, and the only consolation for Harvey was that he actively enjoyed the confrontation.
Framed was recorded in under five days, and still steams with the seething fury of its birth, a mixed bag of new creations, odd concoctions, and oldies that Harvey had been playing for up to a decade. Both the title track and "I Just Want To Make Love To You" were reprised from his Alex Harvey Soul Band debut album; "Hole In Her Stocking" had already appeared on his last LP, as a member of the Rock Workshop troupe; and "Midnight Moses" revisited a lost 1969 single. Elsewhere, however, the epic "Isabel Goudie" showcased his backing band with a lengthy recounting of a Scottish witch legend, while the decidedly unseasonal Yuletide single "There's No Lights On The Christmas Tree" told the tale of a gangster going to the electric chair. And "The Hammer Song" found an entire new generation of fans after Nick Cave covered it on 1990s The Good Son. At the time, though, they couldn't give this stuff away.
Fast forward a year and the band's fortunes had changed dramatically. Now regarded as one of the top live acts in the country, the criticism was that their vinyl didn't reflect their live performances. Next, dynamically ...
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British ambient/chill-out musician and producer Chicane's third album, 2000's BEHIND THE SUN features "Saltwater," a reworking of the Clannad hit "Harry's Game" that features Clannad's Maire Brennan on lead vocals.
Nick Bracegirdle, who records under the name Chicane, has a strong pop sense to go with his taste for ambient and trance dance tracks. For one thing, he always employs simple but catchy melodies over his repetitious beats, and for another he cleverly hooks up with some established names looking to extend their appeal into the dance field. "Saltwater," heard here in two different ...
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Audio Pilot by Matt Weaver© Eastern Star Musicwww.newsunstudio.comAfter a successful release of "What Is Real" in Spring of 2004, Matt held back enough "A" cuts to release his second CD "Audio Pilot" in the Summer of 2004. Audio Pilot features strong rhythmic guitar, drums, bass, and synthesizer layered with free flowing melodic riffs. Again Matt's political tongue lashes out on "Drafted" with lines such as, " I wonder if we're gonna get drafted, after the election they'll begin to talk about it. Killin' for Peace just don't make sense, raisin your young to become the past tense."Audio Pilot advances on Matt's theme of blending his roots as a power rock player with his admiration of the many "world / new age" styles now gracing the air waves. The title cut "Audio Pilot" has a feel of universal flight, a take off and landing, a sense of an audio pilot traveling across the universe on audio waves - touching it all. While the likes of "Anxious Citizen" begin to venture into a feeling of "space funk". You'll find an eclectic mix in between. Matt has tried to convey an exciting energy that is still prevalent throughout his generation while blending a more sophisticated element woven across the compositions. " Audio Pilot is the name of my group as well, we're hopeful for a tour to present the music found on both CD's sometime in 2005. I find that working with many different types of musicians - there's an ever changing interpretation of the music. Music vibrates the Universe - the Universe ...
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