| | Tiny Idols Vol. 2: Transmissions From The Indie Underground 1995-1999 CD
Various Artists: Fashioncolt, Galaga, Madison Electric.
Recording information: 1995 - 1999.Magnet (p.89) - "There's some genuine greatness here worth lamenting the loss of: the PET SOUNDS-like stylings of Detroit's Teach Me Tiger...[and] the new baroque, ELO-esque art rock of Illinois' Suede Chain..." Tiny Idols Vol. 2: Transmissions From The Indie Underground 1995-1999 Music Tiny Idols Vol. 2: Transmissions From The Indie Underground 1995-1999 Songs Tiny Idols Vol. 2: Transmissions From The Indie Underground 1995-1999 Review
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It's no secret that Sting is a serious man, so it's only logical that his holiday album -- his first new music since the Police reunion, not that it really matters -- is a serious endeavor, thank you. No niceties for him, no comforts of carols; he favors formal over familiar, writing madrigals, not ditties. It is music made by someone who lives in a castle, which isn't necessarily such a bad thing: the austerity is genuine, not affected, and the cerebral nature of the album is fascinating, ...
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September 18, 1983 is a day that will go down in Kisstory. It was then that Paul Stanley, Gene Simmons, and replacement members Vinnie Vincent and Eric Carr took off their signature makeup and revealed themselves on MTV. LICK IT UP was released, and a new chapter unfolded.
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Over their relatively brief recorded career--five studio albums--Japan made a huge about-face. From a glam-rock band with arty pretenses they became the epitome of the "New Romantics," wearing their classical and world-beat influences on their ruffled sleeves. QUIET LIFE, the third of their five albums, is the first fully removed from traditional rock.
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On Jason Mraz's second studio album, the young Virginia-born singer/songwriter continues the loose, freewheeling pop/rock vibe established on his 2002 debut, WAITING FOR MY ROCKET TO COME. He's still the slightly mischievous boy-next-door, but here Mraz has a new sense of self-confidence, undoubtedly based on the success of his first album. Though it's usually left to hip-hop artists to boast about their lyrical prowess, Mraz does exactly that on the rap-inspired "Wordplay," an alternately soaring and frenetic track that focuses on his tongue-in-cheek turns of phrase. Later in the record, Mraz offers up a mellow, Santana-like tune, "Bella Luna" (which shines the spotlight on his high, clear vocal delivery), and the surprisingly caustic piano ballad "Please Don't ...
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