| | Weltenbrand End Of The Wizard CD Weltenbrand Discography of CDs
Audio Mixer: Oliver Falk.
Personnel: Oliver Falk (synthesizer).
End Of The Wizard Music | List Price | $9.98 (You save $0.99) | | Category | Rock/Pop Albums, Rock CDs, Heavy Metal, Progressive | | Label | Napalm | | Orig Year | 2006 | | CD Universe Part number | 7258957 | | Catalog number | 175 | | Discs | 1 | | Release Date | Aug 29, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Oliver Falk | | Engineer | Oliver Falk | | Personnel | Oliver Falk - synthesizer
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Weltenbrand End Of The Wizard Songs | 1. | Bewitched Herd Boys |
| 2. | Ghost of New Year's Eve, The |
| 3. | Question by the Night Ghost |
| 4. | French and the Wine, The |
| 5. | End of the Wizard, The |
| 6. | Among Them |
| 7. | Foal in an Egg |
| 8. | Overheard |
| 9. | Gipsy Magic |
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End Of The Wizard Review
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Purchase End Of The Wizard CD To buy, Click on price to add to cart | W A S P Babylon CD (2009) (Import) United Kingdom
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Often touted as heirs to the throne vacated by late-1980s/early-'90s metal royalty, Godsmack came up in Salem, Massachusetts with a sound that captured the technical heaviness of Metallica and the moody dynamics of Alice In Chains. GOOD TIMES, BAD TIMES is a fitting retrospective of the band's recorded works, including all of Godsmack's highly successful singles, which propelled the group to the top of the nu-metal heap. ...
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Although many music fans were convinced that Def Leppard would become hard rock's next big band, few could have predicted the massive across-the-boards success that its third record, 1983's PYROMANIA, achieved. Many wondered why it was taking the group so long to release a follow-up to 1981's HIGH 'N' DRY, but the finished product was well worth the wait. Not only did it become one of the year's best-selling albums and made the band instant U.S. arena headliners, but it has remained a consistent seller ever since (by 1994, it had reached nine million units in the U.S. alone).
The songwriting and overall sound was more streamlined and succinct this time around--while there are guitar riffs galore, the songs have more of a pop feel. Founding guitarist Pete Willis left during the recording, replaced by Phil Collen, who fit in perfectly with the band. The album features such mega-hits as "Photograph," "Rock of Ages," and "Foolin'," as well as a couple of other tracks that could have easily been singles as well, "Rock Rock (Till You Drop)" and "Too Late for Love." ...
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For anyone who listened to Darren Barrett's first two albums, Attack of Wren will come as a surprise, if not a shock. This isn't a bad thing. Barrett cut both First One Up and Deelings in the hard bop/post-bop mode, sometimes resembling the old Blue Note sound. On Attack of Wren, he abruptly switches directions, embracing a contemporary sound with an experimental edge. Citing Donald Byrd as his mentor, Barrett wanted to combine new technology -- like an electronic valve instrument with studio techniques -- and play most of the instruments himself. The opener, "Wren's Theme #1," gives a sample of what one can expect on the remainder of the album. There's a thick rhythm section with an extra-heavy bass part and horns, in unison and solo, laid overtop. A voice calls out "wren" from time to time, adding one more element to this funky and intriguing mix. The "funky" strain runs through several of these songs ("Come on Let's Go," "The Way I Like to Do It,") reminding one of late-'60s to- early-'70s fusion. The horn work, however, ...
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Gold Afternoon Fix should have been a consolidation of the band's increased commercial profile and cachet after "Under the Milky Way," heightened by the welcome reissue of the band's first five albums. Unfortunately, the Church's original choice for producer -- John Paul Jones, who likely would have helped oversee a total masterpiece -- was rejected, leading to another session with Wachtel. This time the balance between accessibility and art didn't succeed as planned. The end result is an album that's sometimes fantastic, sometimes merely there. Some of the singles didn't help things any -- the first, "Metropolis," is one of the band's more subtle rockers, with a catchy chorus and some fine guitar, especially at the end, but not immediate first-listen success. The first track on the album as a whole is a different matter -- "Pharoah" is a dramatic start, with the slow builds so favored by the band given a decidedly threatening, ominous twist. After that things move between hit and miss, but there's enough character coming through to ensure a pleasant listen. "Monday Morning" lightly repeats the waltz-time feel of Starfish's "Antenna," while "Russian Autumn Heart," Willson-Piper's vocal lead on the album, is a crisp rocker with the guitarist delivering things in his trademark ragged-but-right fashion. Other general highlights include "Disappointment" and the gentle "Laughing," but "Grind" is the other main keeper on Fix, a slow destructive burn of a song that matches the opening menace of "Pharoah" with a measured downward slide. ~ Ned Raggett
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An old Chinese saying says: "There is heaven up above, and there is Suzhou and Hangzhou down here." Hence we can see the beautiful scenery in Hangzhou could be compared to heaven. Some famous poets in history such as Bai Ju-Yi and Su Dong-Puo...etc. all wrote pretty poems to compliment this glamorous city. The picturesque scenery of mountains and water in Shihu, which is loved by almost everyone in China, without saying, is so splendid. Even Marco Polo was fascinated with it. After the release of«Beijing», HiNote Records once again combines traditional cultural atmosphere and contemporary fashionable music to create «Hangzhou.China». It weaves the cultural presence in modern Hangzhou. The ...
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