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| Category | Classical, Oldies Collections, Orchestral/Symphonic, Box Sets, Classical Period, Baroque Period, Concerto, Opera, Sonata, Song, Suite, Symphony, Aria, Prelude, Variations, Overture, Ballet, Renaissance Period, Cantata, Duet, Motet, March, Mass, Chorus, Fugue, Oratorio, Quintet, Incidental, Rondo, Caprice, Toccata, Requiem, Psalm, Air, Chorale, Partita, Sinfonia, Pavane, Anthem, Madrigal, Magnificat, Antiphon, Canon, Gigue, Chaconne, Finale, Gloria, Te Deum, Galliard, Siciliana, Stabat Mater, Agnus Dei, Ode, Sanctus, Fandango, Recitative, Offertory, Canzonetta, Voluntary, Bouree, Hornpipe, Tambourin |
Best Baroque 100 Music | List Price | $19.98 (You save $6.49) | | Label | EMI Classics | | All Time Sales Rank | 11994  | | CD Universe Part number | 7263520 | | Catalog number | 70907 | | Discs | 6 | | Release Date | Aug 29, 2006 | | Mono/Stereo | Stereo |
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Best Baroque 100 Songs | 1. Coronation Anthems (4): no 1, HWV 258 "Zadok the priest" | | Common Name | Zadok The Priest, Coronation Anthems | | Catalog No. | HWV 258 | | Composer | George Frideric Handel (1685 - 1759) | | Conductor | Stephen Cleobury | | Genre | Anthem / Baroque Period | | Date Written | 1727 | | Ensemble | King's College Choir, Cambridge | | Period | Baroque | | Country | London, England | | Recording | Studio | | 2. Suite in D major: Prince of Denmark's March "Trumpet Voluntary"hick | | Common Name | Trumpet Voluntary | | Composer | Jeremiah Clarke (1674 - 1707) | | Conductor | Richard Hickox | | Performer | Crispian Steele-Perkins (Trumpet) | | Genre | Baroque Period / Suite / Voluntary | | Date Written | by 1700 | | Ensemble | City of London Baroque Sinfonia | | Period | Baroque | | Country | England | | Recording | Studio | | 3. Pavan for Keyboard "Lachrymae" | | Common Name | Pavan For Keyboard | | Composer | John Dowland (1562 - 1626) | | Genre | Pavane / Renaissance Period | | Ensemble | Fretwork | | Period | Renaissance | | Country | England | | Recording | Studio | | 4. Abdelazer, Z 570 "Moor's Revenge": Rondeau | | Common Name | Moor's Revenge Abdelazer, Abdelazer | | Catalog No. | Z 570 | | Composer | Henry Purcell (1659 - 1695) | | Conductor | Andrew Parrott | | Genre | Baroque Period / Incidental Music / Rondo | | Date Written | 1695 | | Ensemble | Taverner Players | | Period | Baroque | | Country | England | | Recording | Studio | | 5. Spem in alium | | Composer | Thomas Tallis (circa 1505 - 1585) | | Conductor | Andrew Parrott | | Genre | Motet / Renaissance Period | | Date Written | after 1559 | | Ensemble | Taverner Consort | | Period | Renaissance | | Country | England | | Recording | Studio | | 6. With lilies white | | Composer | William Byrd (1543 - 1623) | | Performer | Gerard Lesne (Countertenor) | | Genre | Renaissance Period / Song | | Date Written | circa 1608 | | Ensemble | Orlando Gibbons Viol Ensemble | | Period | Renaissance | | Country | England | | Recording | Studio | | 7. Dido and Aeneas, Z 626: Overture | | Common Name | Dido And Aeneas | | Catalog No. | Z 626 | | Composer | Henry Purcell (1659 - 1695) | | Conductor | Emmanuelle Haim | | Performer | Susan Graham (Soprano) | | Genre | Baroque Period / Opera / Overture | | Date Written | 1689 | | Ensemble | Le Concert d'Astree | | Period | Baroque | | Country | England | | Recording | Studio | | 8. Dido and Aeneas, Z 626: Excerpt(s) | | Common Name | Dido And Aeneas | | Catalog No. | Z 626 | | Composer | Henry Purcell (1659 - 1695) | | Conductor | Emmanuelle Haim | | Performer | Susan Graham (Soprano) | | Genre | Baroque Period / Opera | | Date Written | 1689 | | Ensemble | European Voices | | Period | Baroque | | Country | England | | Recording | Studio | | 9. Come, ye sons of art, away, Z 323: Sound the trumpet | | Common Name | Sound The Trumpet, Come Ye Sons Of Art Away | | Catalog No. | Z 323 | | Composer | Henry Purcell (1659 - 1695) | | Conductor | Gustav Leonhardt | | Performer | James Bowman (Countertenor) Christopher Robson (Countertenor) | | Genre | Baroque Period / Duet / Ode | | Date Written | 1694 | | Ensemble | Orchestra of the Age of Enlightenment | | Period | Baroque | | Country | England | | Recording | Studio | | 10. O solitude, my sweetest choice, Z 406 | | Catalog No. | Z 406 | | Composer | Henry Purcell (1659 - 1695) | | Performer | Nigel North (Lute) Nancy Argenta (Soprano) Richard Boothby (Viola da gamba) Paul Nicholson (Organ) | | Genre | Baroque Period / Song | | Date Written | by 1687 | | Period | Baroque | | Country | England | | Recording | Studio | | 11. Solomon, HWV 67: Arrival of the Queen of Sheba | | Common Name | Arrival Of The Queen Of Sheba | | Catalog No. | HWV 67 | | Composer | George Frideric Handel (1685 - 1759) | | Conductor | Andrew Parrott | | Genre | Baroque Period / Oratorio / Sinfonia | | Date Written | by 1749 | | Ensemble | Taverner Players | | Period | Baroque | | Country | London, England | | Recording | Studio | | 12. Messiah, HWV 56: Hallelujah! | | Catalog No. | HWV 56 | | Composer | George Frideric Handel (1685 - 1759) | | Conductor | Andrew Parrott | | Performer | James Bowman (Countertenor) | | Genre | Baroque Period / Chorus / Oratorio | | Date Written | 1742 | | Ensemble | Taverner Choir | | Period | Baroque | | Country | London, England | | Recording | Studio | | 13. Messiah, HWV 56: He was despised and rejected | | Catalog No. | HWV 56 | | Composer | George Frideric Handel (1685 - 1759) | | Conductor | Andrew Parrott | | Performer | James Bowman (Countertenor) | | Genre | Aria / Baroque Period / Oratorio | | Date Written | 1742 | | Ensemble | Taverner Players | | Period | Baroque | | Country | London, England | | Recording | Studio | | 14. Water Music Suite no 2 in D major, HWV 349: no 2, Alla Hornpipe | | Common Name | Alla Hornpipe, Water Music Suite No 2 | | Catalog No. | HWV 349 | | Composer | George Frideric Handel (1685 - 1759) | | Conductor | Roger Norrington | | Genre | Baroque Period / Hornpipe / Suite | | Date Written | circa 1715-1717 | | Ensemble | London Classical Players | | Period | Baroque | | Country | London, England | | Recording | Studio | | 15. Xerse: Ombra mai fu | | Common Name | Ombra Mai Fu | | Composer | Pier Francesco Cavalli (1602 - 1676) | | Conductor | Roger Norrington | | Performer | David Daniels [Countertenor] (Countertenor) | | Genre | Aria / Baroque Period / Opera | | Date Written | 1654 | | Ensemble | Orchestra of the Age of Enlightenment | | Period | Baroque | | Country | Italy | | Recording | Studio | | 16. Dixit Dominus, HWV 232: Dixit Dominus | | Common Name | Dixit Dominus | | Catalog No. | HWV 232 | | Composer | George Frideric Handel (1685 - 1759) | | Conductor | Andrew Parrott | | Genre | Baroque Period / Chorus / Motet | | Date Written | 1707 | | Ensemble | Taverner Choir | | Period | Baroque | | Country | Italy | | Recording | Studio | | 17. Giulio Cesare, HWV 17: Dall'ondoso periglio | | Common Name | Giulio Cesare | | Catalog No. | HWV 17 | | Composer | George Frideric Handel (1685 - 1759) | | Conductor | John Nelson | | Performer | Stephanie Blythe (Alto) | | Genre | Baroque Period / Opera / Recitative | | Date Written | by 1724 | | Ensemble | Paris Orchestral Ensemble | | Period | Baroque | | Country | London, England | | Recording | Studio | | 18. Alcina, HWV 34: Verdi prati | | Catalog No. | HWV 34 | | Composer | George Frideric Handel (1685 - 1759) | | Conductor | Richard Hickox | | Performer | Della Jones (Mezzo Soprano) | | Genre | Aria / Baroque Period / Opera | | Date Written | 1735 | | Ensemble | City of London Baroque Sinfonia | | Period | Baroque | | Country | London, England | | Recording | Studio | | 19. L'Orfeo: Sinfonia | | Common Name | L'orfeo | | Composer | Claudio Monteverdi (1567 - 1643) | | Conductor | Emmanuelle Haim | | Genre | Baroque Period / Opera / Sinfonia | | Date Written | 1607 | | Ensemble | Le Concert d'Astree | | Period | Baroque | | Country | Mantua, Italy | | Recording | Studio | | 20. Madrigals, Book 8: Altri canti d'amor | | Common Name | Madrigals Book 8 | | Composer | Claudio Monteverdi (1567 - 1643) | | Conductor | Anthony Rooley | | Genre | Baroque Period / Madrigal | | Date Written | by 1638 | | Ensemble | Consort of Musicke | | Period | Baroque | | Country | Italy | | Recording | Studio | | 21. Beatus vir a 7 | | Composer | Claudio Monteverdi (1567 - 1643) | | Conductor | Andrew Parrott | | Genre | Baroque Period / Motet / Psalm | | Ensemble | Taverner Choir | | Period | Baroque | | Country | Italy | | Recording | Studio | | 22. L'Incoronazione di Poppea: Pur ti miro [Final Duet] | | Common Name | L'incoronazione Di Poppea | | Composer | Claudio Monteverdi (1567 - 1643) | | Conductor | Richard Hickox | | Performer | Arleen Auger (Soprano) Della Jones (Mezzo Soprano) | | Genre | Baroque Period / Duet / Finale / Opera | | Date Written | 1642 | | Ensemble | City of London Baroque Sinfonia | | Period | Baroque | | Country | Venice, Italy | | Recording | Studio | | 23. Adagio for Organ and Strings in G minor | | Common Name | Adagio For Organ And Strings | | Composer | Tomaso Albinoni (1671 - 1750) | | Conductor | Jonathan Rees | | Genre | Baroque Period | | Ensemble | Scottish Ensemble | | Period | Baroque | | Country | Venice, Italy | | Recording | Studio | | Notes | This work was reconstructed by Remo Giazotto in 1945 from a fragment by Albinoni. | | 24. Miserere mei Deus: Miserere mei | | Common Name | Miserere Mei, Miserere Mei Deus | | Composer | Gregorio Allegri (1582 - 1652) | | Conductor | Stephen Cleobury | | Genre | Baroque Period / Psalm | | Date Written | 17th Century | | Ensemble | King's College Choir, Cambridge | | Period | Baroque | | Country | Italy | | Recording | Studio | | Notes | This selection is presented in excerpted form. | | 25. Sacrae symphoniae, Book 1: Sonata pian e forte alla quarta bassa | | Common Name | Sacrae Symphoniae Book 1 | | Composer | Giovanni Gabrieli (1554 - 1612) | | Conductor | Paul McCreesh | | Genre | Renaissance Period / Sonata | | Date Written | by 1597 | | Ensemble | Gabrieli Consort | | Period | Renaissance | | Country | Venice, Italy | | Recording | Studio | | 26. Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate" | | Common Name | L'estate Concerto, Concerto For Violin | | Catalog No. | RV 315 | | Composer | Antonio Vivaldi (1678 - 1741) | | Conductor | Nicholas Kraemer | | Performer | Monica Huggett (Violin) | | Genre | Baroque Period / Concerto | | Date Written | 1725 | | Ensemble | Raglan Baroque Players | | Period | Baroque | | Country | Venice, Italy | | Recording | Studio | | 27. Gloria in D major, RV 589: Gloria in excelsis Deo | | Common Name | Gloria In Excelsis Deo | | Catalog No. | RV 589 | | Composer | Antonio Vivaldi (1678 - 1741) | | Conductor | Andrew Parrott | | Genre | Baroque Period / Gloria | | Ensemble | Taverner Choir | | Period | Baroque | | Country | Venice, Italy | | Recording | Studio | | 28. Concerto for Oboe in D minor: 2nd movement, Adagio | | Common Name | Concerto For Oboe | | Composer | Alessandro Marcello (1669 - 1747) | | Conductor | Richard Stamp | | Performer | Ray Still (Oboe) | | Genre | Baroque Period / Concerto | | Date Written | by 1717 | | Ensemble | Academy of London | | Period | Baroque | | Country | Italy | | Recording | Studio | | 29. Quintet for Guitar and Strings no 7 in E minor, G 451: Allegro moderato | | Common Name | Quintet For Guitar And Strings | | Catalog No. | G 451 | | Composer | Luigi Boccherini (1743 - 1805) | | Genre | Classical Period / Quintet | | Date Written | 1798 | | Ensemble | L'Europa Galante | | Period | Classical | | Country | Spain | | Recording | Studio | | 30. Sonata for Harpsichord in D minor, K 9/L 413 | | Common Name | Sonata For Harpsichord | | Catalog No. | K 9 / L 413 | | Composer | Domenico Scarlatti (1685 - 1757) | | Performer | Mikhail Pletnev (Piano) | | Genre | Baroque Period / Sonata | | Date Written | by 1738 | | Period | Baroque | | Recording | Studio | | 31. Stabat Mater: Excerpt(s) | | Common Name | Stabat Mater | | Composer | Gio Battista Pergolesi (1710 - 1736) | | Performer | Gerard Lesne (Countertenor) Veronique Gens (Soprano) | | Genre | Baroque Period / Stabat Mater | | Date Written | 1736 | | Ensemble | Seminario Musicale | | Period | Baroque | | Country | Pozzuoli, Italy | | Recording | Studio | | 32. Concerto for 2 Mandolins in G major, RV 532: Allegro | | Common Name | Concerto For 2 Mandolins | | Catalog No. | RV 532 | | Composer | Antonio Vivaldi (1678 - 1741) | | Conductor | Fabio Biondi | | Performer | Sonia Maurer (Mandolin) Giovanni Scaramuzzino (Mandolin) | | Genre | Baroque Period / Concerto | | Ensemble | L'Europa Galante | | Period | Baroque | | Country | Venice, Italy | | Recording | Studio | | 33. Crucifixus | | Composer | Antonio Lotti (1666 - 1740) | | Conductor | Andrew Parrott | | Genre | Baroque Period / Motet | | Ensemble | Taverner Consort | | Period | Baroque | | Country | Italy | | Recording | Studio | | 34. Sonata for Violin and Basso Continuo in G minor, Op. 1 no 4 "Devil's Trill": Allegro | | Common Name | Devil's Trill Sonata, Sonata For Violin And Basso Continuo | | Composer | Giuseppe Tartini (1692 - 1770) | | Conductor | Jean-Jacques Kantorow | | Genre | Baroque Period / Sonata | | Ensemble | Ensemble d'Auvergne | | Period | Baroque | | Country | Italy | | Recording | Studio | | 35. Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera" | | Common Name | Primavera Concerto, Concerto For Violin | | Catalog No. | RV 269 | | Composer | Antonio Vivaldi (1678 - 1741) | | Conductor | Andrew Parrott | | Performer | Chiara Banchini (Violin) | | Genre | Baroque Period / Concerto | | Date Written | circa 1725 | | Ensemble | Taverner Players | | Period | Baroque | | Country | Venice, Italy | | Recording | Studio | | 36. Concerto for Piccolo in C major, RV 444: 1st movement, Allegro non molto | | Common Name | Concerto For Piccolo | | Catalog No. | RV 444 | | Composer | Antonio Vivaldi (1678 - 1741) | | Conductor | Louis Auriacombe | | Performer | Michel Sanvoisin (Recorder) | | Genre | Baroque Period / Concerto | | Ensemble | Toulouse Chamber Orchestra | | Period | Baroque | | Country | Venice, Italy | | Recording | Studio | | 37. Fandango for Keyboard | | Composer | Antonio Soler (1729 - 1781) | | Performer | Maggie Cole (Harpsichord) | | Genre | Classical Period / Fandango | | Date Written | 18th Century | | Period | Classical | | Country | Spain | | Recording | Studio | | 38. O vos omnes, qui transitis per viam | | Composer | Tomás Luis de Victoria (circa 1548 - 1611) | | Genre | Motet / Renaissance Period | | Date Written | by 1572 | | Ensemble | Sixteen | | Period | Renaissance | | Country | Spain | | Recording | Studio | | 39. Diferencias sobre las Folias | | Composer | Antonio Martin y Coll (?1675 - ?1735) | | Conductor | Jordi Savall | | Genre | Baroque Period / Variations | | Date Written | by 1706 | | Ensemble | Hesperion XX | | Period | Baroque | | Recording | Studio | | 40. Ay luna que reluzes | | Composer | Anonymous | | Conductor | Jordi Savall | | Performer | Montserrat Figueras (Soprano) | | Genre | Renaissance Period / Song | | Ensemble | Hesperion XX | | Period | Renaissance | | Country | Spain | | Recording | Studio | | 41. Tres libros de musica en cifras: Pavana and galliard de Alexandra | | Common Name | Tres Libros De Musica En Cifras | | Composer | Alonso de Mudarra (circa 1520 - 1580) | | Conductor | Nancy Hadden | | Genre | Galliard / Pavane / Renaissance Period | | Date Written | by 1546 | | Ensemble | Ensemble Circa 1500 | | Period | Renaissance | | Country | Spain | | Recording | Studio | | 42. Messe de Requiem: Sanctus | | Common Name | Messe De Requiem | | Composer | Joao Domingos Bomtempo (1775 - 1842) | | Conductor | Michel Corboz | | Genre | Classical Period / Requiem / Sanctus | | Date Written | by 1819 | | Ensemble | Gulbenkian Foundation Symphony Orchestra Lisbon | | Period | Classical | | Country | Paris, France | | Recording | Studio | | 43. Marche de triomphe | | Composer | F-André Danican Philidor (1726 - 1795) | | Conductor | Hugo Reyne | | Genre | Baroque Period / March | | Ensemble | La Simphonie du Marais | | Period | Baroque | | Country | France | | Recording | Studio | | 44. Marche des mousquetaires | | Composer | Jean-Baptiste Lully (1632 - 1687) | | Conductor | Hugo Reyne | | Genre | Baroque Period / March | | Date Written | 1658 | | Ensemble | La Simphonie du Marais | | Period | Baroque | | Country | France | | Recording | Studio | | 45. Symphonies du Festin Royal: Contradance | | Common Name | Contradance | | Composer | François Francoeur (1689 - 1787) | | Conductor | Hugo Reyne | | Genre | Baroque Period / Symphony | | Date Written | by 1773 | | Ensemble | La Simphonie du Marais | | Period | Baroque | | Country | France | | Recording | Studio | | 46. Marche de triomphe in C major, H 547 no 1 | | Catalog No. | H 547 | | Composer | Marc-Antoine Charpentier (1636 - 1704) | | Conductor | Fritz Lehan | | Genre | Baroque Period / March | | Date Written | 1725 | | Ensemble | Consortium Musicum | | Period | Baroque | | Country | Leipzig, Germany | | Recording | Studio | | 47. Sinfonies pour les soupers du roi: Suite no 7 in A major - Caprice no 1 "de Villers-Cotterets" | | Common Name | Sinfonies Pour Les Soupers Du Roi | | Composer | Michel-Richard Delalande (1657 - 1726) | | Conductor | Jean-Pierre Wallez | | Performer | Maurice Andre [trumpet] (Trumpet) Bernard Soustrot (Trumpet) Guy Touvron (Trumpet) | | Genre | Baroque Period / Caprice / Symphony | | Date Written | circa 1690-1700 | | Ensemble | Paris Orchestral Ensemble | | Period | Baroque | | Country | France | | Recording | Studio | | 48. Chaconne | | Composer | Antoine Dauvergne (1713 - 1797) | | Genre | Chaconne / Classical Period | | Ensemble | Concerto Cologne | | Period | Classical | | Country | Paris, France | | Recording | Studio | | 49. Te Deum in D major, H 146: Prelude | | Common Name | Te Deum | | Catalog No. | H 146 | | Composer | Marc-Antoine Charpentier (1636 - 1704) | | Conductor | William Christie | | Genre | Baroque Period / Prelude / Te Deum | | Date Written | circa ?1690 | | Ensemble | Les Arts florissants | | Period | Baroque | | Country | France | | Recording | Studio | | 50. Mass for Organ no 2 "propre pour les convents de religeux...": Offertoire sur les Grands Jeux | | Common Name | Mass For Organ | | Composer | François Couperin (1668 - 1733) | | Performer | Jean-Patrice Brosse (Organ) | | Genre | Baroque Period / Mass / Offertory | | Date Written | by 1690 | | Period | Baroque | | Country | France | | Recording | Studio | | 51. Regina coeli laetare, H 30 | | Common Name | Regina Coeli Laetare | | Catalog No. | H 30 | | Composer | Marc-Antoine Charpentier (1636 - 1704) | | Conductor | Emmanuel Mandrin | | Genre | Antiphon / Baroque Period | | Date Written | circa ?1690 | | Ensemble | Les Demoiselles de Saint-Cyr | | Period | Baroque | | Recording | Studio | | 52. Panis angelicus | | Composer | Louis-N. Clérambault (1676 - 1749) | | Performer | Mark Padmore (Tenor) | | Genre | Baroque Period / Motet | | Ensemble | Seminario Musicale | | Period | Baroque | | Country | France | | Recording | Studio | | 53. In convertendo | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Conductor | Herve Niquet | | Genre | Baroque Period / Motet | | Date Written | circa 1718 | | Ensemble | Le Concert spirituel | | Period | Baroque | | Country | France | | Recording | Studio | | 54. Plainte sur la mort de Monsieur Lambert | | Composer | Lambert du Buisson (died 1688) | | Performer | Gerard Lesne (Countertenor) | | Genre | Baroque Period | | Period | Baroque | | Recording | Studio | | 55. Suite in C minor: La Plainte, ou le Tombeau de Mesdemoiselles | | Composer | Robert de Visée | | Performer | Pascal Monteilhet (Theorbo) | | Genre | Baroque Period / Suite | | Period | Baroque | | Country | France | | 56. Plainte sur la mort de Monsieur Lambert | | Composer | Lambert du Buisson (died 1688) | | Performer | Gerard Lesne (Countertenor) | | Genre | Baroque Period | | Ensemble | Instrumental Ensemble | | Period | Baroque | | 57. Tambourins | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Genre | Baroque Period / Tambourin | | Ensemble | Sonnerie Trio | | Period | Baroque | | 58. Pieces de viole, Book 3: Plainte | | Common Name | Plainte, Pieces De Viole Book 3 | | Composer | Marin Marais (1656 - 1728) | | Genre | Baroque Period | | Date Written | by 1711 | | Period | Baroque | | Country | Paris, France | | 59. Canon de Versailles | | Composer | F-André Danican Philidor (1726 - 1795) | | Conductor | Hugo Reyne | | Genre | Baroque Period / Canon | | Ensemble | La Simphonie du Marais | | Period | Baroque | | Country | France | | 60. Isis, LWV 54: Air de trembleurs | | Catalog No. | LWV 54 | | Composer | Jean-Baptiste Lully (1632 - 1687) | | Conductor | Hugo Reyne | | Performer | Isabelle Desrochers (Soprano) Bernard Deletre (Bass) | | Genre | Air / Baroque Period / Opera | | Date Written | by 1677 | | Ensemble | La Simphonie du Marais | | Period | Baroque | | Country | France | | 61. Les Indes galantes: Chaconne | | Common Name | Les Indes Galantes | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Conductor | Patrick Cohen-Akenine | | Performer | Patricia Petibon (Soprano) | | Genre | Ballet / Baroque Period / Chaconne / Opera | | Date Written | 1735/1761 | | Ensemble | Les folies francoises | | Period | Baroque | | Country | France | | 62. Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | | Common Name | Canon And Gigue For 3 Violins And Basso Continuo | | Composer | Johann Pachelbel (1653 - 1706) | | Conductor | Andrew Parrott | | Genre | Baroque Period / Canon | | Ensemble | Taverner Players | | Period | Baroque | | Country | Germany | | 63. Canzonetta for Organ in A minor, BuxWV 225 | | Common Name | Canzonetta For Organ | | Catalog No. | BUXWV 225 | | Composer | Dietrich Buxtehude (1637 - 1707) | | Performer | Nicholas Danby (Organ) | | Genre | Baroque Period / Canzonetta | | Period | Baroque | | Country | Germany | | 64. Concerto for Cello in G minor: Allegro non tanto | | Common Name | Concerto For Cello | | Composer | Mathias Georg Monn (1717 - 1750) | | Conductor | Lajos Rovatkay | | Performer | Balazs Mate (Cello) | | Genre | Baroque Period / Concerto | | Date Written | 18th Century | | Ensemble | Capella Agostino Steffani | | Period | Baroque | | Country | Austria | | Recording | Studio | | 65. Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" | | Common Name | Herz Und Mund Und Tat Und Leben | | Catalog No. | BWV 147 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Andrew Parrott | | Genre | Baroque Period / Cantata / Chorale | | Date Written | 1723 | | Ensemble | Taverner Choir | | Period | Baroque | | Country | Leipzig, Germany | | 66. Suite for Orchestra no 3 in D major, BWV 1068: Air | | Common Name | Suite For Orchestra | | Catalog No. | BWV 1068 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Sir Philip Ledger | | Genre | Air / Baroque Period / Overture / Suite | | Date Written | circa 1729-1731 | | Ensemble | English Chamber Orchestra | | Period | Baroque | | Country | Leipzig, Germany | | 67. Concerto for 4 Harpsichords in A minor, BWV 1065: 1st movement, Allegro | | Common Name | Concerto For 4 Harpsichords | | Catalog No. | BWV 1065 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Bob van Asperen | | Performer | Bernhard Klapprott (Harpsichord) Marcelo Bussi (Harpsichord) Carsten Lohff (Harpsichord) Bob van Asperen (Harpsichord) | | Genre | Baroque Period / Concerto | | Date Written | circa 1738-1739 | | Ensemble | Melante Amsterdam | | Period | Baroque | | Country | Leipzig, Germany | | 68. Toccata and Fugue in D minor, BWV 565: Toccata | | Common Name | Toccata And Fugue | | Catalog No. | BWV 565 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Werner Jacob (Organ) | | Genre | Baroque Period / Toccata | | Date Written | by 1708 | | Period | Baroque | | Country | Arnstadt, Germany | | 69. Toccata and Fugue in D minor, BWV 565: Fugue | | Common Name | Toccata And Fugue | | Catalog No. | BWV 565 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Werner Jacob (Organ) | | Genre | Baroque Period / Fugue | | Date Written | by 1708 | | Period | Baroque | | Country | Arnstadt, Germany | | 70. Jauchzet Gott in allen Landen, BWV 51: no 1, Jauchzet Gott in allen Landen | | Common Name | Jauchzet Gott In Allen Landen | | Catalog No. | BWV 51 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Monica Huggett | | Performer | Nancy Argenta (Soprano) Crispian Steele-Perkins (Trumpet) | | Genre | Aria / Baroque Period / Cantata | | Date Written | 1730 | | Ensemble | Ensemble Sonnerie | | Period | Baroque | | Country | Leipzig, Germany | | 71. Concerto for Oboe in F minor: 2nd movenment, Largo | | Common Name | Concerto For Oboe | | Composer | Georg Philipp Telemann (1681 - 1767) | | Conductor | Bob van Asperen | | Genre | Baroque Period / Concerto | | Ensemble | Melante Amsterdam | | Period | Baroque | | Country | Germany | | Recording | Studio | | 72. Wir danken dir, Gott, BWV 29: no 1, Sinfonia in D major | | Common Name | Wir Danken Dir Gott | | Catalog No. | BWV 29 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Andrew Parrott | | Genre | Baroque Period / Cantata / Sinfonia | | Date Written | 1731 | | Ensemble | Taverner Players | | Period | Baroque | | Country | Leipzig, Germany | | 73. Goldberg Variations, BWV 988: Theme "Aria" | | Common Name | Goldberg Variations | | Catalog No. | BWV 988 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Maggie Cole (Harpsichord) | | Genre | Baroque Period / Variations | | Date Written | 1741-1742 | | Period | Baroque | | Country | Nuremberg, Germany | | 74. Saint John Passion, BWV 245: no 58, Es ist vollbracht | | Common Name | Es Ist Vollbracht, Saint John Passion | | Catalog No. | BWV 245 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | John Nelson | | Performer | Stephanie Blythe (Alto) | | Genre | Aria / Baroque Period / Oratorio | | Date Written | 1724 | | Ensemble | Paris Orchestral Ensemble | | Period | Baroque | | Country | Leipzig, Germany | | 75. Brandenburg Concerto no 4 in G major, BWV 1049: 3rd movement, Presto | | Common Name | Brandenburg Concerto | | Catalog No. | BWV 1049 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Monica Huggett | | Performer | Monica Huggett (Violin) Rachel Beckett (Recorder) Marion Scott (Recorder) | | Genre | Baroque Period / Concerto | | Date Written | circa 1720 | | Ensemble | Orchestra of the Age of Enlightenment | | Period | Baroque | | Country | ?Cöthen, Germany | | 76. Suite for Cello solo no 1 in G major, BWV 1007: 1st movement, Prelude | | Common Name | Suite For Cello Solo | | Catalog No. | BWV 1007 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Ralph Kirshbaum (Cello) | | Genre | Baroque Period / Prelude / Suite | | Date Written | circa 1720 | | Period | Baroque | | Country | Cöthen, Germany | | 77. Magnificat in D major, BWV 243: Magnificat | | Catalog No. | BWV 243 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Sigiswald Kuijken | | Genre | Baroque Period / Chorus / Magnificat | | Date Written | circa 1728-1731 | | Ensemble | La petite bande | | Period | Baroque | | Country | Leipzig, Germany | | 78. Concerto for Harpsichord in F minor, BWV 1056 | | Common Name | Concerto For Harpsichord | | Catalog No. | BWV 1056 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Bob van Asperen | | Genre | Baroque Period / Concerto | | Date Written | circa 1738-1739 | | Ensemble | Melante Amsterdam | | Period | Baroque | | Country | Leipzig, Germany | | 79. Sonata for Flute and Harpsichord in E flat major, BWV 1031 | | Common Name | Sonata For Flute And Harpsichord | | Catalog No. | BWV 1031 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Michel Debost (Flute) Lionel Rogg (Harpsichord) | | Genre | Baroque Period / Sonata | | Date Written | circa 1734 | | Period | Baroque | | Country | Leipzig, Germany | | 80. Suite for Orchestra no 4 in D major, BWV 1069: Rejouissance | | Common Name | Rejouissance, Suite For Orchestra | | Catalog No. | BWV 1069 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Andrew Parrott | | Genre | Baroque Period / Overture / Suite | | Date Written | circa 1729-1731 | | Ensemble | Boston Early Music Festival Orchestra | | Period | Baroque | | Country | Leipzig, Germany | | 81. Partita for Violin solo no 3 in E major, BWV 1006: 1st movement, Prelude | | Common Name | Partita For Violin Solo | | Catalog No. | BWV 1006 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Christian Tetzlaff (Guitar) | | Genre | Baroque Period / Partita / Prelude | | Date Written | 1720 | | Period | Baroque | | Country | Cöthen, Germany | | Recording | Studio | | 82. Saint John Passion, BWV 245: no 67, Ruhet wohl, ihr heilgen Gebeine | | Common Name | Saint John Passion | | Catalog No. | BWV 245 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Andrew Parrott | | Genre | Baroque Period / Chorale / Oratorio | | Date Written | 1724 | | Ensemble | Taverner Players | | Period | Baroque | | Country | Leipzig, Germany | | Recording | Studio | | 83. Brandenburg Concerto no 2 in F major, BWV 1047 | | Common Name | Brandenburg Concerto | | Catalog No. | BWV 1047 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Monica Huggett | | Performer | Rachel Beckett (Recorder) Conductor] Paul [Oboe Goodwin (Oboe) Mark Bennett (Trumpet) Monica Huggett (Violin) | | Genre | Baroque Period / Concerto | | Date Written | 1717-1718 | | Ensemble | Choir of the Age of Enlightenment | | Period | Baroque | | Country | ?Cöthen, Germany | | Recording | Studio | | 84. Mass in B minor, BWV 232: Gloria | | Catalog No. | BWV 232 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Philippe Herreweghe | | Genre | Baroque Period / Gloria / Mass | | Date Written | 1747-1749 | | Ensemble | Collegium Vocale | | Period | Baroque | | Country | Leipzig, Germany | | Recording | Studio | | 85. Well-Tempered Clavier, Book 1: Prelude and Fugue no 1 in C major, BWV 846 | | Common Name | Prelude And Fugue, Well Tempered Clavier Book 1 | | Catalog No. | BWV 846 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Bob van Asperen (Harpsichord) | | Genre | Baroque Period / Fugue / Prelude | | Date Written | 1722 | | Period | Baroque | | Country | Cöthen, Germany | | Recording | Studio | | 86. Concerto for 2 Violins in D minor, BWV 1043: 2nd movement, Largo ma non tanto | | Common Name | Concerto For 2 Violins | | Catalog No. | BWV 1043 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Elizabeth Wallfisch (Violin) Alison Bury (Violin) | | Genre | Baroque Period / Concerto | | Date Written | 1717-1723 | | Ensemble | Orchestra of the Age of Enlightenment | | Period | Baroque | | Country | Cöthen, Germany | | Recording | Studio | | 87. Suite for Lute in E minor, BWV 996: 5th movement, Bouree | | Common Name | Suite For Lute | | Catalog No. | BWV 996 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Sharon Isbin (Guitar) | | Genre | Baroque Period / Bouree / Suite | | Period | Baroque | | Country | Weimar, Germany | | Recording | Studio | | Notes | Composition written: Weimar, Germany (1708 - 1717). | | 88. Suite for Lute in E minor, BWV 996: 6th movement, Gigue | | Common Name | Suite For Lute | | Catalog No. | BWV 996 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Sharon Isbin (Guitar) | | Genre | Baroque Period / Gigue / Suite | | Date Written | circa 1708-1717 | | Period | Baroque | | Country | Weimar, Germany | | Recording | Studio | | 89. Suite for Orchestra no 2 in B minor, BWV 1067: Overture | | Common Name | Suite For Orchestra | | Catalog No. | BWV 1067 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Sir Philip Ledger | | Genre | Baroque Period / Overture / Suite | | Ensemble | English Chamber Orchestra | | Period | Baroque | | Country | Leipzig, Germany | | Recording | Studio | | Notes | Composition written: Leipzig, Germany (1738 - 1739). | | 90. Partita for Keyboard no 1 in B flat major, BWV 825: Prelude | | Common Name | Partita For Keyboard | | Catalog No. | BWV 825 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Gustav Leonhardt (Harpsichord) | | Genre | Baroque Period / Partita / Prelude | | Date Written | 1726-1731 | | Period | Baroque | | Country | Leipzig, Germany | | Recording | Studio | | 91. Partita for Keyboard no 1 in B flat major, BWV 825: Gigue | | Common Name | Partita For Keyboard | | Catalog No. | BWV 825 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Performer | Gustav Leonhardt (Harpsichord) | | Genre | Baroque Period / Gigue / Partita | | Date Written | 1726-1731 | | Period | Baroque | | Country | Leipzig, Germany | | Recording | Studio | | 92. Magnificat in D major, BWV 243: Deposuit potentes | | Common Name | Deposuit Potentes | | Catalog No. | BWV 243 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Sigiswald Kuijken | | Performer | Christoph Pregardien (Tenor) | | Genre | Aria / Baroque Period / Magnificat | | Date Written | circa 1728 | | Ensemble | La petite bande | | Period | Baroque | | Country | Leipzig, Germany | | Recording | Studio | | 93. Mass in B minor, BWV 232: Agnus Dei | | Common Name | Agnus Dei | | Catalog No. | BWV 232 | | Composer | Johann Sebastian Bach (1685 - 1750) | | Conductor | Philippe Herreweghe | | Genre | Agnus Dei / Baroque Period / Mass | | Date Written | 1747-1749 | | Ensemble | Collegium Vocale | | Period | Baroque | | Country | Leipzig, Germany | | Recording | Studio | | 94. Sonata for Harpsichord in G major, F 7: Presto | | Common Name | Sonata For Harpsichord | | Catalog No. | F 7 | | Composer | Wilhelm Friedemann Bach (1710 - 1784) | | Performer | Christophe Rousset (Harpsichord) | | Genre | Classical Period / Sonata | | Period | Classical | | Country | Berlin, Germany | | Notes | Composition written: Berlin, Germany (Circa 1775 - Circa 1780). | | 95. Concerto for Cello no 3 in A major, Wq 172/H 439: 3rd movement, Allegro assai | | Common Name | Concerto For Cello | | Catalog No. | H 439 / WQ 172 | | Composer | Carl Philipp E. Bach (1714 - 1788) | | Conductor | Gustav Leonhardt | | Performer | Anner Bylsma (Cello) | | Genre | Classical Period / Concerto | | Date Written | ?1753 | | Ensemble | Orchestra of the Age of Enlightenment | | Period | Classical | | Country | Berlin, Germany | | 96. Auferstehung und Himmelfahrt Jesu, Wq 240/H 777: Triumph! Der Furst des Lebens sieget! | | Catalog No. | H 777 / WQ 240 | | Composer | Carl Philipp E. Bach (1714 - 1788) | | Genre | Classical Period / Oratorio | | Ensemble | Orchestra of the Age of Enlightenment | | Period | Classical | | Country | Hamburg, Germany | | Notes | Composition written: Hamburg, Germany (1774 - 1778). |
Composers : Tomaso Albinoni, Gregorio Allegri, Anonymous, Carl Philipp E. Bach, Johann Sebastian Bach, Wilhelm Friedemann Bach, Luigi Boccherini, Joao Domingos Bomtempo, Dietrich Buxtehude, William Byrd, Pier Francesco Cavalli, Marc-Antoine Charpentier, Jeremiah Clarke, Louis-N. Clerambault, Francois Couperin, Antoine Dauvergne, Michel-Richard Delalande, John Dowland, Lambert du Buisson, Francois Francoeur, Giovanni Gabrieli, George Frideric Handel, Antonio Lotti, Jean-Baptiste Lully, Marin Marais, Alessandro Marcello, Antonio Martin y Coll, Mathias Georg Monn, Claudio Monteverdi, Alonso de Mudarra, Johann Pachelbel, Gio Battista Pergolesi, F-Andre Danican Philidor, Henry Purcell, Jean-Philippe Rameau, Domenico Scarlatti, Antonio Soler, Thomas Tallis, Giuseppe Tartini, Georg Philipp Telemann, Tomas Luis de Victoria, Robert de Visee, Antonio Vivaldi Conductors : Bob van Asperen, Louis Auriacombe, Fabio Biondi, William Christie, Stephen Cleobury, Patrick Cohen-Akenine, Michel Corboz, Nancy Hadden, Emmanuelle Haim, Philippe Herreweghe, Richard Hickox, Monica Huggett, Jean-Jacques Kantorow, Nicholas Kraemer, Sigiswald Kuijken, Sir Philip Ledger, Fritz Lehan, Gustav Leonhardt, Emmanuel Mandrin, Paul McCreesh, John Nelson, Herve Niquet, Roger Norrington, Andrew Parrott, Jonathan Rees, Hugo Reyne, Anthony Rooley, Lajos Rovatkay, Jordi Savall, Richard Stamp, Jean-Pierre Wallez Ensembles : Academy of Ancient Music, Academy of London, Boston Early Music Festival Choir, Boston Early Music Festival Orchestra, Capella Agostino Steffani, Choir of the Age of Enlightenment, City of London Baroque Sinfonia, Collegium Vocale, Concerto Cologne, Consort of Musicke, Consortium Musicum, English Chamber Orchestra, Ensemble Circa 1500, Ensemble d'Auvergne, Ensemble Sonnerie, European Voices, Fretwork, Gabrieli Consort, Ghent Collegium Vocale, Gulbenkian Foundation Chorus Lisbon, Gulbenkian Foundation Symphony Orchestra Lisbon, Hesperion XX, Instrumental Ensemble, King's College Choir, Cambridge, L'Europa Galante, La petite bande, La Simphonie du Marais, Le Concert d'Astree, Le Concert spirituel, Les Arts florissants, Les Demoiselles de Saint-Cyr, Les folies francoises, London Classical Players, Melante Amsterdam, Netherlands Chamber Choir, Orchestra of the Age of Enlightenment, Orlando Gibbons Viol Ensemble, Paris Orchestral Ensemble, Raglan Baroque Players, Scottish Ensemble, Seminario Musicale, Sixteen, Sonnerie Trio, Taverner Choir, Taverner Consort, Taverner Players, Toulouse Chamber Orchestra Genres : Agnus Dei, Air, Anthem, Antiphon, Aria, Ballet, Baroque Period, Bouree, Canon, Cantata, Canzonetta, Caprice, Chaconne, Chorale, Chorus, Classical Period, Concerto, Duet, Fandango, Finale, Fugue, Galliard, Gigue, Gloria, Hornpipe, Incidental Music, Madrigal, Magnificat, March, Mass, Motet, Ode, Offertory, Opera, Oratorio, Overture, Partita, Pavane, Prelude, Psalm, Quintet, Recitative, Renaissance Period, Requiem, Rondo, Sanctus, Sinfonia, Sonata, Song, Stabat Mater, Suite, Symphony, Tambourin, Te Deum, Toccata, Variations, Voluntary Performers : Maurice Andre [trumpet], Nancy Argenta, Bob van Asperen, Arleen Auger, Chiara Banchini, Rachel Beckett, Mark Bennett, Stephanie Blythe, Richard Boothby, James Bowman, Jean-Patrice Brosse, Alison Bury, Marcelo Bussi, Anner Bylsma, Maggie Cole, Nicholas Danby, David Daniels [Countertenor], Michel Debost, Bernard Deletre, Isabelle Desrochers, Montserrat Figueras, Veronique Gens, Conductor] Paul [Oboe Goodwin, Susan Graham, Monica Huggett, Sharon Isbin, Werner Jacob, Della Jones, Ralph Kirshbaum, Bernhard Klapprott, Gustav Leonhardt, Gerard Lesne, Carsten Lohff, Balazs Mate, Sonia Maurer, Pascal Monteilhet, Paul Nicholson, Nigel North, Mark Padmore, Patricia Petibon, Mikhail Pletnev, Christoph Pregardien, Christopher Robson, Lionel Rogg, Christophe Rousset, Michel Sanvoisin, Giovanni Scaramuzzino, Marion Scott, Bernard Soustrot, Crispian Steele-Perkins, Ray Still, Christian Tetzlaff, Guy Touvron, Elizabeth Wallfisch
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