| | Complete Solo Recordings, 1929-1936 CD - Import Thibaud, Jacques CDS
| Category | Classical, Live Performances, Romantic Period, Chamber Music/Recitals, 20th Century Period, Classical Period, Baroque Period, Concerto, Opera, Sonata, Suite, Song, Symphony, Dance - Classical, Character Piece, Prelude, Fantasy, Waltz, Song Cycle, Oratorio, Serenade, Rondo, Partita, Scherzo, Minuet, Tango, Gigue, Introduction, Chaconne, Berceuse, Gavotte, Rondeau, Siciliana |
Complete Solo Recordings, 1929-1936 Music | List Price | $19.97 (You save $1.22) | | Label | APR (Appian) | | Orig Year | 9/12/2006 | | All Time Sales Rank |  28401  | | CD Universe Part number | 7263624 | | Discs | 2 | | Release Date | Sep 12, 2006 | | Recording Time | 2 24 | | Additional Info | Import |
Complete Solo Recordings, 1929-1936 Review
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Complete Solo Recordings, 1929-1936 Music Composers on Complete Solo Recordings, 1929-1936 CD : Isaac Albeniz, Armand Marsick, Johann Sebastian Bach, Claude Debussy, Ede Poldini, Edouard Lalo, Manuel de Falla, Gabriel Faure, Francesco Maria Veracini, Giovanni Battista Vitali, Enrique Granados, Henry Eccles, Jean-Antoine Desplanes, Karol Szymanowski, Wolfgang Amadeus Mozart, Camille Saint-Saens, Antonio Vivaldi Conductors on Complete Solo Recordings, 1929-1936 CD : Ernest Ansermet Performers on Complete Solo Recordings, 1929-1936 CD : Alfred Cortot, Georges de Lausany, Jacques Thibaud, Tasso Janopoulo Purchase Complete Solo Recordings, 1929-1936 To buy, Click on price to add to cart | Debussy: Préludes, Images, Children's Corner / Michelangeli CDs (2008)
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Listening to the music of Ennio Morricone is a joy for any music lover. Listening to his music as played by Yo-Yo Ma borders on the sublime. Morricone is an iconic film composer, a master melodist whose unique scores are characterized by his bold use of unusual musical techniques, sounds, and textures. The term "spaghetti western" would have less significance without his distinctive contributions. Yo-Yo Ma is a musician in a class by himself. He's an extraordinarily gifted cellist of enormous intellect and a fearless explorer of a broad musical landscape, who seems determined to prove that hardly any genre exists within which he can't excel.
It's evident from the very first notes of YO-YO MA PLAYS ENNIO MORRICONE that this was a labor of love for both artists. Ma is at his most expressive as he wraps his luminous tone around some of the most beautiful cinematic themes imaginable, including "Gabriel's Oboe" and "The Falls" from THE MISSION, as well as "Nostalgia" and "Looking For You" from CINEMA PARADISO. Morricone's marvelous arrangements, particularly the suites dedicated to some of the great directors he's worked with, provide a perfect vehicle for the star soloist while retaining the music's original character and flavor. Ma's muscular account of "Ecstasy of Gold" from Sergio Leone's epic THE GOOD, THE BAD AND THE UGLY is notable among the album's many highlights.
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Since Chris Young appeared on the "Nashville Star" television program in 2006, he's been on a roll. After signing with RCA he had a hit with "Drinkin' Me Lonely," his first single from his self-titled debut recording. Likewise, the two singles that have preceded the release of THE MAN I WANT TO BE in 2009 haven't done too badly either, getting plenty of play on radio. While Chris Young's sound is firmly in the contemporary country camp, it's also a lot more hardcore honkytonk than it is the refried '70s rock clichés that plague the genre. Part of that is due to his big booming baritone voice that rings as clear as a bell in this mix. (Think George Strait-meets-Josh Turner.) The other part of his appeal is the use of a relatively small group of musicians, giving the disc a more organic sound than a lot of what's out there. Young also has a lot of respect for tradition: "Rose in Paradise" is drenched in fiddles, mandolins, and acoustic guitars. It's a country-styled blues and features no less than Willie Nelson as a duet partner. The final track on the set is a moving cover of Tony Joe White's "Rainy Night in Georgia." Its beauty lies in its arrangement; his reading of this classic ballad is utterly tender and believable, accentuanted by a sparse, stripped-down production. And rather than stick with his trademark baritone, he stretches his vocal range--including a mean falsetto--to the brink and still pulls it all off.
Recording information: Loud Recording, Nashville, TN; Oceanway Studios.
Photographer: Marina Chavez.
Personnel: Willie Nelson (vocals); Biff Watson (acoustic guitar); Kenny Greenberg, Brent Mason (electric guitar); Paul Franklin (steel guitar, dobro); Aubrey Haynie (mandolin, fiddle); John Hobbs, Steve Nathan (piano, keyboards); Eddie Bayers, Jr., Shannon Forrest (drums); Wes Hightower, Tania Hancheroff (background vocals).
Audio Mixer: Julian King.
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