| | Shareefa Point Of No Return CD Shareefa Discography of CDs
 (13 Customer Reviews)
Urban contemporary diva Shareefa built her name as a member of Ludacris's Disturbing the Peace collective to which she lent her alternately gutsy and floating vocals to DTP's second compilation. The singer's full-length solo debut, POINT OF NO RETURN, out on Ludacris's Def Jam-affiliated DTP label, makes good on the buzz surrounding the young singer by offering up a full course of slow jams, soulful mid-tempo numbers, and thumping club bangers. Comparisons to Mary J. Blige are inevitable, but if Shareefa's singing isn't yet developed enough to give Blige a run for her money, the impressive neo-soul performances on POINT OF NO RETURN suggest she's very much in the race.
Recording information: Adida Sounds, Virginia Beach, VA; Circle House Studios, Miami, FL; Doppler Studios, Atlanta, GA; Little Big Room, LA, CA; Stankkonia Recording, Atlanta, GA; The Work Room Studios, New York, NY; Time Machine Studio, Accokeek, MD; Upstairs Studio, Atlanta, GA.
Director: Rich Nice.
Photographers: Nichell Delvaille; Christian Lantry.
Arrangers: Rich Nice; Carl Thompson.
Personnel: Shareefa (vocals); K'Jon, Bobby Valentino (vocals); Ludacris (rap vocals); Tony Aliperti (guitar); Shayshahn MacPherson "Phearnone" (strings); Rich Nice (percussion, programming); Carl Thompson (programming); Kimberly "Kymistri" Dennard (background vocals).
Audio Mixers: Rich Nice; Kevin "KD" Davis; Manny Marroquin; Dave Pensado; Commissioner Gordon; Supa Engineer "Dura"; Skibeatz.com; Adida; Jean-Marie Horvat; Phil Tan; Salaam Remi.
Shareefa Point Of No Return Songs Point Of No Return Music Review Average Rating: (4.5 out of 5 stars)   List All Reviews Hot
Hot,hot,hot. Sharrefa gots the soul.
Submitted by aaa (aa, aaaaaaaaa) 
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SICK!!!
Shareefa's album is FIRE!!!! Her voice is unique.
Submitted by Lilchief54 (Atlanta,GA)
Was This Review Helpful? Yes No  THIS ALBUM IS FIYA!!!
Shareefa is another soulful singer who is made her debut hard and strong. The entire album is on point and I look forward to hearing more from her. I'm disappointed that she was not promoted as well as she should've been. I wish her the best of luck in the future.
Submitted by kholthompson ((DECATUR, GA via Gainesville, GA)
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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Hell yeah i love this cd and Shareefa i like every song i really really love Phony,U Told Me,Need A Boss,Cry No More,Give Me Your Lovin or whatever it is! Peace out!
Submitted by Destiny Reynolds (California,SD,USA)
Was This Review Helpful? Yes No I d...
i dont really like this except fo r"Need A Boss" will i like it if i listen to it?
Submitted by Charity Clemonson (United Kingdom,UK)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
Purchase Point Of No Return CD To buy, Click on price to add to cart | VH1 Presents The Corrs Live In Dublin CD (2002)
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“It’s like listening to the reincarnation of Robert Johnson.” This is what the review in The Sensible Sound said about Curtis Blues after one writer voted him one of the top ten CDs of this year. Curtis Blues plays One-Man-Band, acoustic, Delta blues honed through years of street performing, and playing clubs in the Washington D.C area.Curtis Blues plays guitar (metal resonator or wood acoustic), harmonica, a bass drum and hi-hat cymbals at the same time. He both re-interprets traditional blues and performs his own originals in the Delta style. Having played harmonica for 34 years, Curtis doesn’t just play copycat licks from the masters. He emotes through his harmonica’s wails and moans straight from his heart to yours. This is real street blues. Since this act was created on the street with no mike, his vocals are field hollers, evoking Son House with its volume and depth. His slide guitar is a second voice, slashing and cutting through the pulse of the natural shuffle rhythm of his bass drum and hi-hat cymbals. This is a full band sound from one man, a natural ebb and flow of emotion expressed through all instruments at once.The CD ranges the whole history of Delta blues from Charley Patton’s forceful “Moon’s Going Down”, through Son House’s, “Levee Camp Moan”, Robert Johnson’s “Walking Blues”, all the way to the intensely personal and plaintive original, “River of Missing You”. It ends in a harmonica solo, “Train Time”, that Curtis wrote in his teens in the style of the county blues harp players imitating a freight train. This is his personal signature piece to end his shows. The songs on this CD have been performed thousands of times, a process that makes even the oldest songs from the 20’s become a personal expression of his feelings. Curtis defines busking, or street performing as “turning strangers into a paying audience”. Curtis has played on the streets in the D.C. area for a decade, where he is a local institution. He views street performance as a way to keep this music alive as it was created, acoustic street music, played without a mike, in the open air. On a Saturday night you can see crowds around him while he plays on the waterfront boardwalk in Alexandria Virginia, preaching the blues to an international audience of all ages. This CD captures that spirit. No multi-track gimmicks, recorded ...
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