| | Get The Message: The Best Of Electronic CD Electronic Discography of CDs
Released in 2006, this 13-track collection cherry picks the finest songs from Electronic's first three albums. While the Britpop duo of Johnny Marr (the Smiths) and Bernard Sumner (New Order) never reached the brilliance of their other bands' ... Full Descriptionearlier work, the pair did craft a number of enjoyable dance-pop singles, including the vibrant "Getting Away with It" (with the Pet Shop Boys' Neil Tennant), the breezy title track, and the shuffling "Second Nature," all of which are available on this fittingly concise, well-selected compilation.
Electronic: Johnny Marr , Bernard Sumner.
Recording information: 1991 - 2000.
Q (p.154) - 3 stars out of 5 -- "First single 'Getting Away With It' charmed a nation...and 'Feel Every Beat' saw Sumner deliver the campest rap ever..."
Mojo (Publisher) (p.131) - 3 stars out of 5 -- "Later and more rocked-up material includes 'For You' and 'Forbidden City', both gems in anyone's canon." Hide Description Get The Message: The Best Of Electronic Music Get The Message: The Best Of Electronic Songs Get The Message: The Best Of Electronic Review
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Buy Get The Message: The Best Of Electronic CD Purchase Get The Message: The Best Of Electronic CD To buy, Click on price to add to cart | American Music Club Everclear CD (1991)
Get The Message: The Best Of Electronic album
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EVERCLEAR, AMC's finest hour and one the '90s' most powerful albums, is simultaneously lush and searing, heartache and despair borne out in elegant arrangements that combine fragile prettiness and soul-baring howls of pain. Multi-instrumentalist Bruce Kaphan rose to the occasion of his production debut. The canyons of reverb on the instruments are strangely appropriate, highlighting the almost decadent, tragically beautiful feel of the songs. Keyboards, pedal steel, and acoustic guitars drift like abandoned ships swirling around in a colorfully tempestuous sea full of unknown nautical demons. Guitarist Vudi contributes ...
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| | Arcade Fire Funeral CD (2004)
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Favorably compared to the Flaming Lips, Mercury Rev, and Broken Social Scene, the Arcade Fire's sound seems to come from a lifetime of listening to the Cure, Talking Heads, Elvis Costello, and many others--even a dose of soul ...
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| | David Lee Roth Eat 'Em And Smile CD (1986)
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After David Lee Roth's shocking split from Van Halen at the height of the group's popularity, all parties involved resorted to a media-fueled circus of mudslinging. Roth's first post-V.H. project was to be a motion picture (CRAZY FROM THE HEAT) which never got off the ground. But Roth had already assembled a killer solo band, including ex-Frank Zappa guitarist Steve Vai, ex-Talas bassist Billy Sheehan, and ex-Maynard Ferguson drummer Gregg Bissonette, to record songs for the movie's soundtrack. Instead of scrapping the tracks, he incorporated them into his first solo album, 1986's EAT 'EM AND SMILE.
SMILE remains Roth's best solo work. His hard-rocking band sounds as if it's out for blood throughout. Highlights abound, such as the popular ...
| | Shout: The Very Best Of Tears For Fears CD (2001)
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Digitally remastered by Suha Gur (Universal Mastering Studios-East).
British duo Tears for Fears debuted in the age of New Romantic synth-pop, and while their early output did share some superficial elements with the likes of Simple Minds, OMD, et al, they were always master craftsmen first and foremost, in terms of both songwriting and production. SHOUT: THE VERY BEST OF TEARS FOR FEARS kicks off with such early hits as "Pale Shelter," "Change," and "Mad World," which array the requisite early-1980s layers of synthesizers in such an artful way that one would be forgiven for regarding TFF as the Beach Boys of electro-pop.
It didn't take long for Curt Smith and Roland Orzabal to transcend the genre, though, and elegant melodic pop gems "Head Over Heels" and "Everybody Wants to Rule the World" are lush, timeless classics more akin to the contemporaneous works of, say, Prefab Sprout. Unsurprisingly, Tears for Fears survived well beyond the Reagan/Thatcher years, turning their attentions to ornate, decidedly Beatlesque ...
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The first three songs on Jewel Kilcher's first new album after a long layoff (her previous release was a 1999 Christmas album) embrace country, alternative rock, and a kind of John Cougar Mellencamp rock/country. She finds her own voice five songs in, with the tour de force "Do You Want to Play?" whose smart lyrics combined with a ...
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