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Tarabini's - A Touch Of Classic Jazz CD Cover Art
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Tarabini's A Touch Of Classic Jazz CD

 Tarabini's Discography of CDs

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“the TARABINI’S — A Touch of Classic Jazz” — is a tight acoustical sound that blends Accordion, Vibes, Bass and Guitar into a classic jazz style, reminiscent of the great groups of the past, i.e. Art Van Damne, ...    Full Description

A Touch Of Classic Jazz Music


Detailed A Touch Of Classic Jazz Music Information



Category Jazz Albums
Label CD Baby
CD Universe Part number 7269709
Catalog number 95463
Discs 1
Release Date Jul 04, 2006
Tarabini's A Touch Of Classic Jazz Songs


Tarabini's A Touch Of Classic Jazz Album Track Listing



1.Moonglow
2.How High the Moon
3.A Day in the Life of a Fool
4.I'm Beginning to See the Light
5.Polka Dots and Moonbeams
6.Peel Me a Grape
7.Poinciana
8.Mood Indigo
9.Satin Doll
10.The Lady is a Tramp
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Clairvoyance
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Jazz Times CD Review, September 2007"There’s an energetic creative force on the horizon named Ayn Inserto, and based on this debut album, she’s Maria Schneider on steroids. Boston-based Inserto, an assistant professor at Berklee, arranged all nine tracks and composed six. George Garzone, who is a guest tenorist, wrote the remaining three. The other guest soloist is trombonist Bob Brookmeyer, who happens to be Inserto’s mentor. That connection alone gives credence to the album. What you’ll hear may be confusing. In Inserto’s contemporary mindset, there seems little need for bar lines or, in many instances, tonal centers. Her strength is in creating dense colors and textures, as on “Clairvoyance.” Sticking with a conventional, 17-piece band, she devises huge, avant-garde canvases filled with clusters (she loves minor seconds). Brookmeyer is laid-back, never deviating from his sophisticated tones, creating a fascinating contrast to Inserto’s dissonant backing, particularly on “Shadow Dancing.” Garzone, on the other hand, tends to become as anarchic as the band, as on “Hey, Open Up.” Pianist Kyle Aho takes a very poetic solo on “Early Sunday Morning,” and there is outstanding rhythmic support from bassist Jeremy Allen and drummer Richie Barshay on 'Lazy Saturday Afternoon.'" - Harvey Siders"Ayn Inserto is a young, beautiful and very talented composer who has just made a dramatic entrance into the world of big band jazz, offering a new voice on this debut album. Her music is new and unconventional, striking a different chord than what ...
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Christmas jazz, holiday jazz.Jazz pianist Rick Gallagher has been a part of the Pittsburgh music scene since the late 1980's. Over the years Rick has done solo and group work in a wide range of contemporary styles but has found a voice as a player and composer in classic jazz. He has worked with many of the area's top performers and bands as well as solo piano ...
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Stark Surreality
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I play flutes, and don’t play sax or other horns. This means that the flute is my main means of expression. Some people who play these other instruments use the flute for the quiet or cool side of their playing. I express the whole range of emotion and mood with flutes. That means that sometimes my music is harsh and hard, other times quiet, serene. Sometimes it’s hot, sometimes cool. Almost always, though, it is with intensity. Using different flutes and recorders, I hope to add some subtlety to my music, and I hope those of you who listen to it will let yourselves get lost in the possibilities.My family is a musical one. My parents were choral singers and my sisters play music. I began playing the flute in grade four in the Royal Oak, Michigan, Public Schools. I played in school bands and, in high school in the Chicago area, started playing flute in jazz groups. I have also played mandolin in folk, Irish, and bluegrass bands in Chicago, and have performed on several recordings in several genres. I have even been a busker in several cities (once I was arrested for busking). On various flutes and recorders, I have performed everything from Handel and Bach to avant-garde jazz. I have sung in several church choirs and community choirs, including ...
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