| | Brian James New Rose 2006 EP CD - Import Brian James Discography of CDs
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Our Price: $15.75  CDFor Sale Usually ships in 1-2 days
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Limited edition CDEP featuring 4 tracks from The Damned's co-founder Brian James. re-worked 30 years on New Rose (The Damned classic punk track) is featyured on this CD. Also features 40 minute interview, Method to my madness (exclusive track) + 'I've been looking back (Acoustic version). This release comes in deluxe packaging designed by Graham Humphries of 'Lords of the new church fame' Brian James New Rose 2006 EP Songs | 1. | New Rose 2006 |
| 2. | Method To My Madness |
| 3. | I've Been Looking Back (Acoustic Version) |
| 4. | Vip |
| 5. | Interview With Brian James |
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New Rose 2006 EP Music Review Purchase New Rose 2006 EP CD To buy, Click on price to add to cart | Slayer World Painted Blood CD (2009)
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Additional Tracks
Personnel includes: Michael Jackson (vocals, percussion); Paul McCartney (vocals); Vincent Price (spoken vocals); Steve Lukather (guitar, bass); Eddie Van Halen, Dean Parks, Paul Jackson (guitar); Larry Williams (flute, saxophone); Jerry Hey (trumpet, flugelhorn); Bill Reichenbach (trombone); David Paich (piano, synthesizer); Greg Phillinganes (Fender Rhodes piano, synthesizer, programming); Steve Porcaro (synthesizer, programming); David Foster, Rod Temperton (synthesizer); Tom Bahler (Synclavier); Louis Johnson (bass); Ndugu Chancler, Jeff Porcaro (drums); Paulinho Da Costa (percussion); Brian Banks (programming); LaToya Jackson, Julia Waters, Maxine Waters, ...
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2009 release from the Dutch gothic metal band includes 13 tracks
Lyricist: Amanda Somerville.
Personnel: Linda Van Summeren (soprano); Previn Moore (tenor); Coen Janssen (baritone, bass voice, piano, synthesizer); Simon Oberender, Olaf Reitmeier (baritone, bass voice); Melvin Edmondsen (bass voice); Isaac Delahaye (guitar); Yves Huts (bass guitar); Amanda Somerville (background vocals).
Editors: Simon Oberender; Olaf Reitmeier.
Photographer: Simone Simons.
Dutch ...
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Atreyu: Travis Miguel, Daniel Jacobs.
SoCal screamo/pop-metal outfit Atreyu has exactly what the youth of the new millennium crave: a contradiction in terms that allows fans to have it both ways--music that presents diffuse anger that is then offset with busy, anthemic pop melodies. The group's dual vocal counterparts solidify this formula, as one man drives (drummer/vocalist Brandon Saller, crooning ...
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Peter Brötzmann: Willem Breuker (bass clarinet); Evan Parker (tenor saxophone); Peter Brötzmann (baritone saxophone); Fred Van Hove (piano); Bushi Niebergall, Peter Kowald (bass guitar); Han Bennink, Sven-Åke Johansson (drums).
Recorded in 1968 at Lile Eule club in Bremen, Germany, the Peter Brotzman Octet's MACHINE GUN is a Rosetta Stone for continental free jazz. Featuring such soon-to-be improv legends as saxophonist Evan Parker, reeds player Willem Breuker, and of course Brotzman himself, MACHINE GUN is a mind-blowing study in unbridled musical energy. The playing is simply furious, and hits a fever pitch from note one, letting up for nary a second over the course of the album's three extended tracks. Yet despite the seemingly chaotic timbre of the proceedings, there are moments that genuinely swing here, making it clear that Brotzman and his boys are part of the jazz tradition even if their intent may be to drag that tradition into shocking new realms.
Atavistic Records reissued the complete sessions in 2008 on their Unheard Music Series imprint, and included a pair of alternate takes and a live performance of "Machine Gun."
Thanks to Atavistic and its truly treasured Unheard Music Series, we finally have the Complete Machine Gun Sessions as recorded in 1968. That short-lived but forever memorable (in the annals of free music lore) band was led by the vision and über lungs of saxophonist/composer Peter Brötzmann. It was built out of his stellar trio with pianist Fred Van Hove and drummer Han Bennink (the Europeans were already tearing down the walls of nationalism and their association with the American free jazz scene). John Corbett, that wild poet, thinker, essayist, musician, disc jokey, and knower of all secret cultural connections between the "then" and "now" (we are lucky to have him) claims in his liner notes to this riotous set that Brötzmann "drew on the huge horn section of Lionel Hampton's "Flying Home" for inspiration, translating the hilarious saxophonic power of the jump blues and Illinois Jacquet's hooting and hollering into an abstraction painted with a flame thrower, à la Alberto Burri." He's right, as usual. That may not be hearable on first listen, as this octet -- rounded out with saxophone heroes Evan Parker, Willem Breuker, bassists Peter Kowald and Buschi Neibergall, and drummer Sven-Åke Johansson -- peels paint with its sheer power, and will no doubt startle anyone who hasn't heard it before -- but it's there. It can be heard upon subsequent listens as the arrangements, and the dynamic shifts and shuttles ...
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