| | Jorge Drexler 12 Segundos De Oscuridad CD Jorge Drexler Discography of CDs
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Renowned for "Al Otro Lado Del Rio," his Academy Award-winning song featured in THE MOTORCYCLE DIARIES, Uruguayan singer-songwriter Jorge Drexler presents a compelling set of thoughtful Latin pop with 12 SEGUNDOS DE OSCURIDAD. Staying largely within an acoustic palette, Drexler shines on the dreamy title track and a spare cover of Radiohead's "High and Dry" (the album's only English-language number), songs that showcase the performer's gentle, amiable vocals and delicate guitar playing.
Personnel: Jorge Drexler (acoustic guitar); Juan Campodónico (acoustic guitar); Huma (electric guitar); Javier Casalla (violin); Luciano Supervielle (piano); Cesar Araque (percussion); Diego Galaz, Gabriel Casacuberta, Nacho Benedetti, Borja Barrueta, Ramiro Mussotto, Marco Suzano, Gonzalo Gutierrez (unknown instrument).
Additional personnel: Leonor Watling, Pablo Drexler, Maria Rita, Arnaldo Antunes (vocals); Paulinho Moska, Kevin Johansen (background vocals).
12 Segundos De Oscuridad Music | List Price | $9.98 (You save $0.49) | | Category | World Albums, International CDs, Latin, Regional Mexican, Argentinian, Latin Pop | | Label | WEA | | Orig Year | 2006 | | All Time Sales Rank |  102973  | | CD Universe Part number | 7272195 | | Discs | 1 | | Release Date | Feb 06, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Juan Campodonico | | Engineer | Julio Berta | | Recording Time | 48 minutes | | Personnel | Jorge Drexler - acoustic guitar
Marcos Suzano
Luciano Supervielle - piano
Javier Casalla - violin
Juan Campod=nico - acoustic guitar
Gabriel Casacuberta
Diego Galaz
Borja Barrueta
Cesar Araque - percussion
Gonzalo Gutierrez - unknown instrument
Nacho Benedetti
Ramiro Mussotto
Huma - electric guitar
Also: Paulinho Moska, Maria Rita, Arnaldo Antunes, Pablo Drexler, Kevin Johansen, Leonor Watling, Radiohead |
Jorge Drexler 12 Segundos De Oscuridad Songs 12 Segundos De Oscuridad Music Review Purchase 12 Segundos De Oscuridad CD To buy, Click on price to add to cart | Franco De Vita Nada Es Igual CD (1999)
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Eco is the third album produced by Juan Campodónico, Carlos Casacuberta, and Jorge Drexler. The production is warmer than that of Drexler's previous album, Sea. That does not mean electronic arrangements are abandoned, but there's a more balanced guitar/voice sound that works better with his delicate songs. If you are a Drexler fan, you won't find many surprises here, just the spoken word of "Guitarra y Vos," one of the best moments of this album. Drexler knows the right buttons to push when he wants to charm listeners, and this is what he does on the track that closes the album, the engaging "Salvapantallas." Although it does not break new ground, this album is direct, attractive, and inventive. He has done it again. ...
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$9.99 | | Day After Tomorrow CD (2004)
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Harald Kloser's score for the environmental disaster film The Day After Tomorrow has an appropriately epic, orchestral heft. Mixing slow, implosive passages with sudden outbursts, pieces like "Tornado Warning," and "Sam!" mirror the film's concept of sudden, radical climate shifts wreaking havoc on the U.S.. Even the tracks that have a relatively consistent mood are juxtaposed to create contrast: the mounting panic implied by the squalling horns and percussion in the aptly crashing "Tidal Wave" and the tense "Russian Ghost Ship" is followed by the bittersweet calm of tracks like "Body Heat" and "Hall's Plan." For the most part, the score is ominous; although a few rays of hope peek through on tracks such as "Bedtime Story," "Cutting the Rope," and "President's Speech"; the grim drama of "Blizzard" and "Superfreeze," and the bleak strings on "Because of You" set the tone for the film's music. Despite the score's powerful feel, its pieces are remarkably short, with few of them topping the three-and-a-half minute mark. Given the film's spectacular nature, Kloser could have tried to compete with the visuals and crafted an overblown score, but the conciseness of his music gives the film a little more balance. The score's closing pieces, "The Human Spirit" and "Burning Books," border on the melodramatic, but most of The Day After Tomorrow is an effective counterpoint to the movie's act
Original score composed by Harald Kloser.
Composer: Harald Kloser.
Personnel: Carmel Echols (vocals); Amy Shulman, Gayle Levant (harp); Elizabeth Wilson (violin, viola); Assa Drori, Al Hershberger, Miran Kojian, Carolyn Osborn, Jennifer Munday, Katia Popov, Tamara L. Hatwan, Robin Olson, Aimee Kreston, Helen Nightengale, Barbara Porter, Pat Johnson , Kathleen Robertson, Bing Wang, Olivia Tsui, Julian Hallmark, Jayme Miller, Mark Baranov, ...
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This is a must have disc
One of the best latin composer of all times
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