| | Arcane Order Machinery Of Oblivion CD - Import Arcane Order Discography of CDs
Debut album from the Danish band gets their influences from everywhere, and they also know how to create their own sound with it. The guitarist Flemming C. Lund (Autumn Leaves, Invocator) plays his solo`s very convicing, while the drumbeast Morten Lowe Sorensen (Submission) fires his blastbeast like a madman. The style of The Arcane Order is somewhere between classic trash (mainly because of the riffs) and melodic death metal, but because of the many details, like gentle placed samples & keyboards, The Machinery Of Oblivion sounds very fresh. On top of that the singer Kasper Thomsen growls his lungs out from the start to the finish, but the music still stays catchy in a special way. This is really an album that every (modern) metal fan has to have! Metal Blade. 2006. Machinery Of Oblivion Music Arcane Order Machinery Of Oblivion Songs | 1. | Prologue: The Machinery Of Oblivion |
| 2. | Infinite Ghost Anathema |
| 3. | Superior Collision, The |
| 4. | In A Hail Of Deadly Bullets |
| 5. | Servants Of A Darker World |
| 6. | Bloodlust |
| 7. | A Sevenfold Condemnation |
| 8. | Breathe The Poison |
| 9. | Flames Of Liberation |
| 10. | Sanity Insane, The |
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Machinery Of Oblivion Review
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Purchase Machinery Of Oblivion CD To buy, Click on price to add to cart | Holy Moses Agony Of Death CD (2008) Special Edition
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"Ori Release '96 , Debut & only album from the Rap Metal band featuring Jim Korthe & Todd Deguchi ( bothe currently Third Strike ) . Co-produced by Matt Wallace ( Faith No More, Maroon 5 )"
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CD contains 1 bonus track.
Death From Above 1979 makes their considerable racket with only bass, drums, and the occasional Moog squelch assist. This isn't a gimmick -- between Sebastien Grainger's frantic wail and the overdriven bass riffs of Jesse F. Keeler, the duo's You're a Woman, I'm a Machine pulses with a steady, sweaty energy that's punctuated with arena-sized hooks. "Blood on Our Hands" boils dance-punk nearly all the way down, leaving only a relentless hi-hat cymbal, while "Turn It Out" and "Cold War" churn on double-time rhythms and rudimentary, yet completely effective bass runs. The duo's setup certainly limits their range, which means the album can occasionally resemble one long song. But at just over a half-hour, it's over before any questions about the lack of guitars can even start to form. There are hyper indie rock flare-ups, like in the Hot Snakes/Rocket from the Crypt yelp of "Going Steady." And "Sexy Results" is a flirtatious and amplified cross of new wave and Rapture-style strut that comes complete with a cowbell upbeat. Preoccupation with the opposite sex provides some of You're a Woman, I'm a Machine's strongest moments, from Grainger's "I don't need you/I want you" clarification ...
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