| | Marin Marais: Pièces À Trois Violes CD Les Voix Humaines CDS
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Marin Marais: Pièces À Trois Violes Music | List Price | $16.99 (You save $4.24) | | Label | ATMA Classique | | Orig Year | 10/24/2006 | | All Time Sales Rank |  15473  | | CD Universe Part number | 7304338 | | Discs | 1 | | Release Date | Oct 16, 2002 | | Recording Time | 1 1 |
Marin Marais: Pièces À Trois Violes Review
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Marin Marais: Pièces À Trois Violes Songs | 1. Suite for 3 violas da gamba & continuo in D major (Pièces de viole, Book IV, Nos. 88-96): Prélude (22:37) | | Common Name | Suite For 3 Violas Da Gamba & Continuo | | Composer | Marin Marais (1656 - 1728) | | Performer | Wieland Kuijken | | Genre | Baroque Period / Suite | | Ensemble | Les Voix Humaines | | Period | Baroque | | Venue | Église St-Augustin de Mirabel, Québec, C | | Notes | Église St-Augustin de Mirabel, Québec, Canada (10/21/2005-10/23/2005) | | 2. Suite for 3 violas da gamba & continuo in D major (Pièces de viole, Book IV, Nos. 88-96): Allemande (8:44) | | Composer | Marin Marais (1656 - 1728) | | Performer | Wieland Kuijken | | Genre | Baroque Period | | Ensemble | Les Voix Humaines | | Period | Baroque | | Country | France | | Venue | Église St-Augustin de Mirabel, Québec, C | | Notes | Église St-Augustin de Mirabel, Québec, Canada (10/21/2005-10/23/2005) | | 3. Suite for 3 violas da gamba & continuo in D major (Pièces de viole, Book IV, Nos. 88-96): Courante (26:29) | | Common Name | Suite For 3 Violas Da Gamba & Continuo | | Composer | Marin Marais (1656 - 1728) | | Performer | Wieland Kuijken | | Genre | Baroque Period | | Ensemble | Les Voix Humaines | | Period | Baroque | | Venue | Église St-Augustin de Mirabel, Québec, C | | Notes | Église St-Augustin de Mirabel, Québec, Canada (10/21/2005-10/23/2005) |
Marin Marais: Pièces À Trois Violes Music Composers on Marin Marais: Pièces À Trois Violes CD : Marin Marais Ensembles on Marin Marais: Pièces À Trois Violes CD : Les Voix Humaines Genres on Marin Marais: Pièces À Trois Violes CD : Baroque Period, Suite Performers on Marin Marais: Pièces À Trois Violes CD : Wieland Kuijken Purchase Marin Marais: Pièces À Trois Violes To buy, Click on price to add to cart | Bournemouth So American Classics - Rorem: Three Symphonies / Serebrier CD (2003)
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Track Listing of songs: Symphony No. 2 in B flat major, Op. 23; Pour une Fete de printemps, symphonic poem, Op. 22; Suite for orchestra in F major, Op. 33;
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This is a Super Audio CD playable only on Super Audio CD players.
Anonymous 4's 2004 album American Angels, a collection of folk and gospel songs that stood in contrast to the a cappella group's usual focus on ancient and classical vocal music, was a major hit, reaching the top of the Billboard classical chart and selling a reported 80,000 copies. Surprisingly, Anonymous 4 picked this moment to announce that they would no longer be a full-time entity. Nevertheless, two years later, they are back with Gloryland, a follow-up to American Angels containing "Folk songs, Spirituals, [and] Gospel hymns of Hope & Glory." There are, however, changes. The group has wisely brought in two instrumental accompanists, Darol Anger on violin and mandolin, and Mike Marshall on guitar, mandolin, and mandocello, and given them co-billing. And the part-time nature of the foursome is reflected in the carefully delineated performing credits, which show that all of them are not present on all tracks -- in fact, A4 get together on only nine out of 19 -- but that Marsha Genensky, who penned the liner notes and is awarded an assistant producer credit, is on all but two, an instrumental reading of "Wayfaring Stranger" by Anger and Marshall, and a solo by Susan Hellauer on "The Wagoner's Lad." Hellauer, meanwhile, is on every track but three. It is thus not a surprise to read in the liner notes that Genensky and Hellauer are forming their own duo, the Lost Girls. As with American Angels, the performances by the singers in their various combinations are lovely and pristine. If anything, in fact, the singing is too pretty; this is rural music usually performed by untrained voices, and the effect of hearing Anonymous 4 render it is not unlike hearing Judy Collins sing an old folk song; it's beautiful, but it doesn't sound real. The instrumentalists are a big help in this regard, however, adding an underpinning of authenticity to the sound. On their own, the members of Anonymous 4 come off like a small Protestant choir in a country church that has somehow been transported to heaven, removing the imperfections and personalities of the singers and turning them into angels. Even the songs about secular concerns (mostly lost love) sound not of this world. ~ William Ruhlmann
Includes work(s): an address for all (william walker); like by various composers.
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