| | Caetano Veloso Ce CD - Import Caetano Veloso Discography of CDs
If Caetano Veloso's 2004 album A FOREIGN SOUND was a smoothly accomplished salute to his influences in the popular music of the northern hemisphere, his 2007 release, CE, is proof that he hasn't lost his cutting edge. Its skeletal sound, co-produced with his son Moreno, rarely adopts the complex yet soothing rhythms of Veloso's native Bahia, instead laying bare his distinctive lyrics and perfectly nuanced vocals with quirky, rock- and punk-oriented beats and electric guitar.
Songs such as the hushed, "Minhas Lagrimas" and the sophisticated, jazzy "Porque" are the exception here, with the singer exploring a more rock & roll direction on the aptly-named "Rocks," while similarly appropriately blending Caribbean and Brazilian rhythms on "Musa Hybrida." Veloso's lyrics, too, have lost none of their eccentric sting over the years, with "Odeio" and "Um Sonho" both displaying an edgy eroticism, and "Outro" bristling with anger.The Wire (p.63) - "Veloso's voice is, as always, an instrument of singular winsomeness, coloured with regret and yearning..." Down Beat (p.62) - 4.5 stars out of 5 -- "It's one of his greatest vocal performances ever. alternating between rare tenderness and consonant grit..." Ce Review
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Purchase Ce CD To buy, Click on price to add to cart | Gerald Wilson Detroit CD (2009)
Ce
$14.59
| | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Ce
$6.39 With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions.
Bill Evans' translucent chords and Paul Chambers' famous bass line herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp relief to the saxophonists' labyrinthine elation. The fat, shimmering beat of the classic ...
| | Melody Gardot My One And Only Thrill CD (2009)
Ce
$12.25 Although the plaudits for Melody Gardot's debut album, WORRISOME HEART, were entirely justified, it sometimes seemed as if the young singer-songwriter's compelling personal story--hit by a car and severely injured at the age of 19, the aspiring fashion designer began playing piano and writing songs as part of her physical therapy--overshadowed her music. Gardot's second album, MY ONE AND ONLY THRILL, dispells that sense entirely: this gorgeous collection of lavishly orchestrated ...
| | Jesse Cook The Rumba Foundation CD (2009)
Ce
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| | Poncho Sanchez Psychedelic Blues CD (2009)
Ce
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| | Miles Davis On The Corner CD (1972) Remastered
Ce
$6.49 ON THE CORNER enjoys a special cult status among musicians, anticipating as it does the punk funk/acid jazz movements. For Miles Davis, ON THE CORNER was another seismic shift. Miles was particularly fond of the lyric sweep of Hendrixian electric guitar, the James Brown-like rhythmic thump of Fender bass, and the bell-like timbre and chordal possibilities of the Fender/Rhodes electric piano. Now the trumpeter sought to incorporate the feel of street rhythms from around the world and to reflect the influence of modern electronic composers such as Karlheinz Stockhausen.
So while ON THE CORNER is generously populated with top-flight jazz players, Davis was zeroing in on a contemporary approach not beholden to jazz players of jazz rhythmic postures--although group improvisation is still very much the order of the day. In paving the way for his Afro-psychedelic working bands of the mid-70's, Davis was roundly dissed, but ON THE CORNER ...
| | Kid Creole Best Of CD (1999) (Import) England; Germany
Ce
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$17.95 | | Lionel Hampton Two Generations CD (1999)
Ce
$19.99
| | Anita O'Day Incomparable! CD (1960) Special Packaging; Remastered; Special Edition
Ce
$12.49
| | Universal Sound Of America CD (1995) (Import) Import; United Kingdom
$20.99 | | Percy Faith Oscar CD (1966)
Ce
$10.69
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$49.95 | | Bands New Adventure In Rock CD (Import)
Ce
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| | Jack Gladstone Mountain West Christmas CD (2009)
Ce
$18.99 Jack Wallace GladstoneJack Gladstone is a Native "PoetSinger" and lecturer from the Blackfeet Indian Nation of Montana. Regarded as a cultural bridge builder, he delivers programs nationally on American Indian mythology and history. In a career spanning two decades, Jack has produced a dozen critically acclaimed CD’s. In 1985, Jack co-founded "Native America Speaks", an award-winning lecture series for Glacier National Park.A former college instructor, Jack has been featured on both the Travel Channel and in USA Today magazine. Honored as a “modern day warrior and bridge builder”, he holds a Human Rights Award for Outstanding Community Service from Montana State University. Since 1997, Jack Gladstone has collaborated with Lloyd Maines, Grammy winning producer of the Dixie Chicks. He was also a key tribal voice providing alternate perspectives of the Lewis and Clark expedition during the recent bicentennial ...
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