| | No. 2 Soundtrack CD - Import
Soundtrack to one of the biggest films from NZ in years. Movie based on Toa Fraser's critically acclaimed stage play which was first performed in 1999. Reflecting a distinctly warm Polynesian flavour the sound track features some of NZ hottest artists - Tha Feelstyle, TrinityRoots & Che Fu. The first single is Bathe in the River - written by Don McGlashan & performed by Hollie Smith with an all star band. No. 2 Soundtrack Songs | 1. | Medicine |
| 2. | Bathe In The River |
| 3. | Waka |
| 4. | Hold Tight |
| 5. | Wai Ni Bu Ni Ovalau |
| 6. | Core 'Ngrato |
| 7. | Chulu Chululu |
| 8. | Break It To Pieces |
| 9. | Home, Land ; Sea |
| 10. | Intermezzo From Cavalleria Rusticana |
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No. 2 Soundtrack Review
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Purchase Music From No. 2 CD To buy, Click on price to add to cart | Wicked CD (2003)
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Based on Gregory Maguire's novel of the same name, the Broadway musical WICKED creates a history for the two witches from L. Frank Baum's OZ books. Through composer/lyricist Stephen Schwartz's emotive songs, the show reveals the unlikely friendship between Elphaba (Idina Menzel), who eventually becomes the Wicked Witch, and Glinda (Kristin Chenoweth), the Good Witch.
The dramatic, horn-laden "No One Mourns the Wicked" starts ...
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This reissue contains bonus tracks of PIPPIN "covers" by various Motown artists. The original broadway cast production of PIPPIN was directed and choreographed by Bob Fosse.
Following the success of his off-Broadway musical Godspell and his collaboration with Leonard Bernstein on Mass, songwriter Stephen Schwartz made his Broadway debut with Pippin, which he had actually begun writing in college. It was based, very loosely, on Pepin (aka Pippin), the eighth century Frankish king. In the musical, Pippin (played by John Rubinstein) is a young man who is seeking meaning in life, not unlike the generation that came of age in the 1960s, of which Schwartz was a member, and not unlike the Jesus of Godspell. Pippin is led through life experiences by the Leading Player (played by Ben Vereen), a skeptical character not unlike the Judas of Godspell. It is the contrast between ingenuousness and archness represented by the two main characters that gives Pippin its dramatic structure, and onstage that contrast played out in the distinction between Schwartz's sweet pop/rock score and director/choreographer Bob Fosse's tart staging. It made for a successful combination; opening on October 23, 1972, Pippin ran more than four and a half years, for a total of 1,944 performances. Theater professionals, as ever hostile to the incursions of rock music on the Great White Way, tended to credit Fosse with the show's popularity and to disparage Schwartz's score. At Tony time, Fosse won two awards, while Schwartz lost the best score trophy to Stephen Sondheim and A Little Night Music. Nevertheless, the score was one of the show's major assets. Motown Records invested in Pippin and had its artists cover songs from it. The Supremes had a minor pop chart entry with "I Guess I'll Miss the Man," and the Jackson 5 made the R&B Top Ten and the pop Top 20 with "Corner of the Sky" shortly after the show opened. The cast album, Motown's first venture into show music, spent two and a half months in the charts, the only cast album to reach the charts at all in 1973. It deserved to do even better. Schwartz's piano- ...
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Features holiday songs done from the dogs' point of view in diverse musical styles.
DOGS IN THE HOOD BOW-WOW IN THEIR CD DEBUT!DOGS IN THE HOOD: A HOLIDAY EXTRAVAGANZA has just been released for the holiday season. This talented ensemble of singers, actors and musicians pool their talents, howls and barks to provide a new ...
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