| | No. 2 Soundtrack CD - Import
Soundtrack to one of the biggest films from NZ in years. Movie based on Toa Fraser's critically acclaimed stage play which was first performed in 1999. Reflecting a distinctly warm Polynesian flavour the sound track features some of NZ hottest artists - Tha Feelstyle, TrinityRoots & Che Fu. The first single is Bathe in the River - written by Don McGlashan & performed by Hollie Smith with an all star band. No. 2 Soundtrack Songs | 1. | Medicine |
| 2. | Bathe In The River |
| 3. | Waka |
| 4. | Hold Tight |
| 5. | Wai Ni Bu Ni Ovalau |
| 6. | Core 'Ngrato |
| 7. | Chulu Chululu |
| 8. | Break It To Pieces |
| 9. | Home, Land ; Sea |
| 10. | Intermezzo From Cavalleria Rusticana |
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No. 2 Soundtrack Review
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Purchase Music From No. 2 CD To buy, Click on price to add to cart | Wicked: A New Musical CD (2003)
No. 2 Soundtrack album
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Based on Gregory Maguire's novel of the same name, the Broadway musical WICKED creates a history for the two witches from L. Frank Baum's OZ books. Through composer/lyricist Stephen Schwartz's emotive songs, the show reveals the unlikely friendship between Elphaba (Idina Menzel), who eventually ...
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All tracks have been digitally mastered using HDCD technology.
As modern soundtrack scores go, the quality can be hit or miss, but Thomas Newman's work is almost always something to get excited about, as evidenced in the Oscar-nominated The Shawshank Redemption, Road to Perdition, and the title theme for Six Feet Under. His score for Meet Joe Black contains the seeds of beauty that would fully flower on his score for American Beauty, the next film he scored and a high point of his career. "Whisper of a Thrill," the soaring romantic theme, is a perfect distillation of the film's emotional plot, its yearning melody shadowing Joe Black's (Brad Pitt) love ...
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This reissue contains bonus tracks of PIPPIN "covers" by various Motown artists. The original broadway cast production of PIPPIN was directed and choreographed by Bob Fosse.
Following the success of his off-Broadway musical Godspell and his collaboration with Leonard Bernstein on Mass, songwriter Stephen Schwartz made his Broadway debut with Pippin, which he had actually begun writing in college. It was based, very loosely, on Pepin (aka Pippin), the eighth century Frankish king. In the musical, Pippin (played by John Rubinstein) is a young man who is seeking meaning in life, not unlike the generation that came of age in the 1960s, of which Schwartz was a member, and not unlike the Jesus of Godspell. Pippin is led through life experiences by the Leading Player (played by Ben Vereen), a skeptical character not unlike the Judas of Godspell. It is the contrast between ingenuousness and archness represented by the two main characters that gives Pippin its dramatic structure, and onstage that contrast played out in the distinction between Schwartz's sweet pop/rock score and director/choreographer Bob Fosse's tart staging. It made for a successful combination; opening on October 23, 1972, Pippin ran more than four and a half years, for a total of 1,944 performances. Theater professionals, as ever hostile to the incursions of rock music on the Great White Way, tended to credit Fosse with the show's popularity and to disparage Schwartz's score. At Tony time, Fosse won two awards, while Schwartz lost the best score trophy to Stephen Sondheim and A Little Night Music. Nevertheless, the score was one of the show's major assets. Motown Records invested in Pippin and had its artists cover songs from it. The Supremes had a minor pop chart entry with "I Guess I'll Miss the Man," and the Jackson 5 made the R&B Top Ten and the pop Top 20 with "Corner of the Sky" shortly after the show opened. The cast album, Motown's first venture ...
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Features holiday songs done from the dogs' point of view in diverse musical styles.
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Original Soundtrack
