| | Strange Imaginary Animals CD Eighth Blackbird CDS
Strange Imaginary Animals Music | List Price | $16.97 (You save $5.28) | | Label | Cedille Records | | Orig Year | 11/28/2006 | | All Time Sales Rank |  5753  | | CD Universe Part number | 7325226 | | Catalog number | 94 | | Discs | 1 | | Release Date | Nov 28, 2006 | | Recording Time | 1 12 |
Strange Imaginary Animals Review
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Purchase Strange Imaginary Animals To buy, Click on price to add to cart | Ken Burns Jazz: The Story Of America's Music CDs (2000) Box Set
Strange Imaginary Animals
 $42.39  
Compilation producers include: Ken Burns, Steve Berkowitz, Sarah Botstein, Michael Cuscuna, Peter Miller.
Includes liner notes by Geoffrey C. Ward, Michael Cuscuna, and Loren Schoenberg.
Digitally remastered by Seth Foster and Mark Wilder (Sony Studios, New York, New York) and Kevin Reeves (Universal Mastering Studios-East, Edison, New Jersey).
This is part of the Columbia/Legacy Ken Burns JAZZ series.
5cds-Louis Armstrong,Original Dixieland Jazz Band,King Olive
Personnel: Jimmy Garrison (vocals, chant); Mississippi Fred McDowell (vocals, guitar); Charles Gaylord (vocals, violin); Chano Pozo (vocals, congas); Ella Fitzgerald, Ray Eberie, Irene Daye, Jack Fulton, ...
| | American Graffiti DVD (1973) Widescreen; Collector's Edition; Dubbed; Subtitled
Strange Imaginary Animals
 $10.25  
Set in 1962; Produced and released in 1973.
AMERICAN GRAFFITI presents a powerful collage of youth on the brink of maturity just before the assassination of J.F.K.. Based on George Lucas's own teenage hot-rodding days in Modesto, California, this brilliant, bittersweet comedy inspired numerous other productions, including the long-running TV series HAPPY DAYS. Lucas's second feature film (following THX 1138), AMERICAN GRAFFITI contains an early screen appearance by Harrison Ford, who would ...
| | Evening With Edgar Allan Poe DVD (2000) Box Set
Strange Imaginary Animals
$28.65
| | Andersonville DVD (1996) Widescreen; Dubbed; Subtitled
Strange Imaginary Animals
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| | M*A*S*H DVD (1970) Widescreen
Strange Imaginary Animals
$10.29
With the release of Robert Altman's M*A*S*H in 1970, a new form of comedy was born, one that would help to forever change the face of cinema. Altman's audacious film reflected the American counterculture's growing distrust of religion and government in the late 1960s and early 1970s, resulting in one of the biggest box office smashes of its time. Introducing the techniques he would employ throughout his storied career--overlapping dialogue, a constantly moving camera with a heavy amount of zooming, and a bold combination of frank subject matter ...
| | From The Earth To The Moon DVDs (1998) Widescreen; Collector's Edition; Dubbed
Strange Imaginary Animals
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| | C P E Bach Complete Keyboard Concertos 7 CD (1998)
Strange Imaginary Animals
$16.09 | | Prokofiev: Peter & The Wolf; Britten / Lorin Maazel CD (1990)
Strange Imaginary Animals
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Collection Du Millenaire.
| | Boston Chamber Music Society Brahms: Trio In A Minor, Op. 114; Quintet In B Minor, Op. 115 CD (2001)
Strange Imaginary Animals
$17.09
Beloved romantic chamber music from a world renowned chamber ensemble.Thomas Hill, clarinetArturo Delmoni, Lynn Chang, violin Marcus Thompson, viola Ronald Thomas, celloMihae Lee, piano Brahms hinted that no further works were to be expected from his pen after his String Quintet in G, Op.111. However, after hearing a performance by an extraordinary clarinetist, Richard Műhlfeld, he was moved to compose for him. Brahms then wrote four works featuring the clarinet, including the Trio in A minor and the Quintet in B minor.The Trio in A was written during the summer of 1891, but Brahms was not ready to release it to the world before hearing the reaction of his friend Eusebius Mandyczewski, who marveled at the blending of the clarinet and cello. The heavy emphasis on the minor mode in the first movement underlines the autumnal quality of the score. The second movement is a fantasy of richly elaborated lines, whether in delicate dialogue or impassioned octaves. From the very first notes its bright D major lends a welcome warmth. The third movement has, in place of a scherzo, a graceful and delicate A-major waltz akin to some of the more pensive sections of the Liebeslieder sets. The finale returns to the minor mode, ending the Trio with energy and drive in a typically Brahmsian alternation of 2/4 and 6/8 meters. The Clarinet Quintet in B minor is singularly elegiac in character, marked from the very opening with sustained, lyrical downward-tending melodies. The slow movement begins with another descending melody in the clarinet, echoed off the beat by the first violin over a subdued but uneasy accompaniment; clarinet and violin exchange parts as the phrase repeats and extends itself. The middle section of the movement is a wonderful evocation of gypsy music, which had fascinated Brahms from the earliest phase of his career. Here the swirling turns on the clarinet elaborate the strings as they hint at the main theme. The last two movements both employ thematic transfiguration. The Andantino’s rocking melody becomes a lively Presto non assai. In the finale, the main theme appears in four different guises in a process of continuous development. At the very end of the work, Brahms brings back the opening of the first movement, once again emphasizing the autumnal mood of the entire piece. / Edited from CD liner notes by Steven LedbetterAbout Boston Chamber Music Society:Founded in 1982 by a group of enthusiastic music colleagues, Boston Chamber Music Society, BCMS, is an ensemble of superb musicians who come together in different combinations to prepare and perform chamber music. Over the ...
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