| | My Disco Cancer CD - Import My Disco Discography of CDs
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Our Price: $30.19  CDFor Sale Usually ships in 1-2 days
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Long awaited debut release from this Australian Alterna-Rock trio. Since their inception in early 2003, My Disco have been extremely busy. Between performing in over seven countries, and creating countless releases on quirky formats, it's a wonder they found the time to record a full-length album. Having toured the country extensively, My Disco have garnered a reputation for delivering a flawless live show. Cancer captures their signature minimal set list, with eight songs in just under 25 minutes. Recorded entirely in the analog domain, the album is perhaps their most refined statement in accordance with their relentless live sound. For fans of Gang Of Four. The band has toured with Mogwai. 2006. Cancer Music | List Price | $32.99 (You save $2.80) | | Category | Rock/Pop Albums | | Label | Phantom | | CD Universe Part number | 7325616 | | Catalog number | 998089 | | Discs | 1 | | Release Date | Nov 07, 2006 |
My Disco Cancer Songs | 1. | Perfect Protection |
| 2. | A Marker |
| 3. | Calling Cure |
| 4. | Always Measure Wait |
| 5. | Pale |
| 6. | Patterns Surgical |
| 7. | ST. |
| 8. | Administer A Prosthetic Dream |
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Cancer Review
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Purchase Cancer CD To buy, Click on price to add to cart | Beatles - A Hard Day's Night DVDs (1964)
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A HARD DAY'S NIGHT presents a fictionalized day in the life of the Beatles as they give a performance on a live television show. Filmed just a month after their appearance on the Ed Sullivan Show in February 1964, this film--the Beatles' first--introduces us to the unique personalities of each member of the band. The film opens with the Fab Four boarding a train mobbed with adoring young fans (mostly women) as they attempt to travel to the ...
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A definitive document of the disco era, the Salsoul Orchestra's Christmas Jollies offers funked-up renditions of holiday favorites including "The Little Drummer Boy," "Sleigh Ride" and "Silent Night." Also included is a pair of medleys, the first ...
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At first glance, Halford's entry into the crowded holiday market looks like a parody. Heavy metal and Christmas make for strange bedfellows, and WINTER SONGS' pastoral cover art -- which depicts Rob Halford staring wistfully (with a goatee and shades) into a soft, snowy pine forest -- screams Spinal Tap. That said, the Judas Priest frontman approaches yuletide standards like "We Three Kings" and "What Child Is This?" with the same conviction that he applied to Priest classics like "Electric Eye" and "Freewheel Burning" -- it probably helps that most traditional Christmas hymns tend to fall into the same brooding minor keys that serve as the foundation for most, if not all, heavy metal songs. While WINTER SONGS, like Twisted Sister's excellent 2006 TWISTED CHRISTMAS collection, may not be mainstream enough for ...
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Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, "Trampled Rose" from Real Gone, and a haunting version of Leadbelly's "Fannin Street" from Orphans: Brawlers, Bawlers & Bastards, to mention just three of the 17 cuts here. But he goes back to his Island albums too. For instance, there are completely re-visioned readings of "Lucky Day" and "I'll Shoot the Moon" from 1993's Black Rider, and a killer -- though equally revamped -- version of "Singapore" from 1985's Rain Dogs. Musically, the performances are flawless, as is the sound ...
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In one of the more unique groupings of musicians from the ECM stable, Polish trumpeter Tomasz Stanko assembled his fellow countryman Tomasz Szukalski on tenor and soprano saxes, British bassist Dave Holland, and Finnish drummer/percussionist Edward Vesala to play contemporary jazz with a distinct Euro-classical chamber feel. Those who are familiar with the music of Kenny Wheeler will hear an immediate connection, as Stanko and this ensemble employ techniques of free-floating moods and lightly soaring sounds, with Holland's anchoring bass prodding the slight rhythms forward. The beauty of this concept is in how the quartet plays from an inward direction, with few direct jazz references save improvisation. It's also not an entire program of ballads or terpsichore, as the title suggests. "First Song" is an energetic spirit song with a Native American feel via Holland's insistent bass, with the outspoken horns forming unique sonic footprints. The slightly singsong motifs of "Num" and "Last Song" are the most reminiscent of Wheeler's distinctive style, the former an easier blues-based theme, the latter led by Vesala's solos similar to a rumbling ...
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