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Personnel includes: Benny Carter, The Wilbert Baranco Orchestra, The Gerald Wilson Orchestra, The Jimmy Mundy Orchestra. Groovin' High In Los Angeles 1946 Music Benny Carter Groovin' High In Los Angeles 1946 Songs Buy Groovin' High In Los Angeles 1946 CD Purchase Groovin' High In Los Angeles 1946 CD To buy, Click on price to add to cart | Various Artists Gennett Rarities Recorded In Birmingham, Alabama & Richmond, Indiana CD (1999)
Groovin' High In Los Angeles 1946 album
 $15.29
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| | Norah Jones Come Away With Me CD (2002) SACD Hybrid
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COME AWAY WITH ME won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical).
"Don't Know Why" won the 2003 Grammy Awards for Record Of The Year, Song Of The Year and Best Female Pop Vocal Performance.
Arif Mardin won the 2003 Grammy Award for Producer Of The Year (Non-Classical).
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
A direct descendant from the pedigree of one of the 20th century's virtuosos, Norah Jones might not be on such a lofty artistic level as her dad Ravi Shankar, but certainly inherited some musical intuition from him. With nary a sitar nor raga within earshot, the young newcomer sounds very much an assimilated, western, 21st century pop-jazz singer. One thing that separates her from the pack is Ms. Jones' own piano stylings--not flashy, but deftly doubling or echoing her voice--that discreetly act as the glue holding together these airy, delicate, and beautiful arrangements.
But the centerpiece is certainly the 22-year-old's confident-beyond-her-years vocal delivery in addition to a precise diction and velvety tone. Shades of Nina Simone, vintage Phoebe Snow, and a less beatnik Rickie Lee Jones are evident throughout as the young siren coolly sashays through mostly new material by guitarist-songwriter Jesse Harris (formerly of Once Blue) and a few choice covers. Veteran producer Arif Mardin frames a most notable debut with a translucent touch, and appearances by jazz heroes Bill Frisell and Brian Blade gild the lily.
Norah Jones won the 2003 Grammy Award for Best New Artist.
Recorded at Sorcerer Sound, ...
| | Mccoy Tyner Guitars CDs (2008) With DVD
Groovin' High In Los Angeles 1946 album
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This recording is a studio throw-down with 5 of popular music's most accomplished string specialists: Derek Trucks, Bela Fleck, Bill Frisell, John Scofield, and Marc Ribot. The song stack covers the old and new. McCoy finds common ground alongside a group of handpicked guitar and banjo players. It's a meeting of the generations. The DVD/CD set includes a DVD documenting the making of the CD replete with studio performances, chatter, and viewer options for what to see and where to look.
One of the most important and enduring jazz pianists emerging from the 1960s, McCoy Tyner needs little introduction. John Coltrane's former sideman's style has always mixed melody, beauty, invention, and volatility. GUITARS is proof he's lost none of his edge. Here, Tyner mixes it up with a seemingly disparate range of guitarists (and one banjoist!), which might shock some old-school fans. Each guitarist joins Tyner's trio for two or three tracks. Marc Ribot's jazz-informed thorniness, John Scofield's plump-toned élan, Bela Fleck's down-home ...
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny Winter...Johnny was signed to Columbia after this gig!). Newly remastered & now with 4 bonus tracks, ...
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2006 two CD compilation series from the team that brought you the Blue Series, the biggest selling Jazz series ever. These compilations will all cover distinct historical and stylistic phases of the label's history, gathering together ...
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Groovin' High In Los Angeles 1946 Review
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