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Triple Beam BiographyTheir careers began ...
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| | Flashpoint Cool Heat CD (2001)
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"Flashpoint" was created in 1991 while Paul Messina (Flute/Sax) and George Schoendorfer (Lead/Rhythm Guitars) were playing together in the folk/rock group "Relative Viewpoint".Paul and George had discussed forming a group of their own, playing jazz, the music they both truly loved.Both Paul and George, firefighters for the Miami-Dade Fire Department, formed the band with all firefighters with the exception of Bassist Mark Harris, who is now one of the most sought after studio musicians in Nashville.The other members were Roman Bas (Percussion) and Pedro Salgado (Drums).Flashpoint is a common fire terminology, and that is why the band took on the name.The original members were with the band only for a few months and later during that year, Flashpoint merged with the rock group "ICY".Carlos Torres, one of the members of "ICY", was Pauls next door neighbor and had mentioned that his group had the desire to perform Jazz.It was then that the merger began and the same members have been with Flashpoint ...
| | graveblankets Where It Hurts CD (2000)
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You have to love a band that beats you about the head in a happy pop-rock way. Songwriter/singer/guitarist Chris Arduser manages to write serious and tongue-in-cheek lyrics that tend to be dark, yet the music is upbeat and catchy. A tune like "Candy" has a good hook and a bass solo that breaks away from any previous notion of what's supposed to be included in a pop song. Arduser even goes as far as giving the violins of Pete Hyrka and Karen Addie some room on the Celtic-inflected "The Glazebucket" and "The Innocent Spouse." Mandolin is also in hand for the R.E.M. -flavored "Gods and Monsters" and the strange psychedelics of "Death Ranch." When the album ends, you're left with a clean, glistening feeling of rock that refreshes. ~ Stephen Howell
Volume 9, Issue 55 July/August 2001 - Performing Songwriter Magazine The Graveblankets Where It Hurts Produced by Chris Arduser & Steve Keller -----Review by Noel Murray Erstwhile Adrian Belew sideman Chris Arduser has been living in Cincinnati for the past decade, alternating his time as a member of Belew's power-pop outfit The Bears with his own side projects, The Graveblankets and psychodots. The former combo has had the most success, self-releasing four CDs since 1995. The tracks, laid down by The Graveblankets in Nashville while shopping for a major-label deal, have seen the light of day as Where It Hurts, a charming, intelligent set of folk-based pop-rock. Mandolin and violin lend color and shape to warm mid-to-uptempo ballads like "You're Gonna Wish" and "Less Blue," while the same instruments add exoticism to wordless tunes like "The Innocent Spouse" and "The Glazebucket" and weight to driving rockers like "Safety Net." But the personality of The Graveblankets is best expressed in the story song "The Papercuts," about a fictional rock band that fades from public view. "Why did they stop making records?" Arduser half-moans on the chorus. If there's a special spark to The Graveblankets' performance on that song, it may be because that's a question that Arduser himself hopes his fans won't have to ask. All Music Guide The Graveblankets Where It Hurts -----BY STEPHEN HOWELL Rated 4 and a half stars (4 is Good, 5 is Excellent) You have to love a band that beats you about the head in a happy pop-rock way. Songwriter/singer/guitarist Chris Arduser manages to write serious and tongue-in-cheek lyrics that tend to be dark, yet the music is upbeat and catchy. A tune like "Candy" has a good hook and a bass solo that breaks away from any previous notion of what's supposed to be included in a pop song. Arduser even goes as far as giving the violins of Pete Hyrka and Karen Addie some room on the Celtic-inflected "The Glazebucket" and "The Innocent Spouse." Mandolin is also in hand for the R.E.M.-flavored "Gods and Monsters" and the strange psychedelics ...
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