| | Spike Jones & His City Slickers Clink Clink Another Drink CD - Import Spike Jones & His City Slickers Discography of CDs
Clink Clink Another Drink Music Spike Jones & His City Slickers Clink Clink Another Drink Songs | 1. | Clink Clink Another Drink | |
| 2. | Man On The Flying Trapeze | $0.99 | |
| 3. | I Wanna Go Back To West Virginia | |
| 4. | Behind Those Swing Doors | |
| 5. | Liebstraum | |
| 6. | Blue Danube | |
| 7. | Chloe (Song Of The Swamp) | |
| 8. | Glow Worm | $0.69 | |
| 9. | Serenade To A Jerk | |
| 10. | Der Fuehrer's Face | $0.99 | |
| 11. | Little Bo Peep Has Lost Her Jeep | |
| 12. | Old Black Magic | |
| 13. | Hotcha Cornia (Black Eyes) | |
| 14. | Riders In The Sky | |
| 15. | William Tell Overture | $0.99 | |
| 16. | I Kiss Your Hand Madame | |
| 17. | You Always Hurt The One You Love | $0.99 | |
| 18. | Cocktails For Two | $0.99 | |
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Clink Clink Another Drink Review
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"Give My Love To Rose" won the 2003 Grammy Award for Best Male Country Vocal Performance.
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YOU DON'T HAVE TO BE JEWISH recorded live at Fine Recording Studios, New York on June 14, 1965. Originally released on Kapp (5503) in August 1965.
WHEN YOU'RE IN LOVE THE WHOLE WORLD IS JEWISH recorded live at Columbia Recording Studios, New York on January 24, 1966. Originally released on Kapp (5506) in March 1966.
The '60s were a golden age for recorded comedy, and while most of the leading comics of the day made LPs of their standup routines, a number of the most popular humor albums of the day were studio creations that took a more ambitious approach. Bob Booker, one of the creators of The First Family (the wildly successful record which poked gentle fun at John F. Kennedy), specialized in ...
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As the follow-up to the We'll Have a Time CD, Dear Nora's Katy Davidson regrouped in 2002 with this EP. Davidson wrote and recorded most of the songs on The New Year [EP] almost entirely herself ...
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Love and Rockets loyalists are sure to recognize David J's familiar voice at the outset of Estranged, but they might be perplexed by the one-time Bauhaus bassist's cover choice. "Guitar Man," Bread's 1972 pop nugget, gets redone here with roaring riff work by guest player Dave Navarro of Jane's Addiction. And if the man born Haskins pumps new life into this oldie, one can't help but wonder why he opted to start the album with a touch of novelty when some of his own material is far better. The pale bard still has it on "Static Cling" and "In the Great Blue Whenever," two somber but exceptional ballads buried midalbum that wisely utilize pedal steel accents. Country elements also infiltrate "Mess Up," a soft pop ode to personal demons, as well as "Crashed," where a twang guitar meets mid-tempo drum programming and lyrics about marital foul play. At times, most obviously on "Ruined Cities," David J's delivery -- coupled with minimalist techno beats -- sounds very similar to the dramatic stylings of The The's Matt Johnson, but even when he does impersonations, he does them quite well. While the barstool novelty of "Bright in Your Absence" delves further into the heart of Nashville than any goth star has the right to, Estranged is a fine ...
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While the first four volumes of this series focused on just-post-World War II blues recorded at various locations in the south, this fifth installment turns its focus to somewhat more citified blues cut between 1949 and 1954 in the San Francisco Bay Area. Most of the sides found their way to releases on the Modern family of labels, though some of them appear here for the first time. But the main common denominator is record label owner/manager/songwriter Bob Geddins, who was involved in the careers of all of the artists who recorded these 26 tracks. Two of the performers, Lowell Fulson and Jimmy McCracklin, had pretty successful careers; one, Roy Hawkins, had some success and notoriety (primarily for doing the original version of "The Thrill Is Gone"); and the others (Johnny Fuller, Walter Robertson, and James Reed) aren't even known to most blues collectors. A collection of such rare cuts -- even the ones by Fulson, McCracklin, and Hawkins will be unfamiliar to most of their fans -- has pretty specialized appeal, as the songs are average to the verge of being clichéd. But it's an acceptable reflection of earthier California blues styles of ...
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