| | Vivaldi: Amor Sacro CD Marcon, Andrea CDS
Vivaldi: Amor Sacro Music | List Price | $16.98 (You save $6.09) | | Label | DG Archiv | | Orig Year | 2/13/2007 | | All Time Sales Rank |  6323  | | CD Universe Part number | 7356061 | | Catalog number | 000823702 | | Discs | 1 | | Release Date | Feb 13, 2007 | | Recording Time | 1 7 |
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Vivaldi: Amor Sacro Songs | 1. In furore giustissimae irae, solo motet for voice, strings & continuo in C minor, RV 626: Aria (Alle (14:47) | | Common Name | In Furore Giustissimae Irae Solo Motet For Voice Strings & Continuo | | Catalog No. | RV 626 | | Composer | Antonio Vivaldi (1678 - 1741) | | Conductor | Andrea Marcon | | Performer | Simone Kermes | | Genre | Baroque Period / Motet | | Date Written | by 1742 | | Ensemble | Venice Baroque Orchestra | | Period | Baroque | | Country | Italy | | Venue | Toblach / Dobbiaco, Kulturzentrum Grand | | Recording Date | 10/2004 | | 2. In furore giustissimae irae, solo motet for voice, strings & continuo in C minor, RV 626: Recitativo (13:52) | | Common Name | Nulla In Mundo Pax Sincera Solo Motet For Voice Strings & Continuo | | Catalog No. | RV 630 | | Composer | Antonio Vivaldi (1678 - 1741) | | Conductor | Andrea Marcon | | Performer | Simone Kermes | | Genre | Baroque Period / Motet | | Date Written | by 1742 | | Ensemble | Venice Baroque Orchestra | | Period | Baroque | | Country | Italy | | Venue | Toblach / Dobbiaco, Kulturzentrum Grand | | Recording Date | 10/2004 | | 3. In furore giustissimae irae, solo motet for voice, strings & continuo in C minor, RV 626: Aria (Larg (17:05) | | Catalog No. | RV 627 | | Composer | Antonio Vivaldi (1678 - 1741) | | Conductor | Andrea Marcon | | Performer | Simone Kermes | | Genre | Baroque Period / Motet | | Date Written | by 1742 | | Ensemble | Venice Baroque Orchestra | | Period | Baroque | | Venue | Toblach / Dobbiaco, Kulturzentrum Grand | | Recording Date | 10/2004 | | 4. In furore giustissimae irae, solo motet for voice, strings & continuo in C minor, RV 626: Allegro: A (20:01) | | Common Name | Sum In Medio Tempestatum Solo Motet For Voice Strings & Continuo | | Catalog No. | RV 632 | | Composer | Antonio Vivaldi (1678 - 1741) | | Conductor | Andrea Marcon | | Performer | Simone Kermes | | Genre | Baroque Period / Motet | | Date Written | by 1742 | | Ensemble | Venice Baroque Orchestra | | Period | Baroque | | Venue | Toblach / Dobbiaco, Kulturzentrum Grand | | Recording Date | 10/2004 |
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This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
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Durufle/Ravel/Casadesus MUSIC FOR TWO PIANOS Maurice Durufle Trois Danses Pour Orchestre Robert Casadesus Trois Danses Mediterraneennes Maurice Ravel La Valse Rhapsodie Espagnole Sites Auriculaires (Habanera, Entre-Cloches) Arianna Goldina, piano Remy Loumbrozo, piano This is a beguiling collection of lilting, colorful dance music by three French composers under the thrall of Iberian rhythmic and melodic patterns. Maurice Duruflé wrote his Trois Danses for orchestra in 1932. This two-piano version was published posthumously, and this is the world premiere recording. Those who know Duruflé's Requiem and organ music will be familiar with the gentle poetry and the intricate, delicate construction of the score, which is imbued with a Neoclassical graciousness. The music of the great pianist Robert Casadesus is, likewise, a model of elegant composition and subdued expression. His music is not devoid of emotion, but the decorative elements are at the forefront. The majority of CD consumers interested in the music of Ravel featured on this recital would tend to opt for the orchestral versions. This music is, after all, all about color and dynamics that are so easily conveyed by a large ensemble. To the great credit of this husband and wife team, the big band was never missed in these scintillating, dramatic performances. Goldina and Loumbrozo achieve a rhythmic elasticity that would be remarkable for a soloist, and is truly stunning for a four-piano performance. That fluidity makes for an especially sensuous La Valse. Aficionados of French piano music and great four-hand piano playing should enjoy this excellent recording, which is presented in lovely, realistic sound. Peter Burwasser: Fanfare Magazine
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Track Listing of songs: Allegro affetuoso; Intermezzo; Allegro vivace; Allegro molto moderato; Adagio; Allegro moderato molto e marcato;
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2009 album from the Italian vocalist. Born in Naples but raised in Vienna, Patrizio Buanne spent much of his youth listening to Italian-American singers like Mario Lanza, Dean Martin, Al Martino, Frank Sinatra, and Tony Bennett in his father's pizzeria, and soon fell in love with the music of the 1950s and '60s. He won local singing competitions at an early age and, at 17, performed for Pope John Paul II. In 1999 Buanne returned to Italy, where he enrolled at a university in Rome and worked as a television entertainer. Four years later he met producer Christian Seitz, and the two of them went to the Abbey Road studios in London to record Buanne's debut album, L'Italiano, mainly a cover album of the songs he grew up with, which came out in the U.K. in February 2005. In March 2006, The Italian, a slightly abbreviated version of its British counterpart, was issued in the U.S., followed by a worldwide release of the singer's sophomore record, Forever Begins Tonight, in the fall of that same year.
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