| | Club Monte Carlo CD
Club Monte Carlo Review
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Purchase Club Monte Carlo CD To buy, Click on price to add to cart | Moby Wait For Me CD (2009)
Club Monte Carlo album
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| | Armin Van Buuren State Of Trance 2004 CDs (2004)
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| | Immersion DVD (2000)
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| | Best Of Dance Mix USA CDs (1997)
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This album is a joy indeed -- a journey inside the ...
| | Reflections: Carly Simon's Greatest Hits CD (2004) Remastered
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You know that tattered old Carly Simon best-of album that's been sitting in your older sister's record collection for decades? It's been firmly supplanted. While the two-disc ANTHOLOGY on Rhino is the most comprehensive Simon collection, for a single-disc retrospective, you can't do better than this. Obviously, the expected staples are all present and accounted for, from the breathlessly innocent "That's the Way I've Always Heard It Should Be" to the sassy, notoriously inscrutable "You're So Vain." Expanding on the aforementioned 1975 compilation, though, REFLECTIONS goes on to include the slinky Michael McDonald co-write "You Belong to Me," the synth-flecked '80s hit "Coming Around Again," and much more. For a thumbnail sketch of this beloved singer-songwriter's work, REFLECTIONS is the definitive article.
Audio Remasterers: Dan Hersch; Bill Inglot.
Liner ...
| | Zero dB Bongos, Bleeps & Basslines CD (2006)
Club Monte Carlo album
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The British duo Zero dB have been remixing songs for other artists since the beginning of the 21st century, but it's not been until 2006 that they've put out their own full-length album. Coming in the form of the nine-song Bongos, Bleeps & Basslines, the record shows off Zero dB in their element, blending layers of rhythms and jazzy keys into something that ends up being very listenable and accessible while still retaining a hard, beat-heavy edge. Drums and bass are the most important aspect of their sound, and they stand out from those around them with their ability to put seemingly disparate beats together into something that works really well. The album moves through samba, jazz, hip-hop, and conga with direction and intensity, so much so that even the slower, more introspective tracks ("Anything's Possible," "Sunshine Lazy") never lose their sense of purpose and turn into dribbling jazz-house numbers about flying and freedom (even "Sunshine Lazy," which lyrically veers toward that, stays very fresh thanks to the inclusion of a live double bass, guitar, and trumpet). Zero dB are definitely best when experimenting with jazz, sounding most comfortable while maneuvering around swing and even a bit of bop (check out the trumpet on "On the 1 & 3"), though "A Pomba Girou" -- also the album's first single -- takes a great samba beat and adds a crispy synth bass and warm vocals from Heidi Vogel and ends up being an excellent track. Their attempts at conga ("Conga Madness") and the other samba-based song ("Coisa de Gringo") are unfortunately less successful, a little too regimented and strict for what the genre entails, but the grimy "Know What I'm Sayin'," featuring rapper Pase Rock, is good, and shows how versatile the duo is, able to complement the MC's rhymes and still keep things dirty and thick. It's all about rhythm here, anyway, at which Zero dB excel, so while Bongos, Bleeps ...
| | Faceless Werewolves Medium Freaky CD (2006)
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| | Ktl 2 CD (2007)
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The second album from the collaboration of Stephen O'Malley and Peter Rehberg again shows that the duo knows how to create involved, dark atmospheres that benefit rather than suffer from length. "Game" starts off very quietly, builds and then swerves -- it is not a constant drone but an evolutionary one, not tied to overt rhythm or cycles, but to deft touching down here and there. There's a sense of improvisation, of testing out approaches, feeling one's way forward. "Theme" does bring in rhythm, a hidden muffled dreambeat, and very carefully builds up and up. It's a near-endless creepiness that, indeed, creeps -- by the five-minute mark the shimmering, tortured electronics ...
| | Judi Chicago X 1,000,000 CD (2008)
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