| | Club Monte Carlo CD
Club Monte Carlo Review
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Purchase Club Monte Carlo CD To buy, Click on price to add to cart | Moby Wait For Me CD (2009)
Club Monte Carlo album
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| | Victor Dinaire Lost Episode CD (2009) (Import)
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$11.95 DJ: Victor Dinaire.
| | Tangerine Dream Phaedra CD (1974)
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| | Freestyle Greatest Beats: Complete Collection, Vol. 9 CD (1997)
Club Monte Carlo songs
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Club Monte Carlo album
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| | Big Jack Johnson Memphis Barbecue Sessions CD (2002)
Club Monte Carlo music CDs
$13.95 This album is a joy indeed -- a journey inside the blues and down the Mississippi Delta. Johnson's always been an expressive singer, and in such a stripped-down setting his voice becomes more important than ever on classics like "Smokestack Lightning" and "My Babe." His guitar work offers the ideal backdrop, too, never fancy, but juke-joint friendly, serviceable, and offering a strong beat. ...
| | Reflections: Carly Simon's Greatest Hits CD (2004) Remastered
Club Monte Carlo songs
$9.99 You know that tattered old Carly Simon best-of album that's been sitting in your older sister's record collection for decades? It's been firmly supplanted. While the two-disc ANTHOLOGY on Rhino is the most comprehensive Simon collection, for a single-disc retrospective, you can't do better than this. Obviously, the expected staples are all present and accounted for, from the breathlessly innocent "That's the Way I've Always Heard It Should Be" to the sassy, notoriously inscrutable "You're So Vain." Expanding on the aforementioned 1975 compilation, though, REFLECTIONS goes on to include the slinky Michael McDonald co-write "You Belong to Me," the synth-flecked '80s hit "Coming Around Again," and much more. For a thumbnail sketch of this beloved singer-songwriter's work, REFLECTIONS is the definitive article.
Audio Remasterers: Dan Hersch; Bill Inglot.
Liner Note Author: Stephen Allen Davis.
Recording information: A&R Studios, New York, NY; AIR Recording Studios, London, England; Atlantic Studios, New York, NY; BMG Studios, New York, NY; Bumble Hill Studio; Cadiloon Sound, Pawling, NY; Electric Lady Studios, New York, NY; Flying Monkey Studio, New York, NY; Morgan Studios, North London, England; National Edison ...
| | Zero dB Bongos, Bleeps & Basslines CD (2006)
Club Monte Carlo album
$9.99 The British duo Zero dB have been remixing songs for other artists since the beginning of the 21st century, but it's not been until 2006 that they've put out their own full-length album. Coming in the form of the nine-song Bongos, Bleeps & Basslines, the record shows off Zero dB in their element, blending layers of rhythms and jazzy keys into something that ends up being very listenable and accessible while still retaining a hard, beat-heavy edge. Drums and bass are the most important aspect of their sound, and they stand out from those around them with their ability to put seemingly disparate beats together into something that works really well. The album moves through samba, jazz, hip-hop, and conga with direction and intensity, so much so that even ...
| | Faceless Werewolves Medium Freaky CD (2006)
Club Monte Carlo CD music
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| | Ktl 2 CD (2007)
Club Monte Carlo music CDs
$14.09 The second album from the collaboration of Stephen O'Malley and Peter Rehberg again shows that the duo knows how to create involved, dark atmospheres that benefit rather than suffer from length. "Game" starts off very quietly, builds and then swerves -- it is not a constant drone but an evolutionary one, not tied to overt rhythm or cycles, but to deft touching down here and there. There's a sense of improvisation, of testing out approaches, feeling one's way forward. "Theme" does bring in rhythm, a hidden muffled dreambeat, and very carefully builds up and up. It's a near-endless creepiness that, indeed, creeps -- by the five-minute mark the shimmering, tortured electronics suggest something between Ligeti and Bernard Herrmann, floating ominously above a pit while waiting to cast a listener down into it. When it breaks into a swirling rise-and-fall collage before the tenth minute, that's the start of the core of the piece, a true theme as a core melody emerges from the trebly murk in a way that combines aggressive in-the-red levels with calm serenity in beautiful fashion -- less Sunn 0))), say, than mid-period ...
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