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Club Montecarlo CD



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Club Montecarlo Music


Detailed Club Montecarlo Music Information



Category Dance Albums, Electronica CDs, Dance Collections
Label Dnt
Orig Year 2006
CD Universe Part number 7359223
Discs 2
Release Date Nov 28, 2006
Studio/Live Studio
Mono/Stereo Stereo
Additional Info Import
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Studio mainstays for well over a decade, Zero 7's Henry Binns and Sam Hardaker can wring an expert production from nearly any song, whether it's synth-based or band-based, instrumental or vocal, unadulterated pop or colored with some other genre shade thereof. YEAH GHOST, their fourth album as Zero 7, includes all of those approaches, so file it as another in a career of ever-evolving records that have moved them from chilled downbeat into dynamic alternative pop. A dedicated rhythm section appears on half the record, accentuating the feel that this is a band record--albeit impeccably produced --with an array of guests taking vocal turns. As before, the songs are written well and the guest vocalists are selected with care, even if sometimes overwhelmed by the numerous production touches. Each song is a variation on the pop form, whether it's straight commercial pop on "Mr McGee," neo-soul on "Medicine Man," folkie introspection on "Swing," or starburst electronica on "Pop Art Blue." The best and most natural blend occurs on "Everything Up (Zizou)," which has a bit of indie guitar over its sheen of electronic pop, with vocals from Binns himself and the most impressive of the guests, Eska (who sings over five tracks ...
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Following the decadent, club-style excursions of 2008's HOTEL, Moby returns for a more contemplative sound on the melancholic WAIT FOR ME. Working through deeply personal material and a more intimate, though at times cinematic, sound palette, the album ranks as among his best in over 10 years. Moby's most unified and understated album, and all the better for it, WAIT FOR ME is a morose set of elegantly bleary material, quite a shift from the hedonistic club tracks of LAST NIGHT. Dominated by instrumentals, "Shot in the Back of the Head" is the most evocative of the bunch, seemingly pulled from an unreleased David Lynch film scored by the Afghan Whigs circa GENTLEMEN--a lament from a dustbowl, full of mournful slide guitar and dewy electric piano. Other than "Mistake"--a glum neo-post-punk rave-up that, despite its cathartic release, remains downcast--Moby leaves the vocals to a series of females (neighborhood chums, apparently) who each ...
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You know that tattered old Carly Simon best-of album that's been sitting in your older sister's record collection for decades? It's been firmly supplanted. While the two-disc ANTHOLOGY on Rhino is the most comprehensive Simon collection, for a single-disc retrospective, you can't do better than this. Obviously, the expected staples are all present and accounted for, from the breathlessly innocent "That's the Way I've Always Heard It Should Be" to the sassy, notoriously inscrutable "You're So Vain." Expanding on the aforementioned 1975 compilation, though, REFLECTIONS goes on to include the slinky Michael McDonald co-write "You Belong to Me," the synth-flecked '80s hit "Coming Around Again," and much more. For a thumbnail sketch of this beloved singer-songwriter's work, REFLECTIONS is the definitive article. Personnel include: Carly Simon (vocals, acoustic guitar, whistle, ...
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