| | Ibiza Closing Party 2006 CD - Import Ibiza Closing Party 2006 Discography of CDs
Ibiza Closing Party 2006 Music | List Price | $50.99 (You save $3.70) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 7367161 | | Catalog number | 30472 | | Discs | 1 | | Release Date | Sep 15, 2006 |
Ibiza Closing Party 2006 Songs | 1. | Rockin (Benjamin Bates) |
| 2. | Mama say mama sa (Hi_Tack Mix) |
| 3. | Tell me why (Original Club Mix) |
| 4. | Once in a lifetime groove |
| 5. | Same man (Vocal Club Mix) |
| 6. | Transatlantic flight (Axwell Remix) |
| 7. | Gusta |
| 8. | Jupiter (12"Original) |
| 9. | Cars ; girls (Verdez Mix) |
| 10. | Muscle car (Tocadisco's Sunrise At The Uluru - Mix) |
| 11. | No fear (Trick ; Kubic Mix) |
| 12. | Music loud (Original Mix) |
| 13. | You got the love (Shapeshifters Main Vocal Mix) |
| 14. | I like it ( Original Mix) |
| 15. | Riding the wave (Original Mix) |
| 16. | Release me (Original Mix) |
| 17. | You came into my life (Ian Carey Remix) |
| 18. | Friday night kids (Yves Larock Remix) |
| 19. | I've got the music in me! (Extended Mix) |
| 20. | Be my friend (Seamus Haji Remix) |
| 21. | Love sensation 2006 (Mark Knight Remix) |
| 22. | Be free with your love |
| 23. | A mile high |
| 24. | This is Ibiza (Club Mix) |
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Ibiza Closing Party 2006 Review
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Purchase Ibiza Closing Party 2006 CD To buy, Click on price to add to cart | Rosanne Cash List CD (2009)
Ibiza Closing Party 2006 album
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After the dark and chilling themes of 2006's BLACK CADILLAC, which saw Rosanne Cash dealing with the deaths of her mother, Vivian Liberto, her father, Johnny Cash, and her stepmother, June Carter Cash -- all of whom passed within a two-year span -- one might assume that her next project would move into an even deeper level of bleakness, but with THE LIST, it's immediately clear that she has instead found a more measured place to stand. It's a lovely and redemptive outing that looks back to go forward. When Cash turned 18, her father, alarmed that his daughter only knew the songs that were getting played on the radio, gave her a list of what he considered 100 essential American songs; Cash kept that list, and now she's drawn on it for this wonderfully nuanced outing that brims with a kind of redemptive timelessness. THE LIST is a renewal and a testament to life, and it belongs to her father as much as it belongs to her, a beautiful restatement of her father's passions, only now, they've become his daughter's treasures, as well. It's an affirming story, but that's all it would be if Cash didn't sing her heart out here. The opener, a version of Jimmie Rodgers' "Miss the Mississippi and You," is full ...
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Often, supergroups wind up dominated by one particular personality - think Eric Clapton in Derek & the Dominos, Jack White in the Raconteurs -- which makes the egalitarianism of Them Crooked Vultures all the more remarkable. Of course, when it comes down to it, ...
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| | Ultimate Bee Gees: The 50th Anniversary Collection CDs (2009)
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Functioning as something of a replacement for the 2001 collection Their Greatest Hits: The Record, The Ultimate Bee Gees covers much of the same ground as that double-disc set, albeit in not quite so linear a fashion. The Record marched through its 40 tracks chronologically, opening with the stately baroque Beatlesque pop of the '60s and then winding through ...
| | Beatles Rubber Soul CD (1965) Limited Edition; Remastered; Digipak; Enhanced CD
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This reissue of RUBBER SOUL has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album.
Though some might argue that the Beatles' unprecedented evolution from British Invasion pin-ups to pop music visionaries began with BEATLES FOR SALE, RUBBER SOUL is without a doubt the first album to definitively put the Fab Four in the running for Greatest Band Ever. Virtually every aspect of the Liverpool quartet's incredibly diverse sound is in evidence here: the dark, irony-filled Dylanism ("Norwegian Wood," "Nowhere Man"), pop perfection ("In My Life"), the passion for classic ...
| | Get Yer Ya-Ya's Out! CDs (1970) With Book; With DVD; Anniversary Edition; Limited Edition
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Recorded live at Madison Square Garden, New York, New York on November 27-28, 1969.
Returning to the American concert scene after a three-year layoff, the Rolling Stones recorded GET YER YA-YA'S OUT! during a triumphant two-date stand at Madison Square Garden in late November 1969 that found B.B. King and Ike & Tina Turner opening for them. Having amassed an impressive recorded output during their three years away from touring, the Stones peppered their sets with hits, including "Honky Tonk Women," "Jumpin' Jack Flash," and "Street Fighting Man." Tipping their collective hats to Chuck Berry, the band also included ...
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| | Miles Davis Bags' Groove CD (1957) Remastered
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BAGS' GROOVE is drawn mostly from a June 29, 1954 session reuniting Miles with his "Walkin'" rhythm team and old cohort Sonny Rollins. In addition to two fine takes of Gershwin's "But Not For Me," Rollins italicizes his commanding return with three originals which became instant jazz classics. To fill things out, there are two takes of Milt Jackson's epic blues line "Bags' Groove," drawn from the legendary December 24, 1954 session.
The common denominator to both sessions is the remarkably swinging rhythm team of drummer Kenny Clarke and bassist Percy Heath, who provide shimmering, understated locomotion without ever getting in the way--aided and abetted by the bluesy, sanctified piano of Horace Silver. Among the highlights are Sonny and Clarke's muscular Afro-Cuban vamp introducing Rollins' anthemic tribute to Nigeria, "Airegin," and the grinding, vaudevillian blues airs of "Doxy." But "Oleo" (a provocative new melody based on the "I Got Rhythm" changes) is a masterpiece. Piano and drums lay out at key points during the arrangement, adding dramatic textural contrast. Muted trumpet and tenor announce the serpentine theme over Heath's punchy bass line; Miles' little boyish timbre and Rollins' ...
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