| | Hungry Chuck CD - Import Hungry Chuck Discography of CDs
Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007. Hungry Chuck Songs | 1. | Hats Off, America! |
| 2. | Cruising |
| 3. | Old Thomas Jefferson |
| 4. | Play That Country Music |
| 5. | Find The Enemy |
| 6. | People Do |
| 7. | Watch The Trucks Go By |
| 8. | Dixie Highway |
| 9. | You Better Watch It Ben, Someday You're Gonna Run Out Of Gas (I'm Giving You A Warning) |
| 10. | Hoona, Spoona |
| 11. | All Bowed Down |
| 12. | South In New Orleans |
| 13. | Box Office Disaster |
| 14. | Celia |
|
Hungry Chuck Review
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Purchase Hungry Chuck CD To buy, Click on price to add to cart | Alice Cooper Love It To Death CD (1971) Gold
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Whereas Alice Cooper's first two studio albums, 1969's PRETTIES FOR YOU and 1970's EASY ACTION, tended more towards the trippy excesses of the hippie era, their next one, 1971's LOVE IT TO DEATH introduced the world ...
| | Joe Walsh Smoker You Drink, The Player You Get CD (1973) Gold
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"Rocky Mountain Way," the tune that opens Joe Walsh's sophomore release (and remains one of his best-known songs), is a textbook example of Walsh's strengths. The song is driven by a slinky hard rock groove that boasts crunchy, distorted guitars, barrelhouse piano, wiry solos, and a catchy, singalong chorus--proving Walsh's penchant ...
| | John Mayer Battle Studies CD (2009)
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It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains somewhat of a disciple of Slowhand, but he shows an unusual interest in the big AOR stylings of Journeyman, along with Stevie Ray Vaughan's In Step, creating a coolly clean blend of synths and Strats, one that's as much about texture as it is about song.something perfectly appropriate for a make-out album like this. Sometimes, Mayer dips too heavily toward the texture, but he can't resist a good, tight melody and builds the bulk of Battle Studies upon them: the elegant "Half of My Heart," the softly ...
| | Tom Petty Live Anthology CDs (2009)
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It's a commonly held opinion among fans and band alike that Tom Petty & the Heartbreakers' lone live album, 1986's Pack Up the Plantation, didn't quite capture the group at its peak, so there has been a long-standing need for another live set, which 2009's Live Anthology finally provides. Like its closest cousin, Bruce Springsteen's Live 1975-1985, Live Anthology almost overcompensates ...
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| | Beyonce I Am...Sasha Fierce CD (2008) (Import) Bonus Track; Deluxe Edition; United Kingdom
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I AM. SASHA FIERCE represents another change of pace for Beyoncé. Unlike the relatively streamlined, retro-soul inflected B'DAY, I AM... is a sprawling two-disc set designed to reflect two conflicting sides of Beyoncé's musical personality. The first disc sports reflective, sometimes moody ballads, while the second, attributed to Beyoncé's brash alter ego, Sasha Fierce, is loaded with propulsive dance-floor fillers. Except for this stylistic divide, I AM. pays only nominal attention to its supposed concept, focusing instead on a set of excellent, radio-ready songs--neatly avoiding the possibility of I AM. becoming some sort of Chris Gaines-style conceptual disaster. Though the second disc, which boasts the synth-drenched lead single, "Single ...
| | Flying Luttenbachers Truth Is A Fucking Lie CD (2001)
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The Flying Luttenbachers include: William Pisarri, Fred Lonberg-Holm, Michael Colligan, Kurt Johnson, Dylan Posa, Chuck Falzone, Julie Pomerleau.
For anyone familiar at all with the Flying Luttenbachers, it isn't hard to realize that their seventh album, The Truth Is a Fucking Lie, is some kind of concept album, but the concept itself is rather difficult to pin down. The album's title sounds simple enough to begin with, but the statement itself is paradoxical, an absolute masquerading as a non-absolute. This is a function of a deliberate scheme on the part of the album's compiler, Weasel Walter, drummer and ever-present mastermind behind the Luttenbachers. This scheme becomes partially clear after investigating the makeup of the album itself. The recordings that are the basis for the bulk of the album are taken from tapes of live performance at clubs and bars, yet those recordings are not preserved here in their initial, straight-from-the-tape form; they have all been manipulated, in one way or another, by Walter himself. At times, this only means that he has overdubbed moody electronic soundscapes or percussion onto these base tapes. At other points, though, it is readily apparent that he ...
| | Itsuro Oizumi 2006 Zenkyokushu Oizumi Itsuro CD (2005) (Import) Japan
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| | Siouxsie & The Banshees Voices On The Air: The Peel Sessions CD (2006) England
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Siouxsie & the Banshees were still unsigned and, according to the U.K. music industry, unsignable, when they visited the BBC studios for the first time; an absurd state of affairs that so wholly belied the band's live and critical acclaim that, for a time, there was talk of the BBC itself releasing their first single, a straightforward rendering of their debut John Peel session. Ultimately, it never happened. The BBC hierarchy was no more enamored of the Banshees' brittle, and so controversial, approach than any other label out there. But the story still serves to remind just how powerful the band's maiden Peel session was, and the four tracks that open Voices on the Air: The Peel Sessions, recorded in December 1977 (and including a ferocious "Metal Postcard"), offer a fiery statement of intent from what became ...
| | Brad Colerick Lines In The Dirt CD (2007)
Hungry Chuck music CDs
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After performing and recording locally as a singer/songwriter, Brad Colerick left his home state of Nebraska in 1986 to move to California, where he found success creating music for advertising. But the bug to be a recording artist in his own right never left him, and in 2006 he returned to his first love with Cottonwood, released on his own Back 9 Records label. A year later, he's back with Lines in the Dirt, which is an extension of its predecessor. Colerick manages an engaging country-pop style, with the fiddles and steel guitars topped by his pleasant melodies and easy tenor. Also pleasant are his songs, which tend to deal with romantic contentment ("We're Gonna Laugh"), the joys of children (despite its title, "Dismal River Rain"), and other enjoyments of life ("Sweet Corn"). When trouble rears its ugly head, it usually comes at an odd remove. "Paperboy" is a sentimental story-song about a boy who grows up to be a newspaper editor, but Colerick throws in an odd twist when the protagonist unexpectedly finds himself covering the assassination of President Kennedy. (The downside of becoming a journalist is that ...
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