| | George Garzone One, Two, Three, Four CD George Garzone Discography of CDs
Personnel: George Garzone (soprano saxophone, tenor saxophone); Chris Crocco (guitar); Pete Zimmer (drums).
Audio Mixers: John Fomsgaard; Soren Siegumfeldt.
Liner Note Author: Peter H. Larsen.
Recording information: Systems Two Studios, Brooklyn, NY (10/13/2006).
Photographer: Nicola Fasano. One, Two, Three, Four Music George Garzone One, Two, Three, Four Songs | 1. | Ballad For Trane |
| 2. | Head Now |
| 3. | I Remember You |
| 4. | Central Park West |
| 5. | Hey, Open Up |
| 6. | Falling Grace |
| 7. | Stablemates |
| 8. | Fox In The Woods |
| 9. | The Melody Of Ayn, Piece One |
| 10. | Giant Steps |
| 11. | Tribute To Trane |
| 12. | Melody Of Ayn, Piece Two |
|
One, Two, Three, Four Review
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Purchase One, Two, Three, Four CD To buy, Click on price to add to cart | David Hazeltine Classic Trio Meets Eric Alexander CD (2002)
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Pianist David Hazeltine returns to a trio setting for a third time, taking matters to another musical level, joined by his long-standing associate, ...
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| | David Murray Sacred Ground CD (2007) (Import) Canada
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David Murray: David Murray (bass clarinet); Lafayette Gilchrist (piano); Ray Drummond (bass guitar); Andrew Cyrille (drums).
Additional personnel: Cassandra Wilson (vocals).
In the 1970s, tenor saxophonist David Murray established himself as one of jazz's edgiest, most forward-looking musicians and composers, and time has not diminished his fervor. While Murray's big-toned approach has become a tad smoother, he still breathes fire and talks in tongues. Yet unlike some avant-garde players, he also has a blues-charged gregariousness. SACRED GROUND features Murray's regular ...
| | Quicksilver Messenger Service Happy Trails CD (1969)
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Quicksilver Messenger Service: John Cipollina, Gary Duncan, Greg Elmore, David Freiberg.
Without question, this follow-up to Quicksilver Messenger Service's self-titled debut release is the most accurate in portraying the band on vinyl in the same light as the group's critically and enthusiastically acclaimed live performances. The album is essentially centered around the extended reworkings of Bo Diddley's "Who Do You Love?" and "Mona," as well as the lesser lauded -- yet no less intense -- contribution of Gary Duncan's (guitar/vocals) "Calvary." This album is the last to feature the original quartet incarnation of QMS. The collective efforts of John Cipollina (guitar/vocals), Greg Elmore (percussion), ...
| | Ill Matik Vol. 1 CD (2003)
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TrumpTight aka Big Will has been locked away in the lab since his debut as producer of X-Raided-'sXorcist. TrumpTight now breaking all ties from Black Market Records and AWOL has now formed his Production/Record Label and heads into ...
| | Nick Colionne Just Come On In CD (2003)
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Personnel includes: Nick Colionne (various instruments, programming); Cynthia Hardy (vocals); James Perkins (saxophone); Orbert Davis (trumpet); Ricky Peterson (keyboards); Paul Jackson, Jr. (guitar); Richard Patterson (bass); Ernie Adams (drums, percussion).
Producers include: John Biasucci, Craig Bauer, Nick Colionne, Marcus Johnson, Dave Hiltebrand.
Recorded at Hinge, Alloy Sound, Chicago, Illinois; On The Edge, Streamwood, Illinois; Studio M, Waukegan, Illinois; 8121 East, Silver Spring, Maryland.
Personnel: Nick Colionne (guitar, keyboards, programming); Nick Colionne (guitars, bass guitar); Cynthia Hardy, Cynthia Hardy (vocals, background vocals); Toni Perkins, Toni Perkins, Bev Graham, Tony Perkins, Beverly Graham (vocals); Orbert Davis, Ron Haynes (trumpet); Ricky Peterson (organ); Dave Hiltebrand (keyboards, Synclavier, bass guitar); John Blascucci, John Blacussi, John Blasucci (keyboards, programming); Brian Danzy, Brian Danzy (keyboards); Kurt Festge (Synclavier, midi); 'Downtown' Tony Brown, Eric Valentine , Maurice Houston, Richard Patterson (bass guitar); Stanley Cooper (guitar); James Perkins, Steve Zoloto (saxophone); Mike Logan (piano); Marcus Johnson (keyboards, programming); Ernie Adams (drums, percussion); Lenny Castro (percussion); Craig Bauer (programming); Kenny Allen (background vocals).
Audio Mixers: Craig Bauer; Jeff Gruber.
Recording information: 8121 East, Silver Spring, MD; Alloy Sound, Chicago, ...
| | Jaime RT Reach CD (2005)
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Reach is a combination of sounds, a merging of the classical with a folk soul that takes listeners on a journey of melodic pathways. Imaginative, joyous ...
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| | Anita O'Day All The Sad Young Men CD (1961) (Import) Import; Japan
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Japanese limited edition issue of the album classic in a deluxe, miniaturized LP sleeve replica of the original vinyl album artwork.
Personnel: Anita O'Day (vocals).
The Gary McFarland Orchestra: Gary McFarland (conductor, arranger); Walter Levinsky, Phil Woods (alto saxophone, clarinet); Jerome Richardson, Zoot Sims (tenor saxophone); Bernie Glow, Doc Severinsen, Herb Pomeroy (trumpet); Billy Byers, Willie Dennis (trombone); Bob Brookmeyer (valve trombone); Hank Jones (piano); Barry Galbraith (guitar); George Duvivier (bass); Mel Lewis (drums).
Recorded in New York, New York on October 16, 1961 and at Sunset Recorders, Los Angeles, California from November to December 1961. Originally issued on Verve (8442). Includes liner notes by Dom Cerulli.
Digitally remastered using 22-bit technology by Kevin Reeves (Polygram Studios).
This is part of Verve's By Request series.
When Creed Taylor took over the production reins from Norman Granz when the latter sold Verve to MGM, he continued to place Anita O'Day in imaginative settings that challenged her creativity. On this LP, she was served with a collection of brilliant, difficult big-band charts, courtesy of a 27-year-old emerging master named Gary McFarland who mixed instrumental voices and tempo changes in querulous, turbulent combinations. Even a truly odd pick like "You Came a Long Way From St. Louis" is enlivened with sprouting shafts of outlaw muted brass and reeds. Another highlight is the contemporary update of O'Day's old flag-waver with the Krupa band, "Boogie Blues," complete with one of her patented flip upturned glissandos at the end. This album must have been a traumatic experience for O'Day, for as she tells the story, the tapes of McFarland's arrangements arrived by mail from New York and she had to overdub her vocals in an empty studio in Los Angeles. Yet it is a tribute to O'Day's abilities that she makes it all sound easy, exhibiting a freedom ...
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