| | Monogono Amuk CD - Import Monogono Discography of CDs
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Our Price: $22.49 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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Two years ago, 4 guys (Nuno - vocals, Gon‡alo - drums, Dani - bass, Renato - guitar) started a band, maybe because their lives were just too boring and their minds needed some distraction. Soon the will to create something that would not sound like an ordinary garage band stood up to be the primary goal. Described by a friend as King Crimson on steroids, the sound reveals a chaotic vision constructed and ordered in a progressive way, which turns each song into an endless journey of different scenarios. Monogono's main influences are King Crimson and Meshuggah. Amuk is the first open window into the world of Monogono, yet just a glimpse of what the future may bring. Amuk Music | List Price | $23.99 (You save $1.50) | | Category | Rock Albums, Heavy Metal CDs | | Label | Phantom | | CD Universe Part number | 7380190 | | Catalog number | 1033576 | | Discs | 1 | | Release Date | Feb 20, 2007 |
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$7.09 Brandy was nominated for a 1996 Grammy Award for Best New Artist. The single "Baby" was nominated for a 1996 Grammy for Best Female R&B Vocal Performance.
Brandy Norwood, the teen television actress on "Thea," began making waves in the pop world with her debut album BRANDY and her Top 10 single "I Wanna Be Down." The album is young, bubbly, and even sexy. Brandy's soul-touched R&B sound mixes sweetly with her jazz-inflected flourishes. Her themes are the concerns of any 15-year old. The midtempo "I Wanna Be Down" deals with teenage desire, "I Dedicate" pays tribute to her musical inspirations and her family, "Best Friend" is a paean to her brother (also a television actor), and "Give Me You" is a piano-driven, upbeat religious affirmation, effectively showcasing her gospel roots.
Her strong voice is more than competent enough to handle the sometimes tricky musical changes. She often displays a breathy, low-register vocalizing that is mature and controlled. Brandy, who also co-wrote some of the material, displays the musical chops to join the league of some of the influential artists she acknowledges in "I Dedicate." She is not a dilettante actress trying to conquer a new field--Brandy is the VSOP of the new school.
Recorded at Human Rhythm Studios; Aire L.A. Studios; Swing Bopulous Studios; Ameraycan Studios.
Producers: Keith Crouch (tracks 1-4); Somthin' For The People (tracks 5, 8-9, 11, 13-14); Keith Crouch, Kipper Jones (track 6); Damon Thomas, Arvel McClinton (tracks 7); Kenneth Crouch (track 10); Damon Thomas (track 12).
Engineers: Keith Crouch (tracks 1-4, 6); Damon Thomas, ...
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| | Charles Sawtelle Music From Rancho Deville CD (2001)
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$14.59 Proceeds from the sale of the CD will go to The Bluegrass Trust.
Music From Rancho DeVille stands as a testament to the life and work of guitarist Charles Sawtelle, packed full of good songs and instrumentals. After spending years as a member of Hot Rize, Sawtelle operated a studio and produced albums for Front Range and Leftover Salmon. The 16 cuts that comprise Music From Rancho DeVille are made up of a number of sessions and settings, featuring Laurie Lewis, Sam Bush, Peter Rowan, and other luminaries. Norman Blake and David Grisman join Sawtelle on three Carter Family songs, including the lovely "The Storms Are on the Ocean." This cut produces good solo work all around and nice harmony between Blake and Tim O'Brien. Mandolinist Tom Rozum and fiddler Darol Anger join in on "Aragon Mill," a poignant lyric about what happens when work dries up in a small town. Sawtelle's country-flavored vocals, and Rozum and Mollie O'Brien's harmony, prove just right to carry the emotion of the piece. The brooding, minor key "Jolie Faye," inspires an extended, soulful guitar solo backed by the insistent fiddle work of Michael Doucet. Several cuts, including "The Newz Reel" and "Chez Seychelles," show off the instrumental skill of all involved. The album ends on a solemn, spiritual note with "Angel Band," a haunting tune with nice group harmony on the chorus. The bagpipe fade-out is a lovely touch. The liner notes include an essay by Pete Wernick and reflections by Sawtelle's many friends. This album will be warmly appreciated by fans of the numerous musicians mentioned above, and is easy to recommend to lovers of great acoustic music. ~ Ronnie Lankford, Jr.
Recorded at Rancho DeVille, Boulder, Colorado. ...
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$14.09 Everyone has thought it on occasion, when a drunk spoils the party for everyone else, and now Big Al Carson has written a song that expresses what everyone was thinking. "Take Your Drunken Ass Home" was written by Carson extemporaneously one night, as the blues musician and his band were repeatedly interrupted during their set by an inebriated patron at a New Orleans bar. Since then, the song has become a favorite during the Carnival season, culminating in its biggest day, Mardi Gras, with plenty of people needing this kind of advice. Music veteran Carson has chosen the humorous tune as the title cut of his 2002 CD release. Playing a regular gig for years at the Funky Pirate Bar on Bourbon Street, Big Al Carson has seen quite a few patrons like the one who inspired this song. It is just like the good-natured singer to take it all in stride by making an entertaining song out of the situation: crowd control big easy-style. Some other songs on the album reflect the New Orleans party spirit as well. The recording opens with "Because I Got High," followed by the Muddy Waters tune "Champagne & Reefer." There are sexy renditions of "Meet Me With Your Black Drawers On" and "Dip My Dipper." If there was ever anyone meant to sing Willie Dixon's "Built for Comfort," it is Big Al Carson. The man of the large girth and matching smile entices the ...
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