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Oliver, John - Icicle Blue Avalanche CD Cover Art
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John Oliver Icicle Blue Avalanche CD

 John Oliver Discography of CDs

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"...sounds like a cappuccino machine whose milk-steamer has become psychotic...a rising curve of time...the tapping on a keg with dozens of chopsticks, steam escaping from a madman's ears. The ascending curve becomes a titanic mush of noise." Reviewed by Michael Gogins, Computer Music Journal 24.

3, Fall 2000"one of the most viscerally dramatic discs I've heard in quite a while...huge slabs of extremely solid music"George Zahora, Splendidezine Based in Vancouver, Canada, John Oliver writes and performs music for acoustic instruments and electroacoustic media. Oliver believes that music should resonate the whole listener (intellect, emotion, and body). John Oliver came to international attention during 1988/89 when he won six prizes for five compositions ranging from chamber to orchestral to electroacoustic music. He won the Canada Council's Grand Prize at the 8th CBC 8th National Competition for Young Composers for his live electronic work with tape, "El Reposo del Fuego." His electroacoustic music has been presented at many international festivals in Europe and the Americas. Oliver's "classical" music has been performed by the Canadian Opera Company, National Arts Centre Orchestra, Vancouver Symphony, the CBC Radio Orchestra, Vancouver New Music, the St. Lawrence String Quartet, among others. His music appears on CDs from empreintes DIGITALes, earsay, CBC Records, ZaDiscs, SNE and McGill University Records.

Icicle Blue Avalanche Music


Detailed Icicle Blue Avalanche Music Information



Category Electronica Albums
Label earsay
CD Universe Part number 7381290
Discs 1
Release Date Jan 10, 2007
John Oliver Icicle Blue Avalanche Songs


John Oliver Icicle Blue Avalanche Album Track Listing



1.Icicle Blue Avalanche
2.Copper Flying$0.99
3.Off the Edge
4.Second Nature
5.Noh 1
6.InDia
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"A churning beat, driving organ and bass, and tight horn parts, gets Vancouver sextet Crash's new CD off of the block's quickly." --Marke Andrews - Vancouver Sun, "...funk dressed up with elements of swing and other good things to get the brain cells jumping."--Montreal Jazz FestivalCrash is on a collision course with success! This groove-drenched sextet seeks inspiration from such artists as James Brown and Herbie Hancock, and has been compared to the likes of Maceo Parker and Medeski, Martin and Wood. The band recently collaborated with legendary Hammond B3 Organist, Dr. Lonnie Smith. The group played 4 sold out shows at The Cellar Restaurant / Jazz Club and to over 1500 people at The Central City Jazz Festival. Crash / Dr. Lonnie Smith are doing a West Coast Jazz Festival Tour in the summer of 2004. Crash is available as a sextet, and is also taking offers for the quintet featuring Dr. Lonnie Smith.

Dr. Lonnie Smith is internationally known as one of the premier jazz keyboardists in the history of the idiom. A dominant talent and pace-setting proponent of the Hammond B3 Organ, Lonnie has been at the forefront of the jazz scene since 1969 when he was named Top Organist by Downbeat. From his early years with George Benson to present-day performances and recordings, Lonnie has acquired critical acclaim for his brilliant work in the jazz world. He earned the moniker "Dr." from his fellow musicians as a tribute to his ability to 'doctor up' their music when they had problems."Dr Lonnie is a monster! He's all over the B-3, like it's an extension of his being, which in a way it is. And Crash not only keeps up with him, they sometimes lead the way, and you can see the good doctor's delight when they play together. This is one collaboration you can't miss".

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"Well-known songwriter Mark Simos is also a fine fiddler in the old-time style. His new CDs pay loving tribute to that mysterious Appalachian sound. Between the lines you hear both the roots as well as the fruits of Mark's inspiration." - Tim O'Brien "Here is not an oxymoron but a combination full of charm and challenge: modern old-time music. Like all great old-time music, it surges and breaks like the waves of the sea, as layers of groove advance and recede. The difference is subtle; here are strong grownup musicians in their prime, with wide-ranging worldly interests, spinning out byzantine but earthy melody. It's like how you heard this stuff the very first time: half awake, dreamy, freighted, alternately pastoral and frightening with unknown implication, like hiking up a twisting flash flood canyon on a blustery day." - Darol AngerThe Players:Mark Simos fiddlewith fellow Cliffhangers:Brendan Doyle banjoKaren Falkowski string bassRusty Neithammer guitarJody Platt tenor guitarand special guests:Maxine Gerber banjo (tracks 4, 11, 12)Rich Hartness fiddle (tracks 2, 3, 12), guitar (track 5)Deborah (Tolly) Tollefson string bass (tracks 3, 12)Edwin Wilson guitar (tracks 3, 11)banjo-uke (track 5)Produced by Bob CarlinWell, here it is-the concluding volume of a trilogy of recordings made at Tim Brown's 5-String Productions in West Chester, PA in October 2005, in a marathon 10-plus-day session with the most rollicking bunch of old-time music companions I can imagine assembled in one rafter-ringing abode. This album accompanies two volumes released earlier, The Cliffhangers: On the Edge-Traditional Old-Time Fiddle Tunes; and Clifftop Notes Vol. 1: Original Old-Time Fiddle Tunes by Mark Simos. The trilogy as a whole is a tribute to the Appalachian String Band Music Festival held each August near Clifftop, West Virginia. The Cliffhangers record presents some source material that has inspired and instructed us for the past decade or more at Clifftop. The two Clifftop Notes albums, as the name suggests, are selected from tunes I composed at or around Clifftop, played with musical friends who have inspired and midwifed creation of those very tunes over the years.

Our original concept was to do two companion albums, of traditional and original tunes respectively. We wound up with three albums due to the Heisenberg Uncertainty principle of tunesmithery: try to collect all your tunes, and you invariably write more. The inspiration of rehearsing for these recordings at Clifftop in summer '05 sparked a flurry of new tunes (including "Big Ears," "Texas Whirlwind," ...

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