| | Abe Vigoda Kid City CD Abe Vigoda Discography of CDs
Abe Vigoda are bright and shining teenage calypso punk. Shedding their no wave dissonance for tropical melody, has put them in opportune position to blast transcendent pop repetition. These kids are fucked, in the way that they can make a good record and play really good shows above all odds, like living in Chino, CA, a suburb of Los Angeles, where nothing grows. Any given month finds them playing several all-ages shows in all corners of So Cal and for the past year they've been a staple of the all-ages, volunteer run venue, The Smell (Los Angeles, CA). Playing with friends and local favorites Mika Miko, The Mae Shi, Barr, No Age, and opening for bands like, Get Hustle, XBXRX, Shoplifting, Curtains, Chromatics and Old Time Relijun they have been labeled as one of "L.A's best under 21 bands "( LA RECORD). In the past year they have released a debut 12" LP on both Post Present Medium and Not Not Fun Records as well as a 7" EP on Silencio Records and a split 7" with kindred spirits, Child Pornography on Oms-B. In the same span of time they have embarked on three West Coast tours, each one more and more positive, inspiring them to play to as many people as possible and to make better records.Their new record "Kid City" (OlFactory Records) is all dirty neon and angular pop. The biggest Cruise party to the Bahamas with post punk violence. Tracks like " All Night and Day" will make you wonder why they are not jamming in the middle of some ADD jungle. Sounding like a younger more abrasive d.i.y. reincarnation of the Talking Heads, with the fiery repetition of Konono No. 1, Kid City is hectic. Like all the scuzz and fake tropicalisms of Los Angeles shoved together - irrigated desert!Members:Michael Vidal: Guitar/VocalsJuan Velazquez: Guitar/VocalsDavid Reichardt: BassReggie Guerrero: Drums Abe Vigoda Kid City Songs | 1. | Untitled |
| 2. | Kid City |
| 3. | Gallop |
| 4. | Homonomy |
| 5. | Infinity Face |
| 6. | Power Place |
| 7. | Boxes |
| 8. | The Walk |
| 9. | Eat Your Crown |
| 10. | Tom Tom Sun |
| 11. | All Night And Day |
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Kid City Review
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Purchase Kid City CD To buy, Click on price to add to cart | Jethro Tull: Live At Madison Square Garden 1978 DVDs (2009) With CD
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Shakira's brand new English album She Wolf is an uptempo pop album. It is all about synthesizers and electronic concepts, all mixed with the world sounds that we are used to from Shakira.. sounds from countries like India, the Middle East and her home country of Colombia. ...
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Sometimes, we get lucky, and artists eager to prove themselves put on blinders and go for broke in the jam department. Most recent case in point, electric guitarist Cal Scott, whose debut Fierce Joy is all about unabashed live-feeling ensemble energy, damn the radio consequences. In other words, there's few true meltdown tracks tailor made for smooth jazz. Even the breezy title track offers a tough percussion ...
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In 1969 DUANE ALLMAN asked EDDIE HINTON to sing and play guitar in the new Southern Rock band he was putting together. Eddie was the first person Duane asked to join him in his new group, that became known as THE ALLMAN BROTHERS BAND. Eddie turned Duane down to pursue a career as a singer/songwriter. "The collection opens BRILLIANTLY", writes Ben Windham in THE TUSCALOOSA NEWS, "with Hinton singing his Otis Redding heart out on a classic Southern soul ballad, "NICE GIRL.“NICE GIRL”, is arguably the best vocal that Hinton ever recorded. Had it been released a few years earlier, in the 1960’s, it might have been a massive hit.”"Eddie Hinton was thought of as a wonderboy," said JERRY WEXLER, the producer of all Aretha Franklin's early hits& co-founder of Atlantic Records, who did so much to put Southern Soul music on the map. "We all reckoned it was only a matter of time before he became a superstar. To this day I still play his records," says Wexler. "He remains unique: a white boy who sang and played in the spirit of the great soul artists he venerated."BANDCESTORS is a mixed bag of SOUTHERN ROCK; BLUE-EYED, BACKWOODS, SOUTHERN SOUL; SOUTHERN R & B, SWAMP BLUES; and COUNTRY-FRIED ROCK !EDDIE HINTON sings lead on 7 songs and plays guitar on 11 cuts on BANDCESTORS. This is Eddie singing and playing guitar - both before and during his prime. His vocals on this CD are electrifying!These songs are from LOST TAPES from the '60s & '70s with 15 previously unreleased recordings . . . out of the vault and straight into your heart! "GODAMIGHTY . . . this is some fantastic stuff!", says Tiger Jack Garret, DJ with WTBC Radio in Tuscaloosa, Alabama.A LITTLE TRIVIA . . . About A Few BANDCESTORS:If you're interested in the history of SOUTHERN ROCK, then BANDCESTORS is a must have CD for you. So, return with us now to those thrilling times of day before yesteryear . . . Eddie Hinton played in THE 5 MENITS from 1965 until 1967. He then played lead guitar from 1967 to 1971 in the famous Muscle Shoals Sound Rhythm Section, also known as THE SWAMPERS. Eddie played lead guitar on songs recorded by artists ranging from ELVIS PRESLEY, to THE ...
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The Love Rocketz is a power pop/rock recording group from the Baltimore, Maryland area. All of the songs are written by the songwriting team of Joe Bontz and Ray Hentz. Both songwriter/musicians have been involved in the Baltimore music scene for many years, sometimes together as a duo and other times in full fledged rock bands. Performing on the album are Joe and Ray, Tommy Gunn (drums), and Wayne Schuster (keyboards). The idea for the CD began about a year ago as a "just for fun" project. But, as time went on and we started to play our songs for friends, co-workers and other musicians, we knew we had something bigger than both of us. Everyone has told us that we have to "get our songs to someone", that they were "better than anything they've been hearing on the radio lately".As Ray puts it:"Joe and I go way back. We both grew up in the same neighborhood in suburban Baltimore. We first met in Cub Scouts. Both of our mothers were Den mothers. In fact we were born on the same day, same year. After high school and college we started to perform together in acoustic duos and trios. But, it was never satisfying enough to play other peoples songs so we started to write and perform our own music. We lost touch for some years, went in different directions as we both played in other bands and "life got in the way". Somehow, we got back together about a year ago and started writing and recording again. At first we had no expectations or goals; it was just fun to be back together. But as the process evolved we found that we still had the old magic. We still wrote songs that where lyrically ...
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