Here Come The Boys:Collection CD Import

Here Come The Boys:Collection Music

List Price	$26.99 (You save $2.04)
Category	Jazz Albums, Jazz Collections CDs
Label	Maximum Can / Zoom
CD Universe Part number	7387689
Discs	1
Release Date	May 01, 2008
Additional Info	Import

Here Come The Boys:Collection Songs

	1.	Falling In Love With Love (John Alcorn)
	2.	Lullaby Of The Leaves (George Evans)
	3.	Get Out Of Town (Adam James)
	4.	Ive Grown Accustomed To Her Face (John Labelle)
	5.	You Bring Out The Beast In Me (John Gilbert)
	6.	Dreamer (Gene Lees)
	7.	Waltz For Debby (Joe Coughlin)
	8.	Meet Me At No Special Place (Tory Cassis)
	9.	Young And Foolish (Pat Lacroix)
	10.	You Just Dont Know (Vincent Wolfe)
	11.	Creepin (John Neudorf)
	12.	(This Is My) Lucky Day (Denzal Sinclaire)
	13.	I Wont Believe My Eyes (Kenny Colman)
	14.	Who Will The Next Fool Be? (Ted Hawkins)
	15.	In The Wee Small Hours Of The Morning (Tim Tamashiro)

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With albums such as El Rauncho Grundgé, King Size Troublemakers, and Rock 'em Dead already in their catalog, it would seem that Spokane's most revered blues-roots rockers would have more sin than redemption on their minds. But this disc's title accurately describes its contents, which find guitarist/vocalist Tim "Too Slim" Langford dipping into both concepts with equal ferocity. His sly, whiskey-tinged vocals and lyrical yet blunt guitar can't help but be compared to early, pre-MTV fame ZZ Top, especially when he's getting lecherous on "Oven Burning Woman" ("she really likes my wood"), the self-explanatory, double entendre "Broad Minded," and "Some Kinda' Momma" ("I'd like to make a momma outta you," he snarls). While this reads as misogynistic fare, Too Slim, like Top's Billy Gibbons, sings with such a sly, self-deprecating grin, it's impossible not to get caught up in the good-time vibe. On the redemption side is "Walk on Water" that recalls Slim's alcoholic past, the cautionary "Mississippi Moon," where Slim gets scared straight after being chased by the devil's hounds, and "Soul Perspective," where he sees the light and finds his clear "soul perspective." There's no preaching involved as Slim sings the redemptive songs with a leer similar to the sinner ones, leading his rugged two-piece through stripped down, raw, blues rocking licks as if he invented them. While subtlety is not generally a word associated with this outfit, nothing is overstated, either musically or vocally as Slim moseys through the songs with a low-key yet contagious lackadaisical charm that's consistently endearing. ...

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