| | Here Come The Boys:Collection CD - Import
Here Come The Boys:Collection Music Here Come The Boys:Collection Songs | 1. | Falling In Love With Love (John Alcorn) |
| 2. | Lullaby Of The Leaves (George Evans) |
| 3. | Get Out Of Town (Adam James) |
| 4. | Ive Grown Accustomed To Her Face (John Labelle) |
| 5. | You Bring Out The Beast In Me (John Gilbert) |
| 6. | Dreamer (Gene Lees) |
| 7. | Waltz For Debby (Joe Coughlin) |
| 8. | Meet Me At No Special Place (Tory Cassis) |
| 9. | Young And Foolish (Pat Lacroix) |
| 10. | You Just Dont Know (Vincent Wolfe) |
| 11. | Creepin (John Neudorf) |
| 12. | (This Is My) Lucky Day (Denzal Sinclaire) |
| 13. | I Wont Believe My Eyes (Kenny Colman) |
| 14. | Who Will The Next Fool Be? (Ted Hawkins) |
| 15. | In The Wee Small Hours Of The Morning (Tim Tamashiro) |
| Here Come The Boys:Collection Review
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Purchase Here Come The Boys:Collection CD To buy, Click on price to add to cart | Gerald Wilson Detroit CD (2009)
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| | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Here Come The Boys:Collection
$6.39 With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's ...
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| | Miles Davis On The Corner CD (1972) Remastered
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| | Magic Apron Orphan Harmony CD (2007)
Here Come The Boys:Collection
$15.19 Hiding amid the flickering acoustic glide and the warm male/female croon of Magic Apron's Orphan Harmony lies a wolf in sheep's clothing. Each song unfolds with candle-lit intimacy, painting a picture of a safe and sound 4 a.m. as the last fleeting moments of consciousness slip away. But while the dreamy and love-stricken atmosphere that billows from the opening song "Bells in Our Fingernails" sets the tone for the rest of the album, it does not last. As songs such as "Dahlia" and "Jackknife Swan" sink deeper into comfortable oblivion, the hint of danger swells.For vocalist/guitarist David McClung, the key to writing these songs was drawing out a sense of solitude in the face of impending collapse. McClung approached Orphan Harmony knowing that two of his closest friends and musical collaborators, vocalist/guitarist Joanna Bajandas and Rhodes synth player Jeffrey Lerner, were leaving Atlanta for an indefinite period. So Orphan Harmony became a celebration of three friends living in the moment before it all came to an end.Each song is bound by alluring harmonies that build around the subtle inflections of Bajandas' voice and are countered by mesmerizing bouts of noise and wide-eyed drones that wash over songs such as "Eleanor" and "Love Ocean/Chord." Every note of every song drips with melancholy; but the sentiment never comes to a point as McClung pushes it down to focus on the time at hand, rather than confront the end.As such, Orphan Harmony is a bittersweet affair, but is by no means a closed chapter.-CHAD RADFORD/CREATIVE LOAFINGCD OF THE MONTHSeptember 2007"Orphan Harmony is the embodiment of what a therapeutic indie-folk record is meant to be. McClung and Bajandas croon in unison over humble acoustics to produce a mellow, transcendental musical escape.....the ideal soundtrack to anyone's REM sleep...Orphan Harmony is meant to be played in it's entirety, in the most ambient of settings...(the) collaboration is organic, pure, and absolutely delightful...nothing short of sweet serenity." -Nelly Khalil PERFORMER MAGAZINE "Meanwhile, July's Discovery of the Month has to be Magic Apron, a transcendent duo consisting of singers David McClung and Joanna Bajandas. Sure, we were impressed with David before, when the multi-instrumentalist went under the moniker Thesoulraydio, but this is on a whole other level. Orphan Harmony, their debut on New Street Records, bathes us in sparse, spatial stringwork and electronics under vocal harmonies that are near-heavenly, the whole affair seemingly dawning spontaneously out of nature itself. It's a beaut."-JEFF CLARK/STOMP AND STAMMER Orphan Harmony is 24 year-old David McClung’s third LP and his first on the New ...
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