| | Bach: Goldberg Variations CD Bach / Imai / Maisky / Rachlin CDS
Bach: Goldberg Variations Music | List Price | $16.98 (You save $4.79) | | Label | Deutsche Grammophon | | Orig Year | 4/10/2007 | | All Time Sales Rank | 11621  | | CD Universe Part number | 7388607 | | Catalog number | 000824802 | | Discs | 1 | | Release Date | Apr 10, 2007 | | Recording Time | 1 20 |
Bach: Goldberg Variations Review
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Bach: Goldberg Variations Songs Purchase Bach: Goldberg Variations To buy, Click on price to add to cart | Paavo Jarvi Beethoven: Symphony No. 9 CD (2010)
Bach: Goldberg Variations
$9.58 This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Recording information: Funkhaus Köpenick, Berlin.
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Bach: Goldberg Variations
$12.78 Recording information: EastSide Sound, NYC (09/2009-10/2009).
Photographer: Scott Irvine .
Arranger: John Zorn.
Personnel: Rob Burger (piano); Kenny Wollesen (vibraphone); Greg Cohen (acoustic bass); Shanir Ezra Blumenkranz (electric bass); Ben Perowsky (drums).
Audio Mixer: Marc Urselli.
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Bach: Goldberg Variations
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Bach: Goldberg Variations
$14.99 BEETHOVEN'S LAST NIGHT is a rock opera conceived by Paul O'Neill.
Recorded at Soundtracks, Stellar Productions & Studio 900, New York, New York. Includes liner notes by Paul O'Neill.
Personnel includes: Jon Oliva (vocals, piano, keyboards, bass); Patti Russo, Jody Ashworth, Guy Lemmonnier, Jamie Torcellini, Sylvia Tosun, Zak Stevens, Dave Diamond, Doug Thoms (vocals); Paul O'Neill (acoustic & electric guitars); Dave Wittman (guitar, bass, drums); Al Pitrelli (guitar, bass); Chris Caffery (guitar); Todd Reynolds, Paul Reynolds, Paul Woodiel, Mary Rowell, Laura Seaton-Finn, Denise Stillwell (violin); ...
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Bach: Goldberg Variations
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Bach: Goldberg Variations
$17.05 A live performance available as either a BluRay or a DVD/CD set, Live in Barcelona captures Il Divo's April 3, 2009, performance at Palau Sant Jordi. The video portions contain the complete 24-track performance; the CD is a truncated ten-cut sampler, designed as a bonus rather than the main attraction. That main attraction is the extravaganza captured on video, where the operatic quartet runs through all manners of pop standards -- "Bridge Over Troubled Water," "Unbreak My Heart," "Nights in White Satin," "The Winner Takes It All," "My Way," "The Impossible Dream" -- sometimes translating the lyrics out of English so they feel more like opera. Naturally, this live set won't convince doubters, but ...
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Bach: Goldberg Variations
$7.69 SWEET RELEASE & GHOST STORY is a collection of compositions written for the Alvin Ailey American Dance Theater and Zhongnei Dance, respectively. In creating the music for SWEET RELEASE, a ballet about a New Orleans romance, Wynton Marsalis clearly had Duke Ellington's orchestral work in mind. As with many of Marsalis's projects, the Lincoln Center Jazz Orchestra provides a boisterous big band sound, playing as a tight collective unit while keeping solos to an appropriate minimum. Though the music is rooted in traditional American jazz, Marsalis adds a distinct Latin element to moments like the salsa-inflected "Church Basement: Party."
In contrast to these upbeat rhythms, GHOST STORY features a much smaller ensemble and a wider variation of moods. Based on an ancient Chinese myth, the ballet features a magical, shape-shifting woman whose transformations are echoed by Marsalis's dynamic music. Quiet and meditative at times, then lively and immediate at others, these compositions are highlighted by the solid playing of saxophonist/flutist Ted Nash and pianist Eric Reed. Although it's a subtler affair than SWEET RELEASE, GHOST STORY is an equally expressive piece.
SWEET RELEASE recorded at Music Hall, Tarrytown, New York on August 11, 1996. GHOST STORY recorded at Rose Studio, Lincoln Center, New York, New York on December 7, 1998. Includes liner notes by Stanley Crouch and Wynton Marsalis.
Personnel: Wynton Marsalis (conductor, trumpet); Wess Anderson (sopranino & alto saxophones, clarinet); Ted Nash (soprano & alto saxophones, flute); Victor Goines (soprano & tenor saxophones, clarinet, bass clarinet); Sherman Irby (alto saxophone, clarinet); Stephen Riley (tenor saxophone); Gideon ...
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Bach: Goldberg Variations
$12.19 This collects 20 of Leroy Anderson's best-known recordings. Anderson produced little "orchestral miniatures": original compositions that utilized much of the trappings of classical music put in the confines of a pop single. Decca Records signed him in 1950 to conduct his music for a gigantic, 55-piece orchestra (one that Anderson often said could never be put together in a live situation), producing pieces that were quirky ("The Syncopated Clock"), offbeat ("The Typewriter"), and just plain whimsical and fun ("Fiddle Faddle" and "Plink, Plank, Plunk!"). Best known of all is the title track, composed during a July heat wave in 1948. Though his music is seldom revived today, it was enormously catchy and popular in the pre-rock & roll days of pop music and sounds wonderful collected here. ~ Cub Koda
All tracks have been digitally ...
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