| | Vert Accepting Denial CD - Import Vert Discography of CDs
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Our Price: $16.09 CDFor Sale Limited Availability
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Formed in the British Metal heartland of the Midlands in 2002, Vert have been honing their craft over the last few years, with their brand of nu-metal sonics meeting blistering and powerful riff based metal head on. Having played with the likes of the Blueprint, Skindred, Forever Never, I-DEF-I, Mendeed, Capdown and Devil Sold His Soul and many others, whilst building a strong fanbase, seeing them headline their own UK tour last year great response. The band recorded their debut at MCC Studios with Andy Giblin (I-DEF-I, Kill 2 This, Profane etc). Vert Accepting Denial Songs | 1. | Echo |
| 2. | Accepting Denial |
| 3. | Reducer (Seep) |
| 4. | Feeling |
| 5. | Chasing After The Spark |
| 6. | A Scream For Independence |
| 7. | Room For One More |
| 8. | My Desolation |
| 9. | Skin |
| 10. | Whisper |
| Accepting Denial Review
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Purchase Accepting Denial CD To buy, Click on price to add to cart | Slayer World Painted Blood CDs (2009) With DVD; Deluxe Edition; Digipak
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$19.89 Of the "big four" original thrash bands (the other three being Metallica, Anthrax, and Megadeth), Slayer was the least compromising and most consistent. As such, 2009's WORLD PAINTED BLOOD recalled more than the title of Slayer's 1986 masterpiece REIGN IN BLOOD; it shared the earlier album's ferocious ...
| | Stryper Murder By Pride CD (2009)
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$10.65 After the original Stryper lineup (minus bassist Tim Gaines) reunited for 2005's somewhat alternative/nu-metal tinged REBORN, the band made a stylistic return to form with MURDER BY PRIDE. ...
| | Atreyu Congregation Of The Damned CD (2009)
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$11.65 On their latest effort, Atreyu come with more of the same metalcore that listeners have come to expect from the band. All of the familiar elements are in place, with the alternating screaming/soaring vocals, thundering double bass drumming, and big, crunchy riffage. The difference here is that the band seems to have mellowed out a bit, opting for a more melodic approach. Like their last album, the songs here feel somewhat restrained, like they're just dying to break free of the polished production. The intensity ...
| | Hypocrisy Taste Of Extreme Divinity CD (2009)
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| | King Diamond Voodoo CD (1998) Reissue; Remastered
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$11.18 On King Diamond's eighth concept album, the prolific horror rocker hasn't entirely run out of ideas, although the material on Voodoo is generally predictable. Set in New Orleans, the story line is loaded with more witchcraft, haunted houses, ...
| | Steve Vai - Live At The Astoria DVDs (2001)
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$11.25 Steve Vai is a world-renowned virtuoso ...
| | Immortal Blizzard Beasts CD (1997)
Accepting Denial music CDs
$11.59 Blizzard Beasts, Immortal's third album, sounds like a rush job when compared to the rest of the band's triumphant catalog. The majesty of the group's songwriting is buried in the album's subpar production values, which render the potentially brilliant hyperspeed riffing and drum battery gutless and ineffectual. "Nebular Ravens Winter," "Suns That Sank Below," and "Frostdemonstorm" offer a few decent riffs and solid arrangements, and six-minute epic "Mountains of Might" leans toward the black-metal-by-way-of-German-thrash genius of subsequent albums -- but the rest of the record shows little progression from predecessor Battles in the North. Ultimately, Blizzard Beasts should be chalked up as a transitional album in Immortal's mighty career, being the last to feature guitarist and founding member Demonaz (he quit after a bout with tendonitis); bassist/vocalist Abbath would take over six-string and songwriting duties, ultimately leading the band out of blastbeat hell and across more broad-scoped, epic terrain. Still, it's hard to write off Blizzard Beasts as a failure; the record is brilliant when compared to similar Norwegian black metal acts mired in ludicrous "necro" aesthetics, but it just doesn't match up with Immortal's usual balance of underground credibility with high production and songwriting standards. ~ John Serba
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| | Jimmy Giuffre Fly Away Little Bird CD (1992)
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$12.39 Why aren't there more recordings like Fly Away Little Bird? Perhaps it's because there aren't more musicians of this stature. The studio reunion of the legendarily experimental Jimmy Giuffre 3 in 1992 was reissued in 2003 on the French Sunnyside label and is a radical departure from anything the trio had done in the past. These studio apparitions of the band are their most seamlessly accessible while being wildly exploratory. In addition to the consummate improvisations and compositions by Giuffre (title track, a redone "Tumbleweed"), the tender meditations by Steve Swallow ("Fits" and "Starts"), and the bottom-register contrapuntal improves by Paul Bley ("Qualude"), this is a trio recording that uses standards such as "Lover Man," a radically and gorgeously reworked "I Can't Get Started," "Sweet and Lovely," and "All the Things You Are" to state hidden textural possibilities inside chromatic harmony. There is never the notion of restraint in the slow, easy, and proactive way these compositions are approached. Rather, they are traced along spectral melodic frameworks and opened up from the space provided by not having a drummer, allowing for tonal exploration and group interaction ...
| | Discordance Axis Our Last Day CD (2005)
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$11.59 OUR LAST DAY includes two unreleased Discordance Axis tracks, several Discordance Axis songs covered by other artists, and one track by Gridlink, a Discordance Axis offshoot band.
If you love sonic freak-outs, then Discordance Axis' Our Last Day is the place to be. The band still likes to keep things hush-hush about itself and its intentions, despite being together for nearly 15 years by the time of this 2005 release, which is split into several different sections: "Discordance ...
| | Spencer Wiggins Goldwax Years CD (2006) Remastered
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$16.15 Spencer Wiggins had the poor fortune of being a great soul singer in a place where and at a time when there were more than enough of those to go around -- namely Memphis, TN, during the mid-'60s when Stax Records was the biggest name in town, Willie Mitchell's Hi Records was on the rise, and Atlantic had practically made the town its second home. While Wiggins had a strong enough voice to have found a home at any of those labels, he was discovered by Quinton Claunch of Goldwax Records, and while Claunch was a talented songwriter and producer, his label didn't have the juice to push many of its acts to stardom (the tragic James Carr being a rare exception). Listening to The Goldwax Years, a collection of 22 numbers Wiggins cut for the label between 1966 and 1969, it's not hard to imagine that with better breaks Wiggins could have become one of the major soul stars of the era; his voice could swing from quiet pleading to full-on soul bellow without seeming excessive either way, his sense of phrasing and working the drama of a song was strong indeed, and the production on his sessions (usually by Claunch and Rudolph V. Russell) was terrific, able to conjure up shades of Big City cool when needed while usually offering a healthy portion of Deep South passion. And though not all the songs he had to work with were great ("He's Too Old" and "Soul City U.S.A." just don't work despite solid performances from Wiggins and the studio players), ...
| | Kataklysm In The Arms Of Devastation CD (2006) Bonus DVD; Limited Edition
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