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Second Hand - Reality CD Cover Art
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Second Hand Reality CD

 Second Hand Discography of CDs

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Second Hand's debut, Reality, released in 1968 before progressive music had developed, is one of those odd records that mix psychedelic and garage-style music with some progressive touches. This is most evident on "Mainliner" and the title track, which are segued together by some classical music instrumentation. "Reality" adds other symphonic elements as well, and there's even a minute where one hears just organ and cello, a relaxed, slightly haunting moment before the rest of the band kicks back in. "Mainliner" is a nightmarish track about heroin addiction with funeral-dirge organ riffing, and "The World Will End Yesterday" is another doom-laden piece. "Denis James the Clown" uses carnival music played at an amphetamine-hyperactive pace to create a strange little song. There are lots of long instrumental sections with guitar solos, which is fortunate because Ken Elliott's vocals are the weakest link, and a few of his song arrangements come off a little dated as well. Fortunately, those aspects are not enough to distract too much from this otherwise excellent record. ~ Rolf Semprebon

An acknowledged landmark of progressive acid rock, this 1968 classic combines top-notch songwriting with vicious guitar, swathes of mellotron and dense arrangements, to unique and unsettling effect. Sunbeam's long-awaited official reissue includes comprehensive liner notes, rare photographs and two bonus tracks, making it a must-have for lovers of true British psychedelia.
Reality Music


Detailed Reality Music Information



List Price $17.98 (You save $3.89)
Category Rock/Pop Albums, Rock CDs, Progressive, Psychedelic
Label Sunbeam
Orig Year 1968
All Time Sales Rank   152829  
CD Universe Part number 7397168
Catalog number 5031
Discs 1
Release Date May 15, 2007
Studio/Live Studio
Mono/Stereo Stereo
Additional Info Bonus Tracks
Second Hand Reality Songs


Second Hand Reality Album Track Listing



1.Fairy Tale, A
2.Rhubarb!
3.Denis James the Clown
4.Steam Tugs
5.Good Old '59
6.World Will End Yesterday, The
7.Denis James
8.Mainliner
9.Reality
10.Bath Song, The
Reality Review


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From the psychedelic tribal blues opener "Dark Road" through to the end of the album, Christopher shows just how strong the second-level psychedelia of the late '60s could be. There was no shortage of great musicians hailing from Texas during the era, and the ones who remained in the state were forming some of the most idiosyncratic bands of the swirling, inventive times: top-flight bands such as Thirteenth Floor Elevators, Lost & Found, the Golden Dawn, and Christopher. Christopher, though, cannot exactly be lumped together with those peers. They had to leave Texas for California to make their mark, and indeed, Christopher owes a good deal to the music of that state -- songs such as "Magic Cycles" and "In Your Time" are informed by the dreamier qualities of the San Francisco sound, especially the extended atmospherics of Jefferson Airplane and the Grateful Dead. There are also hints of fellow Los Angeles ...
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Japanese remaster in an LP-replica sleeve also features two live bonus tracks. Following the release of Pawn Hearts, bandleader Peter Hammill took time out to develop a solo career, choosing to focus his energy on darkly introspective works that seemed to be intended to examine the personal consequences of his life. When it came time for reuniting the members of Van Der Graaf, this change in direction had its effect on the band's post-1975 music. While the musical structures continued to be complex and dense, there seemed to be far less accent on the demonstration of musical skill than ...
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Peter Hammill is the poster boy for prog rock, and everything he ever touched throughout his career worked -- especially Van De Graaf Generator. This 1976 outing is V.D.G.G.'s most importan outing, and this issue is extra-important, as it features a stellar live bonus recording of "Gog." VDGG's ...
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The foreboding crawl of the Hammond organ is what made Van Der Graaf Generator one of the darkest and most engrossing of all the early progressive bands. On H to He Who Am the Only One, the brooding tones of synthesizer and oscillator along with Peter Hammil's distinct and overly ominous voice make it one of this British band's best efforts. Kicking off with the prog classic "Killer," an eight minute synthesized feast of menacing tones and threatening lyrics, the album slowly becomes shadowed with Van Der Graaf's sinister instrumental moodiness. With superb percussion work via Guy Evans, ...
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Folkscene Collection, Vol. 3
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CD $14.45  Audio Samples
The third collection of recordings culled from Roz and Howard Larman's Los Angeles-based FolkScene radio show is another varied anthology that demonstrates the diversity of musical styles bunched under the umbrella term "folk." Someone is singing and playing an acoustic guitar on nearly every one of the 13 tracks, but the approaches differ greatly, from Guy Davis' bluesy "See Me When You Can" (recorded January 28, 2001) to Loreena McKennitt's new age harp playing on "Huron 'Beltane' Fire Dance." The most recognizable name is that of Jackson Browne, the most recognizable song Janis Ian's "At Seventeen" (recorded "circa 1975," and thus the oldest track), and there are established folkies such as Cheryl Wheeler, the late Kate Wolf, and Katy Moffatt (duetting with Rosie Flores on "Walkin' on the Moon"), along with excellent folk-pop bands that are either long broken up (the Alpha Band, featuring T Bone Burnett) or at least on hiatus (Bryndle, consisting of Karla Bonoff, Wendy Waldman, Andrew Gold, and Kenneth Edwards). All have interesting things to say with their music, and all respond well to the relatively intimate environs. This is not all people hunched over guitars in a radio studio, either. The Bryndle track, "Lucky One," boasts a drummer, and the McKennitt track has a full band recorded in a concert hall. With more than 25 years of shows to draw from, the Larmans may be able to assemble collections ...
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After three albums with producer Lou Adler (who had also signed them on his label, Ode), the band brought in David Briggs, who'd previously worked with Neil Young. A real sense of camaraderie and experimentation runs through this entire work, which took longer to record than any previous Spirit effort. ...
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One look at the Misfits' thriving online store -- Spooky light-switch plates! Skull logo belt buckles! Misfits skateboard ...
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