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Blonde Redhead - 23 CD Cover Art
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Blonde Redhead 23 CD

Blonde Redhead Discography of CDs
Regular Price: $14.97
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On 23, Blonde Redhead's second full-length outing for 4AD, the New York City-based indie-rock trio, fronted by reedy-voiced singer/multi-instrumentalists Amedeo Pace and Kazu Makino (Simone Pace rounds out the line-up on drums), continues to ...    Full Description

23 Music


Detailed 23 Music Information



List Price $14.97 (You save $2.78)
Category Rock/Pop Albums, Rock CDs, Alternative
Label 4AD
Orig Year 2007
All Time Sales Rank   13882  
CD Universe Part number 7398113
Catalog number 72717
Discs 1
Release Date Apr 10, 2007
Studio/Live Studio
Mono/Stereo Stereo
Producer Blonde Redhead
Engineer Chris Coady
Recording Time 43 minutes
Additional Info Digipak
23 Music


23 Other Versions



Blonde Redhead 23 Songs


Blonde Redhead 23 Album Track Listing



Click on the Song Sample buttons below to play song samples
Windows MediaRealAudio MediaMP3 Track Sample1.23
Windows MediaRealAudio MediaMP3 Track Sample2.Dr. Strangeluv
Windows MediaRealAudio MediaMP3 Track Sample3.Dress, The
Windows MediaRealAudio MediaMP3 Track Sample4.SW
Windows MediaRealAudio MediaMP3 Track Sample5.Spring and by Summer Fall
Windows MediaRealAudio MediaMP3 Track Sample6.Silently
Windows MediaRealAudio MediaMP3 Track Sample7.Publisher
Windows MediaRealAudio MediaMP3 Track Sample8.Heroine
Windows MediaRealAudio MediaMP3 Track Sample9.Top Ranking
Windows MediaRealAudio MediaMP3 Track Sample10.My Impure Hair

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 Misery Is A Butterfly
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Blonde Redhead Misery Is A Butterfly CD  (2004)

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CD $13.79  4.8 stars Audio Samples Definitive Album
Moving from their longtime home at Touch & Go to the renowned 4AD label, NYC art-rockers Blonde Redhead have made telling sonic adjustments, trading in their noisy, abrasive edge for a refined, often orchestral sound. The trio--Kazu Makino and twin brothers Amedeo and Simone Pace--makes the transition clear from the get-go on "Elephant Woman," which features Makino's breathy vocals over a backdrop of harpsichord, strings, and light percussion. Melancholy is certainly the main theme of this album, as exquisitely exemplified by the title track, a somber, keyboard-driven piece that borders on chamber music. However, just when the proceedings verge on the morose, the band emerges with two upbeat ...
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Favorably compared to the Flaming Lips, Mercury Rev, and Broken Social Scene, the Arcade Fire's sound seems to come from a lifetime of listening to the Cure, Talking Heads, Elvis Costello, and many others--even a dose of soul gets worked into these grand anthems. Chassagne delivers some spellbinding vocals on "Haiti," while the tinkling piano and strings on "Crown of Love" conjure up a heartbroken surfside prom. In 2004, this made many critics' year-end lists, and it's no wonder--the songs on FUNERAL are so packed with unique instrumentation, mesmerizing build-ups, and galvanizing tempo changes that they seem culled from some enigmatic, decade-spanning rock anthology. This Montreal ensemble's fiery debut is marked by surging guitars, soulful strings, driving drums, brilliant bass lines, and the quavering vocals of married couple Win Butler and Regine Chassagne. The group's song structures careen through a vast territory of musical and personal history, with lyrics warm with memories of childhood neighborhoods ...
 I Am Not Afraid Of You And I Will Beat Your Ass
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Yo La Tengo I Am Not Afraid Of You And I Will Beat Your Ass CD  (2006)

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CD $10.05  4 stars Audio Samples
With 2006's cheekily titled I AM NOT AFRAID OF YOU AND I WILL BEAT YOUR ASS, the beloved indie-rock trio Yo La Tengo presents a dynamic set of songs that echo the band's past, while notably downplaying the soporific atmospherics of preceding discs (the lauded AND THEN NOTHING and SUMMER SUN). The New Jersey-based group opens with "Pass the Hatchet, I Think I'm Goodkind," a feedback-drenched guitar workout anchored by pulsing, insistent rhythms, which is followed by the jaunty "Beanbag Chair," a charming pop ditty that percolates under Ira Kaplan and Georgia Hubley's breezy vocals. Other highlights of this eclectic record include the beautifully orchestral "Black Flowers" and "The Room Got Heavy," a quirky electro tune. Essentially a well-chosen crossroads for most of Yo La Tengo's various stylistic paths, I AM NOT AFRAID ...
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Joanna Newsom Ys CD  (2006)

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CD $12.69  3.5 stars Audio Samples Definitive Album
The quaint, self-contained folk portraits of the debut are obliterated here in favor of sprawling epics that recall sea shanties, Homeric myths, and progressive rock. Newsom's words are still highly literate and evocative, though they seem more narrative and symbolic than the surreal expressions of MENDER. The album is graced by string arrangements from Van Dyke Parks which create a swelling, dramatic counterpoint to Newsom's performances. Production assistance from indie-rock titans Steve Albini and Jim O'Rourke helps make this stellar effort one of 2006's most provocative releases. It shouldn't be a surprise that an artist as stridently unconventional as Joanna Newsom ...
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If modern day indie music appears to consist of an endless queue of groups that are either bland emo retreads or glitzy disco punkers, it is then that much more refreshing to encounter a band like Battles. With a lineage that consists of some of indie rock's most accomplished musicians, Battles is a veritable neo-prog supergroup, though one that embraces the possibilities of technology used in tandem with instrumental virtuosity. MIRRORED, the band's debut full-length makes its intent clear from the onset--to ingest 50 years of rock history and regurgitate it as fractilized micro-symphonies. Rhythms bounce whimsically from motorik krautrock beats to glammed up T. Rex shuffles; such stop-on-a-dime surprises seem to be offered up at every turn. Tyondai Braxton's bizarre vocal gibberish--pitched up and looped in real-time--recalls similar experiments by the Animal Collective, while simple, repetitive note progressions give way to full-on ...
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And while his presence isn't immediately apparent, indie hero Sufjan Stevens contributes piano to two tracks ("Racing Like a Pro" and "Ada"), adding to the National's increasingly expansive aesthetic, which also incorporates strings and horns. Though BOXER is more subdued than ALLIGATOR, it will likely appeal to those won over by the earlier outing. On 2007's BOXER, the National's second full-length album for the venerable Beggars Banquet label, the Brooklyn-based indie-rock act follows up the lauded ALLIGATOR with another round of melancholy guitar-driven tunes. Led by deep-voiced vocalist Matt Berninger, who often sounds hung-over yet disarmingly articulate, the band excels at brooding mid-tempo songs, as exemplified by the world-weary "Fake Empire," which combines political and personal themes, and "Mistaken for Strangers," a track that recalls NYC peers Interpol, thanks in part to the punchy approach of shared producer Peter Katis. On 2007's BOXER, the National's second full-length album for the venerable Beggars Banquet label, the Brooklyn-based indie-rock act follows up the lauded ALLIGATOR with another round of melancholy guitar-driven ...
 Farewell Concert
Statler Brothers Farewell Concert CDs  (2003)

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 Cheerop & Toodlepip! Complete Singles
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Track Listing of songs: DISC 1: Tommy Kowey's Car; She Goes to Finos; Tommy Kowey's Car; She's a Worky Ticket; Everybody Jitterbug; Teenager ...
 Epitaph
Necrophagist Epitaph CDs  (2004) (Import) Import; Japan

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 Arc Of Process
Adam Archetype Arc Of Process CD  (2003)

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 Moonproof
Tyla Gang Moonproof CD  (2006) (Import) Bonus Tracks; Japan

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Sorry, there is no artwork available at this time
Guy Tortora Living On Credit CD  (2008) (Import) Import

CD $28.89
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Leo Dan 30 Seguiditas CD  (2008)

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cdu4asppid music 7398113 cdu4pidall cdu4pls0 ver226cdu cdu4all 11/22/2008 9:07:50 AM