| | Twinball Slave CD - Import Twinball Discography of CDs
Line-Up:Daniel Samuelsson (Lead Vocals, Bass)L.E Pettersson “The Oak“ (Drums, Background Vocals)Tee Park (Guitars)Lollo Skollermark (Guitars)Biography: TWINBALL first started out as a cover band in 1997 under the name Bad Reputation. The band played classic hardock tunes, relying strongly on Lizzy materials as the main part. In April 2000, the band went through a re-construction, adding Daniel Samuelsson (vo/b) and L.E. Pettersson shifting from bass duty to drum stall. They gradually started writing their own songs, and got a deal with Sweden Rock Records with only two songs in the can. Having changed the name to TWINBALL, they released the debut album “Remnants Of A Broken Soul“ in 2002. The mix of rock/metal/pop and the twin guitar became a trademark for them. After touring for a few months, they had a chance to play the biggest gig ever for them – Sweden Rock Festival! A member change followed, and also did a new deal with a Japanese label Spiritual Beast. The new album “Slave“ is to be released in April 2007.Selling Points:* Second Album from the Swedish answer to Thin Lizzy* Produced by Twinball, Johan Gren and Martin Johansson, and mastered by Peter In de Betou (Dimmu Borgir, Dark Tranquility, Edge Of Sanity, Firewind etc)* Debut Album got critical acclaim from around the world, which led to a stunning appearance at the Sweden Rock Festival* Very well-crafted music, combining guitar harmonies of Thin Lizzy and driving groove of Southern Rock, putting melancholic vocals of HIM or Nickelback on top of that!* Brings the classic hard rock into the future with modern power and edge!* Guest appearance by Petri Kuusisto from Carnal Forge* "Freak Of Nature" to be featured on a free sampler from Music Buy Mail in Europe Twinball Slave Songs | 1. | Freak Of Nature |
| 2. | Never Alive |
| 3. | Heroes |
| 4. | Slave |
| 5. | Rain |
| 6. | Puppets |
| 7. | Faces |
| 8. | Mockingbird |
| 9. | Burn |
| 10. | Sorrow |
| 11. | Blind My Eyes |
| 12. | Promises |
| Slave Review
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$9.99 First 1000 copies are hand numbered on the disc and the card sleeve.JUDGE SMITH WRITES:In August 2006, I was on a volcanic Greek island, walking on a remote, deserted, sun-baked promontory, jutting into the Aegean. I wandered to and fro looking at fossilized trees whose stone trunks, some composed of solid agate, emerged vertically from the ground where they had once stood as living trees, 20 million years ago. In this primordial and archaic landscape, it suddenly seemed quite probable to me that Pan or maybe Dionysus, perhaps with a few Dryads in tow, would appear over the rise. It certainly felt as if someone, or something, was approaching. What happened instead was that I 'got' a song. Within the space of a few minutes, a killer riff, a strange and compelling chorus melody, and a set of decidedly odd lyrics had arrived in my head; unplanned, un-worked-for and totally unexpected. Like many, much greater, composers, I have long been conscious of the weird phenomenon of ‘Artistic Inspiration’, and I have been its beneficiary on more occasions than I really deserve. However, most of these bits of Inspirational Fairy Dust consist of a little riff, or a part of a tune, or two or three chords, which I have to fashion into completed songs by the sweat of my brow; so for me to receive a complete song; words, music, arrangement, the works, in one chunk, was extraordinary. This song was ‘I Am The Light of the World’, and I was surprised and delighted to be given it. However, I got quite freaked-out when the same thing happened, in the same place, the next day! This second song, ‘I Don't Know What I'm Doing’, wasn't quite so complete; there was one small bit of the tune that I had to write myself later, and I only came home that night with half the lyrics, but the two songs were certainly intended to be part of a single package.(Intended by who? Search me!) Both featured spoken verses and sung choruses, and the speaking voice was undoubtedly American. Both featured similar sounds; there was a screaming saxophone trading bars with a hard rock guitar, there were elaborately multi-tracked vocal choruses, and there were cellos all over the place. It seemed obvious to me that I was supposed to record and release these songs as a single, and once I got going, things fell into place with surprising ease. Finding a really exciting lead guitarist for the project was a no-brainer; John 'Fury' Ellis was clearly the man. His career began as a punk guitarist and founder member of iconic punk band The Vibrators in 1974, and he played on albums and tours for Peter Gabriel and Peter Hammill before joining The Stranglers.For the saxophones, my first choice was equally simple. I have known and played with David Jackson since 1969, before he joined Van der Graaf Generator, where he became famous as a charismatic performer, known bizarrely as ‘the Van Gogh of the saxophone’. David is constantly in demand as a performer, ...
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