| | Twinball Slave CD - Import Twinball Discography of CDs
Includes the bonus track "Promises". Twinball Slave Songs | 1. | Freak Of Nature |
| 2. | Never Alive |
| 3. | Heroes |
| 4. | Slave |
| 5. | Rain |
| 6. | Puppets |
| 7. | Faces |
| 8. | Mockingbird |
| 9. | Burn |
| 10. | Sorrow |
| 11. | Blind My Eyes |
| 12. | Promises |
| Slave Review
GuidelinesRemember to focus your comments on Twinball Slave CD - Import. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Slave CD To buy, Click on price to add to cart | Kiss Sonic Boom CDs (2009)
Slave album
$16.09 When SONIC BOOM was released, it had been over a decade since the last Kiss studio album, so expectations were understandably high. In addition, the intervening period had seen the band fire two of its founding members for the second time, only to replace them with sidemen wearing Ace Frehley and Peter Criss's iconic makeup. Luckily, the new additions, unlike some of Kiss's "un-masked years" members, have a good feel for classic Kiss. That fact, matched with Paul Stanley's assumption of production duties, makes SONIC BOOM one of the most consistent and thoroughly Kiss-sounding albums since the group's `70s heyday. That said, the New York City unit manages to branch out a bit; alongside ...
| | Rammstein Liebe Ist Fur Alle Da CDs (2009) Bonus Tracks; Deluxe Edition; Digipak
Slave CD music
$17.59 Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********" or the opening theme song "Rammlied" and nostalgic, cabaret pieces that conjure the spirits of Weil and Brecht at a goth club. Best of the latter is the naked and haunting closer "Roter Sand" but little touches of a sinister yesteryear are ...
| | Judas Priest Concert Classics CD (2009) Reissue
Slave music CDs
$11.89
| | Dream Theater Octavarium CD (2005)
Slave songs
$10.65 As the sole major-label progressive-metal ...
| | Black Sabbath, Vol. 4 CD (1972)
Slave album
$8.85
| | Pain Of Salvation Linoleum EP CD (2009) (Import) Import; Extended Play
Slave CD music
$20.99
| | Sick Of It All Yours Truly CD (2000)
Slave music CDs
$6.69
| | James Taylor (Best Live) CD (1994)
Slave songs
$7.59
| | Fear Of Eternity Toward The Castle CD (2006)
Slave album
$14.15
| | Sinai Beach When Breath Escapes CD (2003)
Slave CD music
$10.65
| | Ekkehard Ehlers Life Without Fear CD (2006) (Import) Germany
Slave music CDs
$15.05 Ekkehard Ehlers is an artist who refuses ...
| | Jim Gibson Still, Still, Still: More Carols For Christmas CD (2006)
Slave songs
$9.49 Jim Gibson has, since ...
| | Tribal Elders The Light Of The World / I Don't Know What I'm Doing CD (2008) (Import)
Slave album
$9.99 First 1000 copies are hand numbered on the disc and the card sleeve.JUDGE SMITH WRITES:In August 2006, I was on a volcanic Greek island, walking on a remote, deserted, sun-baked promontory, jutting into the Aegean. I wandered to and fro looking at fossilized trees whose stone trunks, some composed of solid agate, emerged vertically from the ground where they had once stood as living trees, 20 million years ago. In this primordial and archaic landscape, it suddenly seemed quite probable to me that Pan or maybe Dionysus, perhaps with a few Dryads in tow, would appear over the rise. It certainly felt as if someone, or something, was approaching. What happened instead was that I 'got' a song. Within the space of a few minutes, a killer riff, a strange and compelling chorus melody, and a set of decidedly odd lyrics had arrived in my head; unplanned, un-worked-for and totally unexpected. Like many, much greater, composers, I have long been conscious of the weird phenomenon of 'Artistic Inspiration', and I have been its beneficiary on more occasions than I really deserve. However, most of these bits of Inspirational Fairy Dust consist of a little riff, or a part of a tune, or two or three chords, which I have to fashion into completed songs by the sweat of my brow; so for me to receive a complete song; words, music, arrangement, the works, in one chunk, was extraordinary. This song was 'I Am The Light of the World', and I was surprised and delighted to be given it. However, I got quite freaked-out when the same thing happened, in the same place, the next day! This second song, 'I Don't Know What I'm Doing', wasn't quite so complete; there was one small bit of the tune that I had to write myself later, and I only came home that night with half the lyrics, but the two songs were certainly intended to be part of a single package. (Intended by who? Search me!) Both featured spoken verses and sung choruses, and the speaking voice was undoubtedly American. Both featured similar sounds; there was a screaming saxophone trading bars with a hard rock guitar, there were elaborately multi-tracked vocal choruses, and there were cellos all over the place. It seemed obvious to me that I was supposed to record and release these songs as a single, and once I got going, things fell into place with surprising ease. Finding a really exciting lead guitarist for the project was a no-brainer; John 'Fury' Ellis was clearly the man. His career began as a punk guitarist and founder member of iconic punk band The Vibrators in 1974, and he played on albums and tours for Peter Gabriel and Peter Hammill before joining The Stranglers. For the saxophones, my first choice was equally simple. I have known and played with David Jackson since 1969, before he joined Van der Graaf Generator, where he became famous as a charismatic performer, known bizarrely as 'the Van Gogh of the saxophone'. David is constantly in demand as a performer, and is a world authority on music therapy for disabled children, but he managed to find a window in his schedule, and during the new band's recording sessions, Studio Judex resounded with the unmistakable, ...
| | Kazuyoshi Saito Yaa Mujou CD (2008) (Import) Japan
$15.95 |
|
|