Moonbreath CD music Jackpot: James Finch Jr. Moonbreath music CDs (banjo); Dave Brockman (keyboards); Mike Curry (drums); Rusty Miller (bells); John Gutenburger (background vocals).
Additional personnel: Anna Woodrum, Brianna Lea Pruett, Jason Lytle (background vocals).
Moonbreath songs. For this particular Tito Puente recording, his exciting three-horn, three-percussion Latin jazz octet (which includes longtime saxophone soloist Mario Rivera) is joined by alto great Phil Woods on three of the eight selections, including Thelonious Monk's "Pannonica" and "Repetition." Such songs as "Corner Pocket," "Carioca" and Dizzy Gillespie's "Con Alma" sound perfectly natural in this Afro-Cuban jazz setting, and Puente (well featured on vibes and timbales) is responsible for two originals and seven of the nine arrangements. The music is danceable, adventurous and quite fun. ~ Scott Yanow
Recorded at Coast Recorders, San Francisco, California in January 1988. Includes liner notes by Hugh Wyatt.
Personnel: Tito Puente (vibraphone, marimba, timbales, percussion); Phil Woods (alto saxophone).
Unknown Contributor Roles: Joe de Jesus; Johnny Dandy Rodrigues; Mario Rivera; Piro Rodriguez; Rebeca Mauleón; Tito Puente; Bill Ortiz; Jose Madera; Sonny Bravo; Jimmy Frisaura; Bobby Rodriguez.
Personnel: Tito Puente (timbales); Phil Woods (alto saxophone); Mario Rivera (tenor saxophone, flute); Piro Rodriguez, Bill Ortiz (trumpet, flugelhorn); Joe De Jesus (trombone); Sonny Bravo (piano); Rebecca Mauleon (synthesizer); Bobby Rodriguez (bass); Johnny Rodriguez (bongos); Jose Madera (congas); Frank Figueroa, Jose Alexis Diaz (background vocals).
Moonbreath album. 20 tracks featuring the ancient wind instrument the Zampona, know in America as "panpipes"; it is used here on traditional Andean arrangements
Moonbreath songs. Tony Hill specializes in the kind of garage rock noodling that was an underground force in the late '60s/early '70s. His psychedelic arrangements and dark vocal lines are actually quite interesting, as he obviously has a knack for making the dark rumblings that he does. There are really only two things wrong with this album, but both of them are very apparent. First of all, the awkward use of violin and viola makes the album an uncomfortable venture, as the J. Mascis-style noise that Hill pours from his guitar directly goes against the sweet sound of the violin strings. Second, his voice simply lacks the passion and drive that this brand of music needs. He sounds tired and depressed, but not in a catchy/grungy kind of way. What this music needs is an Iggy Pop or Roky Erikson type of singer, not Hill's bland vocals. There is some surprisingly good music to be found on this album if the listener can overlook the vocals, but overlooking the vocals may be too much of a chore for most. ~ Bradley Torreano
He Was In The 60s Band The Misunderstood
Recorded at Gold Dust Studios, Bromley, England.
Personnel: Tony Hill (vocals, guitar); Nick Saloman (guitar, organ, synthesizer).
Recording information: Gold Dust Studios, Bromley, England (02/2001).
Personnel includes: Tony Hill, Nick Saloman, Adrian Shaw, Pete Pavli, Andy Ward.
Moonbreath CD music. For Sweetbox's sixth album (and the last with their longest-lasting singer, Tina Harris), the group returned to a straightforward dance style, potentially related to the intended use of a number of tracks by Ayumi Hamasaki. While they still used classical samples as a major influence -- as in the title track's use of ...
Moonbreath songs. This is a continuous in-the-mix compilation mixed and selected by Jonny Lexx and Cesar G.
Dynamic Dual mixed this collection of hard acid techno and trance, chock full of razor-sharp grooves on tracks like "Acid Beating," "Hard Bangin' Tweak," "Wired," and ...
Moonbreath CD music. NOTE: For ZUU's latest album EVERYWHERE please go to cdbaby /zuu2 Release date May 2009
Emerging out of LA with a compelling debut EP ZU (now ZUU, see cdbaby /zuu for debut LP) delivers anything but a predictable sound. At once ...
Moonbreath music CDs. "The King of the Rockabilly blues"In 1995 Louis King and the Liars Klub released their debut self-titled album to critical acclaim and picked up 'Album of the Year' from Melbourne's Age Newspaper. The year also saw the band play support ...
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