| | Smooth Jazz All Stars Fred Hammond Smooth Jazz Tribute CD Smooth Jazz All Stars Discography of CDs
Tributee: Fred Hammond. Fred Hammond Smooth Jazz Tribute Music Smooth Jazz All Stars Fred Hammond Smooth Jazz Tribute Songs Fred Hammond Smooth Jazz Tribute Review
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Only Everything, David Sanborn's second album for Decca, feels like part two of his debut for the label, 2008's Here & Gone. That set was a tribute to Ray Charles and Hank Crawford -- the alto saxophonist who played with Charles in the '50s and early '60s, and influenced Sanborn tremendously. That set featured loads of vocals and tightly arranged tunes that were ...
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The crown jewel of the epic Evans/Davis triptych that began with MILES AHEAD and PORGY AND BESS, SKETCHES OF SPAIN is as emotionally compelling as any performance in the trumpeter's remarkable body of works. Combining as it does the emotional gravity of two cultures--the deep song of flamenco music and the rich lament of the blues--SKETCHES OF SPAIN is a musical hybrid ...
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I'm New Here is a shock. It's a wallop filled with big nasty beats, a wide range of sonic atmospheres, and more -- sometimes unintentional -- autobiographical intimacy than we've heard from Gil Scott-Heron than ever before. Produced by XL Recordings head Richard Russell, I'm New Here is his first record in 16 years. It is a scant 28 minutes and doesn't need to be a second longer. It's unlike anything he's previously recorded, though ...
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Digitally remastered by Phil De Lancie (1993, Fantasy Studios, Berkeley, California).
This CD actually includes ...
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Digitally remastered by Bill Inglot and Dan Hersch (Digiprep).
Released only months after RAMONES, the Ramones' second album pales slightly in comparison to its stone-classic predecessor--but only slightly. LEAVE HOME contains enough all-time Ramones anthems--"Commando," "Pinhead" (which introduces the legendary "Gabba Gabba Hey" chant), and "Gimme Gimme Shock Treatment," to name only three--that it's still an essential document of the New York punk scene. Rhino's remastered 2001 reissue restores the original running order of the album, including "Carbona Not Glue," which was hastily removed from the 1977 vinyl not because it advocated dangerous activities but because the manufacturers of the spot remover Carbona objected.
More importantly, this reissue appends a whopping 16 bonus tracks, the entirety of the Ramones' August 1976 Hollywood live debut. Half the tracks don't even hit the two-minute mark--the longest is "Beat on the Brat," an epic 2:36--and the whole thing is over in under half an hour. Years of hardcore punk and the ever-increasing BPMs of underground dance music mean that this stuff doesn't sound as shockingly speedy now as it did at the time; what's surprising is how cheerful and poppy this allegedly transgressive music comes across, and how unexpectedly tight and well-rehearsed the supposedly sloppy band ...
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By 1966, Eddie Fisher's recording career seemed to have come to an end. After scoring numerous hits on RCA Victor in the 1950s, he had recorded for several labels in the early '60s (including his own imprint, Ramrod) and had a sojourn on Dot in the mid-'60s that ended in poor sales. But he returned to RCA and cut "Games That Lovers Play," a major easy listening hit and nearly a Top 40 pop entry, and followed it with the Nelson Riddle-arranged-and-conducted LP of the same name that restored his commercial and artistic credibility. This was a new, mature Fisher singing in a powerful baritone with a deeper understanding of the pop standards and high-quality new songs in his repertoire. Unfortunately, his next RCA effort, People Like ...
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