| | Eydie Gorme Sincerely Yours CD - Import Eydie Gorme Discography of CDs
Traditional pop singer Eydie Gorme carved out a place for herself in several areas of entertainment, from the mid '50s to the mid '70s, she consistently scored in the pop charts. This 2CD set covers Gorme's period with the Coral label and some ... Full Descriptionearly ABC Paramount work. The Coral tracks include the upbeat number "Chain Reaction". All the Coral tracks and many of the ABC Paramount recordings are available on CD for the first time. Included are Eydie's early hits "Mama Teach Me To Dance", "Too Close For Comfort" and ''I'll Take Romance". Hide Description Eydie Gorme Sincerely Yours Songs | 1. | Sincerely Yours |
| 2. | Come Home |
| 3. | That's How |
| 4. | Mama Teach Me To Dance |
| 5. | You Bring Out The Lover In Me |
| 6. | Soda Pop Hop |
| 7. | I've Got A Right To Cry |
| 8. | I'll Come Back |
| 9. | It's A Pity To Say Goodnight |
| 10. | I'll Take Romance |
| 11. | This Is No Laughing Matter |
| 12. | Fine And Dandy |
| 13. | Day By Day  |
| 14. | The Gentleman Is A Dope |
| 15. | Too Close For Comfort |
| 16. | Guess Who I Saw Today |
| 17. | Be Careful It's My Heart |
| 18. | Saturday Night(Is The Loneliest Night In The Week) |
| 19. | First Impression |
| 20. | How Long Has This Been Going On |
| 21. | Gypsy In My Soul |
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Sincerely Yours Review
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Purchase Sincerely Yours CD To buy, Click on price to add to cart | Gary Burton Quartet Live CD (2009)
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Vibraphonist Gary Burton's classic quartet of the late `60s, consisting of Burton and guitarist Larry Coryell (later, Pat Metheny), bassist Steve Swallow, and drummer Roy Haynes, are often credited with laying the groundwork for the aggressive jazz-rock fusions of the `70s. Nearly four decades on from their, initial, pioneering efforts, original quartet members and jazz legends Burton, ...
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Digitally remastered by Joe Tarantino (1982, Fantasy Studios, Berkeley, California).
THE NEW MILES DAVIS QUINTET made its first visit to the recording studios on November 16, 1955. By October 26, 1956, when they made their last session for Prestige, Miles had signed with recording giant Columbia, had the most influential band in all of jazz (which would spawn the most charismatic musician of the 1960s), and was well on his way towards international stardom.
Listen to THE MUSINGS OF MILES, an earlier quartet with bassist Oscar Pettiford, then listen to the difference bassist Paul Chambers and tenor saxophonist John Coltrane make. Philly Joe Jones' dancing hi-hat reverie introduces "How Am I To Know," and the band takes it a galloping tempo. The youthful bassist pushes the music into more modern directions with his solid time, driving beat, ringing tone and uncanny sense of melodic counterpoint. He opens the music right up, and his rhythmic flexibility frees up Philly Joe to play ahead of the beat and instigate an insistent polyrhythmic dialogue.
From the finger snappin' opening groove of Benny Golson's "Stablemates," it's clear that this rhythm section just swings harder (and in more different styles) then anyone this side of Basie's All-Americans or the drummer-led bands of Art Blakey and Max Roach. In Red Garland, the trumpeter found a pianist who understood his idea about touch, voicings and space, and was able to orchestrate in the lush, expansive style Miles favored. ...
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A SECRET PLACE was produced by Creed Taylor and issued on his Kudu imprint, while the versatile David Matthews arranged the horn section. This lineup may not be surprising, but the scope of the recording is. Washington could have gone the easy route and followed up his R&B chart success with a series of uptempo, rousing tracks that leaned heavier on funk--in the style of the title tracks of both his previous albums, 1974's MISTER MAGIC and 1975's FEEL SO GOOD. But he went in a different direction, at least partially. The bottom line on A SECRET PLACE is that ...
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“A New York 50's ambiance would be apropos to describe the feel of this recording of rhumbas and boleros performed by an exquisite group of latin stylists.”John Gilbert ejazznews.com“These are the sounds of romance, suited well for a relaxing night with with a glass of your favorite spirits and the object of your romantic desire.”By Dan McClenaghanallaboutjazz.com“… wistful trumpet, caressing the hypnotic piano ...
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