Solo Lo Mejor Del Folclore CD

Solo Lo Mejor Del Folclore Music

Category	Latin Albums, Argentinian CDs, Algerian
Label	Phantom
CD Universe Part number	7415725
Catalog number	75095
Discs	1
Release Date	Mar 02, 2007

Solo Lo Mejor Del Folclore Review

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Personnel: Steve Hillage (acoustic guitar, electric guitar, programming); Bruno Maman (electric guitar); Kemang Kanoute (kora); Hakim Hamadouche (lute, background vocals); Stéphane Baudet (trumpet); Rachid Belgacem, Hossam Ramzy (percussion); Morgan Marchand (programming); Adel Eskander, Miquette Giraudy (background vocals).
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With his previous album, Tékitoi, providing some outstanding contemporary ideas in the realm of rai, Rachid Taha returns on Diwan 2 to more rootsy sounds, reminiscent (of course) of Diwan. The sound is derived from some of Taha's musical influences: largely from Algeria and the exile population in France, but with a couple of originals, some French influences, and a couple from Egypt. The album starts out with an old piece from Mohamed Mazouni and a much more relaxed tone than many of Taha's opening tracks on other albums. After a quick romp through a bit of music from Oran, he returns to a relaxed sound with "Agatha," a piece on racism and interracial adultery, before moving on to a form of slightly higher-energy chaabi, "Kifache Rah" (with some musical similarity to the massive hit "Ya Rayah"). The energy finally picks up to his usual levels with some ney, call and response, and thicker drums on "Josephine." "Gana El Hawa," as well as Umm Kulthum's classic "Ghanni Li Shwaya," provide an opportunity for the Cairo String Ensemble to come into their own as accompaniment (though indeed they are present on a number ...

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Personnel: Son House (vocals, guitar, accordion); Evie House (spoken vocals, tambourine).
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Discovered by Luther Campbell, Poison Clan was initially molded similarly to 2 Live Crew, as evidenced by 2 Low Life Muthas' production -- executed by Campbell and 2 Live Crew producer Mr. Mixx -- and its mostly lighthearted but occasionally raunchy themes of womanizing, partying, and goofing around. J.T. Money and Debonaire broke out with this album's booming, "Shaft"-sampling "Dance All Night." Not terribly dissimilar from 2 Live Crew tracks like "Move Somethin'," it's one of the few clean songs Poison Clan released -- it's easily their most accessible, and it's also one of the best dance-rap singles of the early '90s; some rotation of the video on Yo! MTV Raps helped give the group some notice, but the remainder of the album didn't do a great deal to build on its success. The duo proves to be competent on the mic, but they don't go much beyond that, and Mr. Mixx's production ...

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The Dramatics include: Lenny Mayes, William "Weegee" Howard, Willie Ford, L.J. Reynolds, Ron Banks.
Recorded in November and December 1985.
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