| | Jenn Grant Orchestra For The Moon CD Jenn Grant Discography of CDs
 (2 Customer Reviews)
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Audio Mixers: Jason MacIsaac; Pat Martin ; Jenn Grant.
Recording information: CBC Studio H, Halifax, Nova Scotia, Canada; Head Wound, Toronto, Ontario, Canada.
Personnel: Jenn Grant (vocals, guitar, hand claps); Jenn Grant (vocals, guitar, hand claps); Matt Mays, Ron Sexsmith (vocals); Jason MacIsaac (acoustic guitar, piano, organ, omnichord, hand claps); Dale Murray (electric guitar, pedal steel guitar, dobro); David Christensen (harp, strings, flute, harmonica, bass clarinet, alto saxophone, piano, Fender Rhodes piano, organ, glockenspiel, hand claps); Ellen Gibling (harp); Anne Simon (violin); Binnie Brennan, Binnie Brennan (viola); Hilary Brown, Hilary Brown (cello); Sean MacGillivary (bass instrument); Jason Burns (drums, drum, darabukka, tabla, hand claps, percussion); Jennifer Jones (violin).
Additional personnel: Rose Cousins, Jill Barber (vocals); Matt Mays, Ron Sexsmith.
Orchestra For The Moon Music | Category | Rock/Pop Albums, Rock CDs, Alternative, Folk | | Label | Paris 1919 | | Orig Year | 2007 | | All Time Sales Rank |  97701  | | CD Universe Part number | 7416257 | | Catalog number | PARIS001CD | | Discs | 1 | | Release Date | May 15, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Jason Macisaac; Glenn Meisner; David Christensen; Jason Macisaac | | Engineer | Pat Martin; Pat Martin |
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In order to obtain the best possible audio reproduction, every effort was made to use the original source 2-channel master tapes which were then remastered according to the most up-to-date HDCD 24-bit remastering processes.
All tracks have been digitally mastered using HDCD technology.
How does one represent the career of one of the most distinctive, powerful singer/songwriters of the 20th century in the space of a single CD? By keeping it simple and sticking to the milestones. That's exactly what GREATEST HITS accomplishes, by presenting 16 of Neil Young's most beloved compositions. ...
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This Is Hazelville was the debut album by London five-piece Captain, produced by Trevor Horn. Opening the album with a tinkling piano and a softly sung title track by Rik Flynn in falsetto mode (not unlike Jon Anderson), it could have been yet another one of those piano-led indie albums so prevalent in the middle of the first decade of the 21st century. But no. First of all, it might have been indie in spirit, but Captain had signed a major-label deal with EMI, and halfway through the first song, Mario Athanasiou's guitar breaks in and it was a rock album after all. The first single to be released was "Frontline" on the truly independent At Large Recordings label; this was followed by the tracks "Glorious" and ...
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"a magically crafted grimoire of voodoo space blues" (New Orleans Gambit) "one of the first great albums of 2007, and quite possibly one for the ages." (jambase ) "We played together live right there in the room, all of us sitting together, and of all the things that I've been involved in musically it is perhaps my proudest moment. Of all the things I've recorded that may be the highlight right there." (Papa Mali)PAPA MALI's latest album documents his pre-Katrina New Orleans summit with some of the city's most celebrated and talented players, brought together with one request: Do your thing. More than a recording session, the atmosphere that developed feels almost like a seance, as friends gather in a circle and invoke the ghosts of their pasts... look deeper, and you can almost see those spirits weaving through the air like curls of smoke, conjuring visions of snake handlers and tent revivals, spy boys and street parades, proceeding with a broke-leg swagger to a place that's less about being funky and more about being Southern. Do your thing! Beyond that, this record is a long overdue homecoming for Papa Mali, a Louisiana native. Growing up in Shreveport, he spent his summers in New Orleans with his grandparents, soaking up the musical flavor and witnessing the heyday of The Meters, The Wild Tchopitoulas, James Booker, Professor Longhair and most of the city's now-legendary acts. Although he himself has been playing the clubs of New Orleans for over 20 years, this recording makes the connection to his musical roots more obvious. Featured guests for the journey are representatives from three of the Crescent City's deepest traditions: Kirk Joseph - founding member of the Dirty Dozen Brass Band, Kirk is responsible in large part for the modern New Orleans brass band sound. But we prefer to think of him as the James Jamerson of the sousaphone. Big Chief Monk Boudreaux - worldwide ambassador of the proud Mardi Gras Indian tradition, Monk has been "masking Indian" since the 1950's and performed at the very first New Orleans Jazzfest in 1970. He appears on this record speaking, chanting, and playing his own percussion instruments. As a further honor to "Pops" (as he refers to Papa Mali), Monk enlisted his own tribe The Golden Eagles, leading them through the blistering call-and-response of Early In The Morning and heading up a drum circle for Sugarland. Henry Butler - referred to as "the pride of New Orleans" by Dr. John, Henry Butler is no less than the singular New Orleans piano giant of his generation, and keeper of the torch previously held by James Booker and Professor ...
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