| | Medina Azahara Se Abre La Puerta CD - Import Medina Azahara Discography of CDs
Medina Azahara Se Abre La Puerta Songs | 1. | Abre La Puerta |
| 2. | Una Noche De Amor |
| 3. | Hijos Del Agobio |
| 4. | Amanecer En El Puerto |
| 5. | Hacia Ti |
| 6. | Dialogo |
| 7. | Luminosa Manana |
| 8. | Paseando Por La Mezquita |
| 9. | Soldado |
| 10. | Tu Frialdad |
| 11. | Lago |
|
Se Abre La Puerta Review
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MusicNew album, new perspective and new skates By Richard SkanseSPECIAL TO THE AUSTIN AMERICAN-STATESMANThursday, October 16, 2003Viewed through a glass-half-empty point-of-view, the 21st century has been a lousy one for Trish Murphy. In the past three years, the Austin songwriter saw her bid for a national breakout sputter out of the gate, parted ways with her major label and got divorced. And because her husband, Charlie Neath, was also her manager, she lost her business partner, too. Talk about Murphy's Law. The funny thing is, all the hurtin' did her a world of good, and today she seems practically giddy. "It's been a really hairpin-turnish couple of years," admits Murphy over lunch at one of her favorite local haunts, Flipnotics. "But my life is a lot more balanced now as a result of it all. About a year ago, I actually quit doing music. I just decided I needed to take a sabbatical, because the thing that took up the most space in my life -- my career -- just didn't feel good to me anymore. So I just took some time off and lay there for a while, like a bug on its back, until I gradually calmed down. And that's when I started putting all the energy that I'd been putting into trying to survive as an artist into other things, like cooking and sewing and cultivating some solid friendships with people outside of the music business. I always thought it was a bunch of (garbage) when people would say, `You need to be more well-rounded,' but I was as surprised as I could be that it actually worked, because one day I woke up and thought, hey, I kind of feel better." Creatively and emotionally recharged, she began writing again, drawing inspiration from her heartache and the proverbial light at the end of the tunnel. The results are collected on her brand new, self-released studio album, "Girls Get in Free," which strikes an even balance between reflections on love's labor lost and a "Girls Just Want to Have Fun" rebel yell, all baited with twangy pop rock hooks as sharp as anything in Sheryl Crow's tackle box. "It's definitely not a divorce album," she says, stressing that none of the songs are about her ex-husband. "But it is about loss and self-resurrection. It's sort of a snapshot of that interesting, catalytic space between destruction and rejuvenation -- that moment of feeling alive again after feeling like something central to you had completely died." Murphy's 1997 debut, "Crooked Mile," garnered her considerable praise in Austin, Dallas and her hometown of Houston, where she'd already developed a following as one half of the brother-sister duo Trish & Darin. (Darin Murphy also moved to Austin, where he, too, launched a successful solo career.) The independently released album sold an impressive 20,000 copies and led to her signing with Doolittle/Mercury in time for "Rubies on the Lawn." The latter album, despite a full-on rock sound and heavy tour support, failed to break her into the mainstream. She went back to the independent route for an acoustic live album, 2001's "Captured." It sold a modest 4,000 copies, but the low overhead, combined with royalties from Pat Green's cover of her song "Wrong Side of Town" and steady local commercial work, allowed Murphy the luxury of slowing down to reassess how she runs her career. For the time being, she's happy to keep things on a more manageable, ...
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