| | Bagad Brieg Gogo Droch CD - Import Bagad Brieg Discography of CDs
Bagad Brieg Gogo Droch Songs | 1. | Intro |
| 2. | Granium Enneig |
| 3. | Gavotte Bigouden |
| 4. | La Bourre Du Val D'amour |
| 5. | Gogo Droch |
| 6. | L'Amant Gendarme |
| 7. | Andro Viva El Presidente |
| 8. | Gavotte Bro Pourlet |
| 9. | Final |
| 10. | Coupe De Foudre Acapulco |
| 11. | Mlodie |
| 12. | Ton Simple Plinn |
| 13. | Bal Plinn |
| 14. | Ton Double Plinn |
| 15. | Solo de Batterie |
| 16. | Irish Berbere |
| 17. | Drobe - La Dvoray |
| 18. | Kos Mos 99 |
| 19. | La Boum 3 |
| 20. | La Scottisch Infernale |
| 21. | Maille Flowers Ar Bio Ty Fioule |
|
Gogo Droch Review
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Purchase Gogo Droch CD To buy, Click on price to add to cart | Marillion Early Stages: The Official Bootleg Box Set 1982-1987 CDs (2008)
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While much is made of Carla Bruni's status as an heiress-turned-model-turned-pop-singer (not to mention wife of French president Nicolas Sarkozy), by her third album it was crystal clear that she was no vanity artist (and certainly no Paris Hilton, who followed her path with strikingly divergent results). After an English-language tribute to poets, Bruni returned to her native French on 2008's COMME SI DE RIEN N ETAIT, for an exquisite album of piano bar musings with a ...
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This soundtrack to the highly acclaimed bio-pic of Edith Piaf's life is presented in a rather novel manner. The first part contains actual Piaf recordings, the second is the thoughtful score and incidental music by Christopher Gunning, and the third comprises Piaf covers recorded by Jil Aigrot, who supplies the vocals in the film. The Piaf recordings are, of course, stellar and include her signature tunes "La Vie ...
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Track Listing of songs: Et Maintenant; Marches de Provence, Les; Nathalie; Pianiste de Varsovie, Le; Orange, L'; ...
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2007 reissue of this legendary (and rare) album from these Punks with a catchy band name. The third ever release on Damaged Goods, this collection was released in the early '80s, a handful of years after the band had split after their only single 'Terminal Stupid'. Features both sides of that rare single, a handful of unreleased ditties and 'There 'Ain’t No Sanity Claus', a song that lead Snivel Gio had co-written and performed with The Damned. Damaged Goods.
Punk at its most pristinely putrid. Conceived in an age when the streets resounded with upstart snotnoses screaming about smashing the system, then sucking up to the major labels regardless, the Snivelling Shits reduced every cliché of the era to as few chords as possible, then spattered them with a stupidity that would have been rank if it wasn't so magnificent. The band released just one single during its lifetime, coupling the self-explanatory "Terminal Stupid" with "I Can't Come," an iconoclastic mantra of amphetamine-induced sexual dysfunction; a third track, "Isgodaman," then appeared pseudonymously on a now-rare Beggars Banquet label compilation. Rumors that more material existed, however, constantly abounded, before being borne out by I Can't Come In, a Shits anthology comprising all three oldies, six unheard slabs of similar psychosis, and finally a clutch of demos. And every legend that had ever built up around the Snivelling Shits' brutal absurdity was revealed as an understatement. The sound quality is not always perfect, although the warble and distortion quickly becomes as much a part of the appeal as the songs. And what songs they are. "Crossroads," in which Lou Reed's "Waiting for the Man" is translated to a suburban English living room, jonesing for a favorite soap opera, sets the lighthearted scene that dominates the proceedings: "I Wanna Be Your Biro," doing dreadful things to a rent-a-punk quickstep; "Et Moi et Moi et Moi," treating the French language with utmost disrespect; and "Bring Me Head of Yukio Mishima," bemoaning the singer's inability to become a Samurai warrior, are brittle buzz saws that capture the lumpenproletariat appeal of early British punk better than any of their better-remembered peers, although the pedophiliac nightmare of "Only 13" proves that even the Snivelling Shits had their own private fears. Finally, ...
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Live Recording
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Jim Gibson is on of Atlanta's busiest pianists, working for social and corporate clients in many, many different settings. From this experience, Jim has learned that what people sing, hum, and whistle is the melody . . . and so his Hickory Cove recordings are all intentionally melodic.Jim has developed a unique way of recording these CDs for Hickory Cove. He comes to the studio without music, and without pre-conceived ideas of how a song should be played. He then works with each song, playing with ideas until something "works"--a process that may take a long time . . . but that yields interesting and widely enjoyable ...
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