| | Scorpions Humanity Hour, Vol. 1 CD - Import Scorpions Discography of CDs
 (6 Customer Reviews)
2007 album from the German Hard Rockers. Co-produced by James Michael and veteran songwriter Desmond Child, Humanity/Hour 1 was recorded in both Hanover and Los Angeles. 12 tracks including 'Game Of Love', 'You're Lovin' Me To Death' and 'We Were Born To Fly'. Sony/BMG.
Casual observers might have lost track of German metal crossover kings the Scorpions after their 1980s heyday, but the faithful know that the band has been holding steady throughout the decades. Their metallic crunch has been leavened somewhat over the years; HUMANITY: HOUR 1finds the Teutonic terrors collaborating with mainstream pop hitmakers Desmond Child and Eric Bazilian, and laying on the big pop choruses. For all the lighters-aloft power balladry and acoustic guitar reveries, though, the Scorpions still wield the same unerring knack for a gargantuan riff and an inescapable hook. Those with a passion for the more melodic side of '80s metal should feel right at home here.
Kerrang (Magazine) (p.49) - "[With] '321', the best out-and-out rock song The Scorpions have made in years." Humanity Hour, Vol. 1 Music Humanity Hour, Vol. 1 Music Review Buy Humanity Hour, Vol. 1 CD  | | Scorpions
48 x 36 inch
Limited Edition on Canvas
Price: $994.99 |  | | Scorpions
21 x 16 inch
Limited Edition on Canvas
Price: $394.99 |
Purchase Humanity Hour, Vol. 1 CD To buy, Click on price to add to cart | Queensryche Operation: Mindcrime II CD (2006)
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| | Jamiroquai Dynamite CD (2005) Bonus DVD; Bonus Track
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On 2005's DYNAMITE, Jamiroquai mastermind/vocalist Jay Kay stays deep in a funk/disco groove. While most of the album consists of up-tempo dance-floor-ready tunes, most notably the "Night Fever"-like title track and the bass-driven "Starchild," there are detours into mellower territory, particularly the slow jam "Talulah" and the string-laden "World That He Wants." Kay also takes time to contemplate his favorite subject--expensive automobiles--on the uncharacteristically rocked-out "Black Devil Car." While the British group doesn't cover much new ground here, DYNAMITE's immediate appeal proves that innovation isn't necessarily a key part of the Jamiroquai sound. Kay and company simply want to provide a fun, funky time, and that's exactly what listeners will get.
Not unlike one of its lead singer Jay Kay's much publicized Lamborghinis, the U.K. funk band Jamiroquai is primarily a vehicle for its frontman's various fetishes. Which is another way of saying that Kay loves disco and fancy retro sneakers and he wears both well. He has done so ever since he hippie-danced his way out of the acid jazz ghetto of the early '90s with Jamiroquai's revelatory debut album, Emergency on Planet Earth. That album featured Kay's bright and soulful vocals against '70s-style funk and drew obvious comparisons to Stevie Wonder, Earth, Wind & Fire, and sundry other icons of vintage R&B. Not too much has changed in the years since and 2005's Dynamite finds Kay and Co. delving once again into various '70s- and '80s-inspired dance sounds. Similar to 2001's dazzlingly slick Funk Odyssey, Dynamite reveals Kay as a dancefloor eclectic, inclined to grab as much from Chic and Parliament as Kajagoogoo, the Police, and Terry Callier. Keeping to this grab bag aesthetic, Kay makes the most of his experimentation with some "vocal bass synthetics" ...
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The Blues had a baby and they called it rock and roll. At least that's the way the saying goes according to old legends like Muddy and BB. But if the Blues had not just any old baby, but a nasty, cholicky rugrat of a kid that never shut up and drove his poor mommy and daddy through the roof, well, they'd probably call it 'Whitey.''Andy Newman's cranky, full-throttle heavy trance blues trio is just plain, in-your-face audacious. Treah Ruiz on bass and Brian the Drummer help Newman throw the kind of relentless tantrums that push weak-ass posers to the back of the house. Plus, his growling, fuzzed out licks and throat-burning screams tell us he's not doing this to screw off. This, and he, is the real friggin' deal. The new disc, The Whitey Album, is saturated with the blues the way gas spreads through a puddle. But it's also modern as hell, with deafening waves of distorted metal brutality. Style-wise, the band makes wide turns, from Jesus Lizard hypno-grunge to even sicker stuff that'll remind you of the Melvins'. At its best, it's mind-warping noise that borders on the extreme without sinking into an ...
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Scorps still rockin' like a hurricane
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