| | Velvet Revolver Libertad CD Velvet Revolver Discography of CDs
 (15 Customer Reviews)
Where CONTRABAND sounded, logically enough, like a mash-up of Stone Temple Pilots' alterna-rock angst and Guns N Roses' Rolling Stones-derived hard-rock swagger, LIBERTAD sounds much more like the work of a cohesive band with a singular vision. There are many elements of 1970s arena rock on LIBERTAD, not least in the respectful cover of the Electric Light Orchestra's "Can't Get It Out Of My Head," whose power-ballad charms are echoed in the originals "The Last Fight" and "Gravedancer." Elsewhere, speedy, punky tracks like "She Builds Quick Machines" and "Let It Roll" underscore McKagan and Weiland's roots in the Seattle underground of the 1980s prior to their later mainstream success. "Get Out the Door" showcase's Slash's still considerable chops.
Given the dismal track record of supergroups in general and the well-known personal difficulties of Velvet Revolver's frontman in particular, many listeners assumed that 2004's CONTRABAND would be a one-off experiment. However, the album was commercially and artistically successful enough that the core trio of Scott Weiland, Slash, and Duff McKagan stuck together to create the even better follow-up, LIBERTAD.
Velvet Revolver: Scott Weiland (vocals); Dave Kushner, Slash (guitar); Duff McKagan (bass instrument); Matt Sorum (drums).
Rolling Stone (p.90) - 3.5 stars out of 5 -- "[T]here is plenty of thrill in the fuzz-lined hard-rubber bends of Slash's guitar breaks and the way bassist Duff McKagan keeps time."
Entertainment Weekly (p.136) - "Stop pining for a new Guns N' Roses release, break out your air guitars, and bask in the glory of LIBERTAD." -- Grade: A-
Uncut (p.118) - 3 stars out of 5 -- "From anyone else, these tales of strip-club sirens and lost souls would be wish fulfillment. For VR, they're diary entries." Velvet Revolver Libertad Songs Libertad Music Review Average Rating: (4.2 out of 5 stars)   List All Reviews 5 star album....really!?!?
if this is such an awesome album then why did slash call it "weak." well, mainly it is. after releasing the album he said in an interview that he wanted VR to sound just like guns n' roses. also stating that his vision did not come through and it does not come close to the work he did with guns. kinda makes you think why slash, duff, and matt left Gn'R to make a band to sound like Gn'R???? axl is Gn'R. he named the band and owns the rights. also a better album than this. hell, even crazy scott weiland walked out on these brain dead rockstars..lol. "libertad" is a overall weak, lame, guns coverband. how can all these great guys suck soooo bad. 1st axl sux...now scott sux. this band can not make up their mind. who's next...brett michaels...LMAO. slash, duff, and matt can keep on TRYING to sound like guns n' roses but i'll stick with axl cause' the new REAL Guns N' Roses album blows away slash, duffs solo albums. along with all that VR crap. because AXL rose SOUNDS and will ALWAYS be Gn'R. "you should of known better."
Submitted by Buckethead (mars,LA)
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great 2nd album from velvet revolver!!!
velvet rovolver,s Libertad, is in my opinion the best hard rock album release of 2007! like other reviewers have stated it,s better than their first album,contraband.for me the high lights are, get out the door,let it roll,last fight,she builds quick machines and gravedancer!! I just can,t think of any better hard rock releases for 2007 than this one!!get it rock on turn it up loud!! p.s. 1st album contraband is good also!
Submitted by pauly (chi-town u.s.a.!)
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scott weiland and slash have done it again in this sophmore album. even the softer songs are good like cant get you out of my head or gravedancer.
best song - get out the door or spay
Submitted by josh (houston texas)
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THE BESTTTTTTT EVER!!!!!
WoW is all i can say these guys are so amazing, what a combo Slash and the gang and THE man Scotty Weiland my opinion better then G n R!! best cd i heard in years alotta years!!
Submitted by Pete (Hamilton, ON, Canada)
Was This Review Helpful? Yes No An All Around Excellent Sophmore Effort!
Velvet Revolver's second cd release titled "Libertad" proves the band is here to stay. Much better in my opinion than their debut, "Libertad" has a number of good all around rockers like "Let It Roll", "Mary Mary", "She Builds Quick Machines", and "American Man". Heck even their cover of ELO's "Can't Get It Out Of My Head" is dang good. Considering the music industry is putting out mostly the latest & greatest crap these days, this cd is a breathe of fresh air.
Submitted by Holly ("Santa Fe, N.M., USA")
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Purchase Libertad CD To buy, Click on price to add to cart | Velvet Revolver Contraband CD (2004)
Libertad
 $8.99   
Timing your gigs and recording sessions around an unpredictable (and occasionally incarcerated) new lead singer might not seem the most auspicious start for a band. But when the singer is former Stone Temple Pilot Scott Weiland and the other musicians include Slash, Duff McKagan, and Matt Sorum--all veterans of Guns N' Roses--it's just business as usual. And these circumstances don't seem to have affected the supergroup's performance any, as evidenced by the outfit's raucous debut, CONTRABAND.
"Sucker Train Blues" roars out of the starting block, rocking like there's no tomorrow, with Weiland's seething vocals riding the six-string whirlwind generated by guitar supremo Slash and his new sidekick Dave Kushner. "Big Machine," with its doubtlessly autobiographical storyline about the pitfalls of stardom, melds the ring of truth with the voice of experience. The anthemic "Fall to Pieces" has echoes ...
| | Pink Floyd - Pulse DVDs (1995) Digipak
Libertad
 $14.59 
A live performance from October 20, 1994, PULSE records the great psychedelic band Pink Floyd rocking out like only they can. Renowned for their hallucinatory special effects and lighting schemes, Pink Floyd goes all out at this spectacular (and very long) concert. Twenty-one of their classics are performed, ...
| | Tool 10,000 Days CD (2006)
Libertad
$13.29
To its legion of fans, everything the band Tool does is an event, but the elaborate plan behind their sporadic release schedule--roughly five years, on average, between albums--is due primarily to the time and effort the band packs into each successive effort. To title their fourth album 10,000 DAYS, then, isn't as much an exaggeration as it would seem. Tool are America's most consummate mainstream perfectionists, revitalizing progressive rock to the grandeur of its '70s heyday, but updated with technocratic tension and existential dread not known to previous generations. Perhaps it's the development of more musical genres at the turn of the millennium, but it's also Tool's ability to take what is needed from each and leave the florid excesses behind, forming a seething gray core of angst and release across epic-length ...
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Libertad
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In the five years since their last full studio album, a covers EP (2004's FEEDBACK) and two live releases (2003's RUSH IN RIO and 2005's R30) hardly sated the throngs of Rush fans hungry for new music. SNAKES & ARROWS is all they could have possibly hoped for and dreamed about. The brash, contemporary vibe of 2002's VAPOR TRAILS has been shed as the trio returns to the polished production and complex arrangements of their most beloved works.
Woven into the later-era Rush song stylings are no less than three instrumentals: "The Main Monkey Business" (a hard rocking full-band workout), "Hope" (a solo acoustic guitar piece written and performed by Alex Lifeson), and the humorously titled "Malignant Narcissism" (featuring Geddy Lee's riffy, fretless electric bass and Neil Peart's tasty drum breaks). Keyboards are few and far between ...
| | Megadeth United Abominations CD (2006)
Libertad
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Issued in May 2007 after months of delays, UNITED ABOMINATIONS not only marks Megadeth's first album for the venerable Roadrunner label, it features singer/guitarist Dave Mustaine backed by an entirely new ensemble. In fact, the record's artwork even boasts a revamped depiction of Vic Rattlehead, the band's mascot. Clearly, the changes have reinvigorated Mustaine, who is at his snarling best on these fierce tracks, which, like many classic Megadeth tunes, take on issues of politics ("Washington Is Next!"), armed conflict ("Gears of War"), and blind obedience ("Sleepwalker").
Given Mustaine's strong personality and knack for selecting top-notch musicians, the radical personnel shift has no discernable negative effects on the group, with James Lomenzo (bass) and brothers Glen and Shawn Drover (guitar and drums, respectively) contributing to a more streamlined approach that eschews excessive ...
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Libertad
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Following the arty explorations of its predecessor, GET BEHIND ME SATAN, ICKY THUMP finds everybody's favorite platinum-selling, post-modern garage-rock duo returning to their bang-and-stomp rock-&-roll roots. The marimbas and pianos of the former are kicked to the curb in favor of ...
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Libertad
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Recorded between 1970 and 1981. Includes liner notes by Edgar Winter and Lawrence Cohn.
All tracks have been digitally remastered.
Compilation producer: Lawrence Cohn.
Personnel includes: Edgar Winter (vocals, alto saxophone, piano, celeste, Clavinet, ...
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Libertad
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Recorded between 1981 & 1983. Includes liner notes by Michael Azerrad.
An undisputed classic of the American rock underground, the Violent Femmes' 1982 self-titled debut still shines with its original luster. Quirky, catchy, innovative, and explosive, the Femmes made what was probably the first acoustic punk-folk-rockabilly-New Wave document for the dispossessed. The formula is as ingenious as it is simple--a trio playing guitar, bass, and drums runs through songs of adolescent angst, vulnerability, and social/sexual frustration.
In addition to their distinctive, minimal sound--guitarist Gordon Gano's rhythmic chord progressions filled out by Brian Ritchie's fluid bass and Victor De Lorenzo's aggressive brushwork on the drums--it is Gano's singing and superb songwriting that earmarks ...
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