| | Isklad Shades Of Misery CD - Import Isklad Discography of CDs
Ice cold and crystal clear black metal from the land of the midnight sun. Iskald shines like aurora borealis on the northern black metal hemisphere. Hailing from Sortland in the northern part of Norway, these two young boatmen have crafted out what will most likely stand out as a future classic within the genre. Isklad Shades Of Misery Songs | 1. | Hymn of Desolation |
| 2. | Shadowland |
| 3. | Eden |
| 4. | Blodsb: Lokes Dans |
| 5. | Blodsb: Djallarhorn Song |
| 6. | Blodsb: Pesten |
| 7. | Shades of Misery |
| 8. | Warriors of the Northern Twilight |
| 9. | When Hell Freezes Over |
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Shades Of Misery Review
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Purchase Shades Of Misery CD To buy, Click on price to add to cart | Five Finger Death Punch War Is The Answer CD (2009)
Shades Of Misery
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Five Finger Death Punch stormed rock radio in 2007 with "The Bleeding" (from debut album THE WAY OF THE FIST), a powerful, emotionally tense track that matched vintage, Metallica-style thrash with a throat-shredding chorus more typical of late aughts metalcore. The Los Angeles-based band's sophomore disc WAR IS THE ANSWER mines much of the same territory as that breakout song, keeping the flame of the classic `80s Four Horsemen sound alive with snap-tight chugga-chugga guitar rhythms, minor-key, classical music-inspired clean/acoustic passages, and vocals dripping with a James Hetfield-approved combination of sensitive angst and macho defiance. First single "Hard to See" backs a catchy, harmony-vocal laden melody with a syncopated groove so rhythmically engaging it could almost be called funky, while the closing track "War is the Answer" takes a classic-sounding headbanging riff seemingly straight out of the Anthrax songbook and uses it to drive home one of several ultra-aggressive sentiments ("to me you're just a cancer/war is the answer"). Elsewhere, Five Finger Death Punch delves into somewhat more diverse sonic territory; "Bulletproof" combines a throbbing industrial feel reminiscent of late-period Ministry with Yngwie Malsteen-esque melodic shred ...
| | Steel Panther Feel The Steel CD (2009)
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Like Spinal Tap and several other acts before it, Steel Panther found success mocking the excesses of `80s hair metal while accurately re-creating the genre's musical style. The Los Angeles-based, wig n' spandex-clad quartet delivered a particularly low-brow take on the mock-metal genre with its debut album FEEL THE STEEL. With groan-inducing, intentionally politically ...
| | Tool Aenima CD (1996)
Shades Of Misery
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AENIMA was nominated for a 1997 Grammy Award for Best Recording Package. "Aenima" won the 1998 Grammy Award for Best Metal Performance.
On its second full-length album, this hard-rocking quartet delivers 15 tracks of unrelenting aggression and focused intensity. Rather than overwhelm with huge sonic washes of guitar and booming drums, Tool employs a propulsive, snaky approach that makes use of undulating rhythms and clipped, percussive guitar riffs. Maynard James Keenan's vocals follow suit, opting for a heavily processed slow burn instead of the post-grunge bellow favored by so many hard-rock bands. Instead of flailing uncontrollably in all directions, the group's raw, energetic sound is tightly directed for maximum impact.
On songs like "Stinkfist," Keenan rails against injustice while the band churns mercilessly behind him. There is very little humor or light in Tool's ...
| | Black Sabbath Paranoid CD (1971)
Shades Of Misery
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PARANOID proved to be Black Sabbath's most focused, consistent, and successful record. Leaving behind the amorphous, extended jams of their debut for focused songs and a more structured sound, Black Sabbath virtually wrote the book on heavy metal with the ominous, unforgettable riffs, thunderous rhythms, and dark themes on this release. There are some up-tempo rockers, the famous title track for one, but for the most part PARANOID oozes along like a bad dream, as on the slinky, creepy opener, "War Pigs," or the lumbering thud of "Iron Man" (which boasts one of the most indelible electric guitar riffs in rock history).
The album's title is apt: PARANOID is filled with an edgy aggression and lyrics about war, insanity, death, and destruction. Ozzy Osbourne's flat, affectless voice merges perfectly with Tony Iommi's fuzzed-out, sledgehammer power chords and ...
| | Dream Theater Images And Words CD (1992)
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While continuing to improve its musical chops and explore more progressive territory, Dream Theater reached its mainstream apex with 1992's IMAGES AND WORDS. Here the group capably combined prog-rock high-mindedness with metal crunch and commercial accessibility on the opening track "Pull Me Under," helping to snare an audience big enough to push this album past gold sales status.
What makes IMAGES AND WORDS stand out is the fluid marriage of shred tactics, soaring vocals, and catchy hooks, all wrapped up in a polished studio sound. Fans can argue whether this is the band's best, but there is no denying the power of epic, engaging songs like "Take the Time," "Under a Glass Moon," and "Metropolis - Part I," a track that foreshadowed the 1999 outing SCENES ...
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Dream Theater's specialty is atmospheric metal, at times heavy, at times sinister, with a sharp techno edge. "New Millennium," the disc's opening cut, defines the sound: ringing guitars, a driving beat, start-stop dynamics and rolling drum crescendos. There's a bit of a Rush influence at ...
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Digitally remastered using 24-bit technology by Ron McMaster.
This is part of Blue Note's Limited Edition Connoisseur Series.
The same personnel who performed on Grant Green's classic IDLE MOMENTS session in November 1963 reconvened for Bobby Hutcherson's first recording as a leader one month later. THE KICKER, however, was never released and waited more than 35 years to see the light of day. Thanks to reissue king Michael Cuscuna, we are now finally able to hear this swinging disc and marvel at yet another example of Hutcherson's brilliance.
Although this session is a bit more conservative than DIALOGUE, Hutcherson's original released debut, this is an exquisite capsule of the Blue Note era and a crisp performance by all. Many of the tunes here have been recorded in various ...
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The Necronomicon is a legendary book of shadows said to have been written in 730 A.D. by the Mad Arab, Abdul Alhazred. The sinister book of shadows is said to ...
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