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Baby Rock Records quietly dominates the music-for-babies niche, with gentle, mellotron-infused versions of songs by all your favorite alterna-stars: Tool, Pixies, Metallica. They also cater to classic-rock-loving infants with their collections of covers by Pink Floyd, the Beatles, and the Eagles. This 2007 release focuses on the surprising apt lullabies of the Rolling Stones, including "Paint it Black," "Start Me Up," and "Brown Sugar."
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Purchase Lullaby Renditions Of The Rolling Stones CD To buy, Click on price to add to cart | Pickin' On The Rolling Stones: A Tribute CD (2000)
Lullaby Renditions Of The Rolling Stones album
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The CMH record's Pickin On series took the novel idea of studio musicians fusing together compositions from rock legends like Hendrix, Clapton, Neil Young, Aerosmith, and, in this case, the Rolling Stones and applying straight bluegrass arrangements to them. The novelty, however, wears off quickly on versions of "Paint It Black," "Jumpin Jack Flash," "Start Me Up," and "19th Nervous Breakdown" that incorporate ...
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The runaway train that is the string tribute hits the Rolling Stones this time, giving chamber group treatments to 11 hits from the World's Greatest Rock & Roll Band. In a way, it's rewarding to see popular music from the second half of the 20th century collide with the pop repertoire tradition of its first half -- the quintessential ...
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The project may seem odd at first: jazz and world music fusion covers of Rolling Stones songs? Yet saxophonist Tim Ries, a decade-long member ...
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Arranger: Michael Armstrong.
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Like Frank Sinatra's classic LPs for Capitol and Ella Fitzgerald's songbook series on Verve, Mel Tormé's recordings for the Bethlehem label hit such dramatic heights in artistry -- and maintained them -- that the artist would never quite escape their excellence despite remaining a respected and rewarded performer for decades afterward. Bethlehem was the home of Tormé's first mature full-length statement, It's a Blue World, which proceeded from his undergraduate studies of the 1940s with the Mel-Tones and his advanced postgrad work on the first version of Mel Tormé's California Suite (which he recorded again while at Bethlehem). That Tormé on Bethlehem isn't known well by the wider music-buying public is down to the label's tortuous history (it folded in the middle of his contract) and Tormé's short stint there (six billed records within three years). It certainly can't be the quality of the material that causes the low profile, for if Lulu's Back in Town or Mel Tormé Sings Fred Astaire had remained in print like any of Sinatra's LPs, they would have acquired the same high profile. Leave it to those entrepreneurial wizards at Shout! Factory to introduce the first major-label compilation devoted to that excellent period. Better still, beyond the gripe of including only 16 tracks, The Bethlehem Years makes all the right choices for material. The two records mentioned immediately above are each given four slots, with Tormé's buoyant vocals backed in great fashion by Marty Paich's Dek-tette, which makes a statement that a well-chosen ten-piece band can pack a punch while also leaving the vocalist plenty of space. Tormé's gift for entertaining at live appearances is also ...
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Violet Naytowhow Violet Naytowhow is a woodland Cree singer/songwriter based in Prince Albert, Saskatchewan. She has been writing songs, playing guitar, hand drum, rattle and singing - both as part of music festivals, cultural events, conferences, ceremonies and community and family events since she was a young child. She has also recorded and played with a ...
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