| | Bill Evans Live In Ottawa CD - Import Bill Evans Discography of CDs
This Canadian concert was performed shortly before drummer Marty Morell's departure, and therefore, boasted a well-rehearsed unit. The concert issued here was one of two performances recorded during that engagement, although not a single tune was played twice. Our concert, taken from a radio broadcast, has been long unavailable and appears here on CD for the first time ever. As a bonus to this rare concert, we have added the soundtrack from a TV show featuring the same Bill Evans trio, recorded in New York on September 17, 1972. Gambit. 2007. Bill Evans Live In Ottawa Songs | 1. | Intro | |
| 2. | Midnight Mood | $0.99 | |
| 3. | Elsa | $0.99 | |
| 4. | Suger Plum | |
| 5. | Morning Glory | |
| 6. | Sleepin' Bee | $0.99 | |
| 7. | How My Heart Sings | $0.99 | |
| 8. | Time Remembered | $0.99 | |
| 9. | Beautiful Love | $0.99 | |
| 10. | How My Heart Sings (II) | |
| 11. | Gloria's Step | $0.99 | |
| 12. | Time Remembered (II) | |
| 13. | My Romance | $0.99 | |
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Live In Ottawa Review
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Purchase Live In Ottawa CD To buy, Click on price to add to cart | Dave Holland Extended Play: Live At Birdland CDs (2003)
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EXTENDED PLAY was nominated for the 2004 Grammy Award for Best Jazz Instrumental Album.
With a front line that features saxophone, trombone, and vibraphone/marimba, the Dave Holland Quintet features an immediately identifiable band sound. As for backing, bassist Holland and traps man Billy Kilson provide a push-me-pull-you, supple and responsive rhythm section that is an embarrassment ...
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This remastered, nine-track collection featuring legendary jazz pianist Bill Evans performing at 1957's Brandeis Jazz Festival includes "All About Rosie" and "On Green Mountain."
This oddly packaged CD compilation issued by the European label Gambit is a ...
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The recordings on Synthesis were a live date in 1986 where Workman was performing with reedman Oliver Lake, pianist Marilyn Crispell, and drummer Andrew Cyrille. At this time, Crispell was still very much a part of the Anthony Braxton Quartet, and her playing here reveals that influence: many of her solos incorporate long phrases from his compositions. As a quartet, this band has some interesting things to say. There is fire in the group interplay andLake's playing in particular is very inspired. But there are some weak links in the chain, and unfortunately the weakest is Workman himself. This is difficult to say about a musician of his caliber, but as a leader here, he is far behind his band members to pick up the intuitive cues they set out, sometimes especially for him to follow. Perhaps it was a bad night, perhaps there was something wrong with the acoustics in the room, but as Crispell opens her heart into the mix where it is greeted warmly by Lake and Cyrille, Workman is dragging, playing through cues and line changes we have heard from him many, many times before. His playing is flat and unimaginative. It is a blessing, however, to have the remaining trio -- Crispell in particular -- work ever harder to make the proceedings come off as well as they do. It becomes ...
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For his second album, guitarist John Stein has taken his regular band into the studio for a session focusing on Stein originals with one standard included, Duke Ellington's "Do Nothing `Till You Hear from Me." The trio is augmented on four tracks by David "Fathead" Newman, including on the aforementioned Ellington tune. Here, Newman uses the alto instead of his regular tenor. The result is a slightly more boppish sound in lieu of the soul he gets with the tenor. Stein's group is an organ trio, and one that avoids the soul/blues/R&B trap that so often happens with these combos. One reason the undertaking is successful is because Ken Clark's organ does not dominate the proceedings but shares the headlines with Stein and often takes on a supportive role. This relationship is apparent on such cuts ...
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Meet the future of Nu Soul. It is vocalist/songwriter/producer Patricia Maertens mix of the raw emotion of India Arie, the sophisticated grooves of Jill Scott and the experimental funk of Nelly Furtado. It's powerful, feisty and goes beyond your parent's soul records. Inspired by her unique upbringing, Patricia ventured toward a new direction in Soul. Born in Hollywood and raised in the inner city of Inglewood, she spent her first years listening to her 1580 KDAY heroes Rufus, Rose Royce and Rick James. Weekends meant listening to conga rhythms floating out of Centinela Park. But her teenage years, spent in the sleepy beach town of Palos Verdes, left her searching for new music. She found it in the abstract words of 70's punk poetess Patti Smith, in the voice of Bessie Smith with her poignant sadness and in the timeless ...
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