| | Aya Kamiki Misekakeno I Love You CD - Import Aya Kamiki Discography of CDs
Misekakeno I Love You Music | List Price | $17.99 (You save $0.90) | | Category | World Albums, Japanese CDs | | Label | Phantom | | CD Universe Part number | 7433616 | | Catalog number | 683646 | | Discs | 1 | | Release Date | May 29, 2007 |
Aya Kamiki Misekakeno I Love You Songs | 1. | I Love You |
| 2. | Youthful Diary |
| 3. | Instrumental |
| Misekakeno I Love You Review
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Purchase Misekakeno I Love You CD To buy, Click on price to add to cart | Lord Of The Dance DVD (1996)
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Misekakeno I Love You CD music
$12.79 Michael Buble's third major US release (including the mostly live COME FLY WITH ME) stays on message--this young Canadian loves the lush, swaying music of his parents' and grandparents' generations. Buble's albums, however, are much more than mere back-in-the-day exercises. The production and arranging of David Foster (Celine Dion, Josh Groban) is eclectic in a way that firmly places the tunes at the dawn of the 21st century, and, more importantly, Buble possesses the chops and sense of style to re-imagine the adult-contemporary vocal genre in a distinctive manner. In addition to standards by Gershwin and Porter, Buble embraces a variety of sounds, from Motown ("How Sweet It Is") to bossa nova ("Quando, Quando, Quando" with Nelly Furtado) to the Beatles ("Can't Buy Me Love" with a "She Loves You" tag). With his smooth croon and charming persona, Buble is a natural performer, and, for fans of fearlessly romantic and infectiously swinging music, IT'S TIME is a sure bet.
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$7.49 Recorded between 1966 and 1971. Originally released on Decca. Includes liner notes and interviews with band members by Todd Everett.
Somewhere between Bing Crosby's vocal novelties back in the '40s and the current popularity of dance troupes like Riverdance and Michael Flatley's Lord of the Dance, the flag of Irish music was held aloft in North America during the '60s by the success of the Irish Rovers. Patterning themselves after ...
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Misekakeno I Love You music CDs
$11.65 The glam rock of the Sweet were an infectious and fun '70s treat from England, and this release gathers some of their earliest recordings.
Sweet's earliest recordings -- the clutch of 45s issued in the U.K. and Europe between 1968 and 1971 -- made it out in a variety of forms in the years following the band's initial breakthrough. Strangely, however, it was not until 1991 -- a full 20 years after "Funny Funny" gave them their long-awaited first hit -- that the entire canon was pulled together, as Repertoire raided the vaults not only of Fontana and Parlophone, the band's first two labels, but also visited some less-familiar directions as well. The bulk of First Recordings 1968-1971 -- tracks one through eight -- comprises all four original singles, a mixed bag that ran from the unadulterated pop of "Lollipop Man" and "Slow Motion" to the convincing harder rock of "The Juicer." None have much in common with anything that Sweet would become -- Andy Scott had still to join the band at this time, leaving guitar duties on the first three singles to predecessors Frank Torpey and Mick Stewart. The enjoyably lightweight "Get on the Line," meanwhile, was the first ...
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$17.09 Don Aliquo is a jazz saxophonist's saxophonist. Drawing from a wide variety of influences, Don merges his technical knowledge of the instrument and fuses it with an emotion, passion and a desire to go "outside" rarely found in contemporary jazz artists.Originally from Pennsylvania, where he is still one of Pittsburgh's most popular and respected jazz musicians, Aliquo moved to the Nashville area to teach Saxophone & Jazz Studies at Middle Tennessee State University in 1999. He was recently named Director of the Jazz Studies program at MTSU. He holds the M.M. and the B. MusEd. From Duquesne University and has studies with at the Berklee College of Music. He has studies saxophone with Joeseph Viola, George Garzone, Marino Galluzzo and Eric Kloss among others. February Regrets (1997) and Power of Two (1999) showcase Aliquo's original ...
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