| | Live Free Or Die Hard Soundtrack CD
Composer: Marco Beltrami.
Personnel: Hollywood Studio Symphony (symphony).
Audio Mixer: John Kurlander.
Recording information: The Newman Stage, Twentieth Century Fox.
Editor: Kevin Globerman. Live Free Or Die Hard Soundtrack Music | Category | Rock/Pop Albums, Soundtrack CDs, Score, Film Composers | | Label | VarŠse Sarabande (USA) | | Orig Year | 2007 | | All Time Sales Rank |  158563  | | CD Universe Part number | 7441819 | | Catalog number | 066824 | | Discs | 1 | | Release Date | Jun 26, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Marco Beltrami; Marco Beltrami | | Engineer | Tim Lauber; John Kurlander; Alex Gibson; Erick Labson; Kevin Globerman; Denis St. Amand | | Recording Time | 63 minutes | | Additional Info | Marco B |
Live Free Or Die Hard Soundtrack Songs | 1. | Live Free or Die Hard, film score: Out of Bullets |
| 2. | Live Free or Die Hard, film score: Shootout |
| 3. | Live Free or Die Hard, film score: Leaving the Apartment |
| 4. | Live Free or Die Hard, film score: Dead Hackers |
| 5. | Live Free or Die Hard, film score: Traffic Jam |
| 6. | Live Free or Die Hard, film score: It's A Fore Sale |
| 7. | Live Free or Die Hard, film score: The Break-In |
| 8. | Live Free or Die Hard, film score: Farrell to D.C. |
| 9. | Live Free or Die Hard, film score: Copter Chase |
| 10. | Live Free or Die Hard, film score: Blackout |
| 11. | Live Free or Die Hard, film score: Illegal Broadcast |
| 12. | Live Free or Die Hard, film score: Hurry Up! |
| 13. | Live Free or Die Hard, film score: The Power Plant |
| 14. | Live Free or Die Hard, film score: Landing |
| 15. | Live Free or Die Hard, film score: Cold Cuts |
| 16. | Live Free or Die Hard, film score: Yippee Ki Yay |
| 17. | Live Free or Die Hard, film score: Break a Neck |
| 18. | Live Free or Die Hard, film score: Farrell is in |
| 19. | Live Free or Die Hard, film score: The F-35 |
| 20. | Live Free or Die Hard, film score: Aftermath |
| 21. | Live Free or Die Hard, film score: Live Free or Die Hard |
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Live Free Or Die Hard Soundtrack Review
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Another year, another live album. Paul Weller has turned out to be as predictable as the Rolling Stones in how he follows a new set of material with a live album, following every album since Wild Wood with a live record. Because of this it's hard not to superficially see 2006's Catch-Flame! Live at the Alexandra Palace as just another live album, but take the time to listen to Catch-Flame! and it soon reveals itself as a surprise every bit as bracing as Weller's 2005 studio album As Is Now: a record that doesn't sound all that different from its predecessor, at least on the surface, but underneath that surface, it's apparent that Weller's fire is again burning intensely. There's a vigor and vitality to this performance that eclipses all his other live solo albums; it's as kinetic as early Jam, but without abandoning the Traffic-inspired, jam-heavy aesthetic that marked his solo work. As such, it's satisfying both as an exciting, energetic live album and as one to savor, to really enjoy the interplay between the musicians, and it makes Catch-Flame! something far more than another Weller live album; indeed, it makes it closer to being the live Weller ...
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It\'s not difficult to see that this project is a collaboration between Audiomatic (Benjamin Halfman) and Magnetrixx (Stefan Lewin). Due to their own individual releases, both artists have made themselves known on national and international levels. They first met at Leviathan Studios when Stefan was working on his first releases. Benni was already an established DJ playing many parties in Germany. He became fascinated with the producing and music creation Stefan was doing and started learning how to do it himself. During a time apart, Benni honed the skills Stefan taught him and when they finally came back together Stefan was so impressed with how much Benni had learned they spontaneously created a track together. Eventually, they joined forces and started the project Audiomatrixx. Those familiar with the artists\' individual works know what to expect: nice, driving beats with power-grooves for a packed dance floor. They immediately gained fans after releasing three tracks for various compilations. After two years of hard work in the studio the long awaited ...
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