| | Jazz Quartet Tribute To Black Sabbath CD
Tributee: Black Sabbath.
Personnel: Cory J. Wong (guitar); Patricio Toledo (bass guitar); Zach Schmitt (drums); STanley Schmitt (keyboards). Jazz Quartet Tribute To Black Sabbath Music Jazz Quartet Tribute To Black Sabbath Songs Jazz Quartet Tribute To Black Sabbath Review
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Purchase Jazz Quartet Tribute To Black Sabbath CD To buy, Click on price to add to cart | Al Jarreau Christmas CD (2008)
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For the past few decades, Al Jarreau has established himself as a truly modern jazz singer, one for the post-fusion generation--those who grew up with the sounds of the ...
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Orchestral and choral arrangements of rock songs have been a curious subgenre ever since the mid-'60s when Andrew Loog Oldham arranged The Rolling Stones Songbook for syrupy strings, but The Kinks Choral Collection stands apart from the pack for the simple reason that it's not the project of some associate or admirer, but rather chief Kink Ray Davies. His very presence as arranger and lead vocal means The Kinks Choral Collection isn't nearly as stuffy and middlebrow as so many of these orchestral rock albums; he manages ...
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Herb Alpert/Herb Alpert & the Tijuana Brass/Tijuana Brass: Herb Alpert (trumpet); John Pisano (electric guitar); Tonni Kalash (trumpet); Bob Edmondson (trombone); Lou Pagani (piano); Pat Senatore (bass guitar); Nick Ceroli (drums).
Herb Alpert was still using an array of SoCal studio all-stars as his Tijuana Brass when South of the Border (1964) began to restore the combo's good name after the modest Herb Alpert's Tijuana Brass, Vol. 2 (1963) failed to ignite a fire in listener's ears. In his essay accompanying Shout! Factory's 2005 Signature Series reissue of South of ...
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With BIG SCIENCE, avant-garde sculptor Laurie Anderson made the big leap from fringe performance artist to commercial success. Originally creating music to embellish her artwork, Laurie soon moved on to creating the music for its own sake, providing a new sound comprised of electronics, voice enhancers, and humorous vignettes. Totally original for 1982, BIG SCIENCE stands up to the test of time, still sounding like an innovative mark of creativity.
From "This is your Captain speaking...," the opening lines of "From The Air," Laurie stands firmly in charge, piloting through an idiosyncratic and iconoclastic sonic experiment. The title track is an electronic dirge, exotic and technical--a futuristic ballad. "Sweaters" is a Middle Eastern kiss-off ("I no longer love the color of your sweaters..."), with the curious instrumentation of bagpipes, violin and drums. The unlikely hit "O Superman," with its repeated, hyperventilating "ah"s and spooky comical text, sets the tone--especially when Anderson asks to be held with "electronic arms." The acoustic, international grab-bag of "Example #22" provides one of the funnier lines on an album of countless, clever gems: "Honey you're my ...
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In which George Benson stretches out over the pop grooves of 1968, pursued stage left by flutes, strings, harmonica, and studio brass orchestrations. Not to mention the sound of Benson himself holding forth on, according to the original liner notes, "alto guitar with Varitone attachment--a wild, doubled sound."
If you want to hear the heir to Wes Montgomery swing hard over a standard, forget it--and you'll have to wait until the second-to-last cut to hear him get serious on a blues. Finally ...
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